Joe Farace

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Joe Farace  |  Apr 01, 2001  |  0 comments

Making photographs for a model's portfolio involves much more than just using the proper posing and lighting techniques and includes all of the less glamorous and business-oriented aspects of creating these kinds of images. The...

Joe Farace  |  Mar 01, 2001  |  0 comments

Nada, Nothing, Bupkis. Anything that sounds too good to be true usually isn't. But free Internet access uses an age-old formula to let web surfers gain access to the World Wide Web (WWW) at no cost. Radio. Yup, radio. After you buy the...

Joe Farace  |  Mar 01, 2001  |  0 comments

Proving that in digital imaging, like the rest of photography "there are no absolutes," I've been forced to re-examine my original contention that there are just three major phases of digital imaging. To my original trifecta of image...

Joe Farace  |  Feb 01, 2001  |  0 comments

Take a look at the photograph of me that accompanies this month's column. Nothing remarkable, wouldn't you say? I am standing in front of the Applied Science Fiction (ASF) stand at the photokina 2000 show in Köln, Germany, last...

Joe Farace  |  Feb 01, 2001  |  0 comments

One of the reasons purists often refer to black and white prints as "monochrome" is that it's a much more precise term that also covers prints made in sepia and other tones. One of the advantages of working with monochromatic digital...

Joe Farace  |  Jan 01, 2001  |  0 comments

It should come as no surprise to you to discover that there are few--maybe no--real secrets in photography. Instead, what you find are informed opinions based on experience blended with some stylistic preferences. The recipe for producing...

Joe Farace  |  Jan 01, 2001  |  0 comments

"It has taken me many years as an active image-maker to fully embrace the idea that the entire photographic process is an act of metamorphosis." --Jerry Uelsmann

If you shoot a...

Joe Farace  |  Jan 01, 2001  |  0 comments

While Kodak's Photo CD process was originally announced in 1990, it wasn't until the summer of 1992 that a photo lab in my area offered the service. The original concept behind Photo CD was at once simple and complex. The...

Joe Farace  |  Jan 01, 2001  |  0 comments

Like many professionals, my first studio lights were from Bowens. My original lights were the black 800B models that proved to be indestructible over the almost 20 years that I used them. The new Bowens line of monolights appear just...

Joe Farace  |  Dec 01, 2000  |  0 comments

The final step in the digital darkroom process is outputting your photographs on an ink jet printer and having the "right" paper can have as much impact on the quality of that output as choosing the correct paper and developer combination in a...

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