LATEST ADDITIONS

Steve Bedell  |  Aug 01, 2010  |  0 comments

The first time I met Sam Gray was probably about 1975. I was a young photographer attending one of my first Maine state conferences and Gray was one of the program speakers. I can still remember how elegant and beautiful his images were. I also remember how he struck me as a quintessential southern gentleman. He was soft spoken yet exuded confidence. You couldn’t help but admire the...

Art Rosch  |  Aug 01, 2010  |  0 comments

My wife and I live in an alternate universe. It’s called “RV Land.” We inhabit a vibrant subculture in which people live full-time in various types of recreational vehicles. An RV is a little home on wheels, able to carry computers and camera gear along with a full life support system. It requires a diet of gasoline but the expense seems trivial as we pass hundreds of motels...

C.A. Boylan  |  Aug 01, 2010  |  0 comments

Nikon’s AF-S Nikkor 200-400mm f/4G ED VR II Lens
The AF-S Nikkor 200-400mm f/4G ED VR II lens is constructed from die-cast magnesium and sealed to resist dust and moisture. It features meniscus glass to protect the front element, VR II image stabilization, Extra-low Dispersion (ED) glass elements, Silent Wave Motor technology, and three Focusing modes. The suggested...

Roger W. Hicks  |  Aug 01, 2010  |  0 comments

It sometimes seems that there are two kinds of photographers: those who bang their cameras and lenses around mercilessly, and those who baby them. The former see themselves as rough, tough, and macho; the latter are perpetually worried about the slightest risk of damage to their precious cameras.

Neither attitude makes a lot of sense. Yes, you need to be unlucky to damage a...

Shutterbug Staff  |  Aug 01, 2010  |  0 comments

Our Picture This! assignment for this month was “Shadows and Form,” images where the shadow plays an important role in the composition and point of view of the photographer. Shadows can redefine form, create volume and space, and can both echo and abstract form. Readers responded with images of landscapes, architecture, and even portraiture. In all cases the play of light and dark, of...

George Schaub  |  Aug 01, 2010  |  0 comments

When you talk about lenses these days you always have to bring in the multiplication factor, especially when you have a lens that fits comfortably on both so-called full-frame and APS-C sensor cameras. To know what angles of view you will have available you have to know: (a) that the lens is made for full-sized sensors (or not) so will work with the multiplication factor on smaller sized sensors...

Stan Trzoniec  |  Aug 01, 2010  |  1 comments

Nikon’s entry into past universal 80-200mm f/2.8 lenses started back in 1978 with a manual focus, push-pull lens checking in at 4 lbs. Ten years later the autofocus model arrived sporting ED (Extra-low Dispersion) glass; ’92 marked the “D” package. In ’96 the AF-S version came along, followed by the new generation of front motor drive “G” models. Now we...

Robert E. Mayer  |  Aug 01, 2010  |  0 comments

Here Is A Quick Tip List On Letters For The HELP! Desk:
Please confine yourself to only one question per letter. Both postal letters and e-mails are fine, although we prefer e-mail as the most efficient form of communication. Send your e-mail queries to editorial@shutterbug.com with Help in the subject header and your return...

Jim Zuckerman  |  Aug 01, 2010  |  0 comments

Digital technology has revolutionized photography. So much has changed. The terminology is different, the ability to make our images perfect after the fact is a new concept, and the instant gratification of seeing our photos in a microsecond allows us to correct our mistakes on the fly. At the same time, the digital world is fraught with challenges, and photographers have never had to deal with...

Jack Neubart  |  Aug 01, 2010  |  0 comments

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

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