Joe Farace

LightingLighting NewsLighting Reviews
Smith-Victor FL700K Strobe Light Kit: An Affordable, Full-Featured Package
Joe Farace  |  Nov 15, 2012  |  First Published: Oct 01, 2012  |  0 comments

One of the first lighting kits I ever owned was a set of Smith-Victor Adapta-Lights that had screw-base sockets for photoflood lamps. Son of a gun, the company still offers Adapta-Lights as an entry-level solution for beginning portrait photographers who want to work with hot lights. On the other hand, if you prefer making portraits using electronic flash, Smith-Victor’s three-light FL700K Strobe Light Kit may be just what you’re looking for.

 

The FL700K Strobe Light Kit that I tested is designed for amateur photographers and aspiring pros and contains two FLC300 (320 ws) FlashLite and one 110i (110 ws) FlashLite monolights. The FLC300 monolights offer continuously variable flash power settings, a test button, a ready light, and an optical slave for wireless triggering and have an umbrella stand adapter that’s compatible with 3/8” through 5/8” light stand posts. To expand the kit’s capabilities, Smith-Victor offers more than 100 accessories and light modifiers for the FLC300 monolights, including softboxes, reflectors, snoots, grids, and barn doors. The 110i monolight has a full- or half-power setting, optical slave, small built-in reflector, and umbrella mount. When used together, all three lights give you lots of flexibility for lighting studio or on-location portraits.

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Digital Innovations
It’s Back To School Time: New Tools For A New Semester Of Imaging
Joe Farace  |  Nov 01, 2012  |  First Published: Sep 01, 2012  |  8 comments
At this time of year some Shutterbug readers are getting ready to go back to school while others, like me, feel they’ve already put in enough classroom seat time, but that doesn’t mean we should stop learning. One of the best ways to improve your photography is the self-assignment. Many people think they need to travel to exotic locations to do this, when chances are there are great photo ops just around the corner. For the past 30 years my personal self-assignment has been making images near my home. How close? I prefer making photographs I can easily walk to from my front door. This self-assignment wasn’t done for any commercial purpose and it’s personal projects like this that help us stretch our talents, skills, and imagination. What’s your self-assignment?
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Web Profiles
Fine Art Photography Masters: Ultimately, It’s All About The Image...
Joe Farace  |  Oct 31, 2012  |  First Published: Sep 01, 2012  |  0 comments
This month I am privileged to present four of the best fine art photographers working in the country. Bill Schwab’s introspective classical images made on collodion plates, the sweeping majesty of Michael Kahn’s handmade silver gelatin prints, and Lane Wilson’s lush images show why they are masters of monochrome photography. Even Cole Thompson’s Blog-of-the-Month resonates with expertise and vision that is at once traditional yet as new as a sunrise. Join me as we take a look at their websites and blog, and prepare to be inspired.
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Lighting NewsLighting Reviews
Studio Lighting Gear: Continuous & Strobe (And LED, Too)
Joe Farace  |  Oct 25, 2012  |  First Published: Sep 01, 2012  |  3 comments

Studio lighting equipment is available in either continuous or electronic flash configurations. Continuous lighting is “on” continuously, much like a light bulb or the sun for that matter, enabling you to use your in camera light meter to measure and see how the light falls on your subject. Continuous lighting sources use photoflood, quartz, or HMI (Hydrargyrum Medium-Arc Iodide) bulbs, which can be hot, leading to the use of the term “hot lights.” An increasing number of continuous lighting tools use Compact Fluorescent Lamps (CFL) or LEDs, producing what are, in effect, “cool” hot lights.

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Lighting NewsLighting Reviews
Multiblitz Profilux Backpack Kit: Monolights To Go
Joe Farace  |  Oct 24, 2012  |  First Published: Sep 01, 2012  |  2 comments

If you’re looking for European build quality at a reasonable price, Multiblitz’s series of Profilux monolights are a good place to start. Built in Germany, the two Profilux models—250 and 500 watt second versions—are the perfect tool for the serious amateur or established professional and feature fast recycling times, short flash durations, and consistent color temperatures. The Profilux 250 has a five-stop power range that’s adjustable in 1/10-stop increments with a modeling lamp that delivers an expected service life of 2000 hours. The Profilux 500 delivers all of the same features as the 250 but with twice the output power.

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Lighting NewsLighting Reviews
Rotolight Interview Lighting Kit: LED Lighting In Your Pocket
Joe Farace  |  Oct 15, 2012  |  First Published: Sep 01, 2012  |  1 comments

One trend much in evidence for lighting these days is the use of LED as a light source. Rotolight, distributed in the US by R.T.S. Inc. (www.rtsphoto.com), has several new products in this space, beginning with their RL48-B RingLight. As a continuous light source, the Rotolight is useful for video or still photography. The basic RL48-B includes a filter holder and a Lee Filters Calibration Filter Kit (CTO: 205, 223, and 285; ND/Diffusion: 298, 209, and 216).

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Digital Innovations
Mastering The Art Of Simplicity: Creativity When You Need It
Joe Farace  |  Oct 01, 2012  |  First Published: Aug 01, 2012  |  6 comments
For the past 10 years, my personal photography has enjoyed a burst of creativity that Mary alternately credits to a change in camera brands and a change in my home office environment. Certainly living and working on Daisy Hill has renewed my interest in personal assignments, but I think improvements in imaging technology are another catalyst. How can hardware and software increase or help a person’s pursuit of creativity?
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Web Profiles
Summertime And The Livin’ Is Easy
Joe Farace  |  Sep 26, 2012  |  First Published: Aug 01, 2012  |  0 comments
I’m often asked how photographers can have their website appear in this column, so I decided to offer some advice that even if it doesn’t get you featured in Web Profiles will improve the quality of your site.

Don’t use Flash. It may be fun, but why spend time and money to limit the number of people who can view it? Using Flash means literally millions of iPhone and iPad users can’t see your site.

Avoid the temptation to fill the site with graphics that compete with your photographs. First impressions count and you want visitors to focus on your images.

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Web Profiles
Celebrating Independence Day
Joe Farace  |  Sep 04, 2012  |  First Published: Jul 01, 2012  |  0 comments
This month marks the anniversary of a column that began in July 1999 as Website of the Month and has evolved into Web Profiles. Along the way, I’ve tried to include tips and trends to help readers improve their own web-based activities. Take Pinterest (http://pinterest.com), for example. It’s a virtual pinboard that lets you organize and share images, among other stuff, with people on the web. It’s like Twitter (www.twitter.com) for your photographs! I’m going to give it a try and so should you. In the meantime, I’ll continue to seek out new websites, to boldly go…sorry, I got carried away. I try to include at least one Shutterbug reader’s site in each episode but I can’t always tell that from your site, so click the Contact button on my website, www.joefarace.com, and tell me about it. You could find yourself featured in an upcoming column.
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Digital Innovations
Time To Make Some Photographs: Promise To Make New Images This Week
Joe Farace  |  Aug 31, 2012  |  First Published: Jul 01, 2012  |  0 comments
When I was studying photography at the Maryland Institute College of Art, one of my instructors commented that some of the best photographs were made in the break room. Not real photographs, mind you, but chitchat among my erstwhile colleagues about the great photographs they were going to make—someday. While some of those images may have eventually gotten made, I’ll bet only a few of my fellow students actually produced the photographs they talked about so excitedly. And that’s because it’s easy to get wrapped up in what you have been successfully doing for so long that you forget to explore what attracted you to photography in the first place. You can be so mesmerized by the pixels on your monitor that you forget to create new photographs, something that’s different from the last batch of images captured. That’s why I think it’s a good idea to not only take time to smell the roses but to photograph them as well.
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