Rosalind Smith

Once upon a time, photographers
stored their work in "shoebox" museums, tucked away under
a bed or wedged into the corner of a closet where they lay out of sight
and unrecognized. Then came the Internet andp...

The atmosphere is heavy,
the photograph made under very soft light and foggy conditions. A copse
of trees on either side of the road disappears into the horizon and
the mood is one of haunting beauty and emptiness.
...

Marnie Crawford Samuelson
recalls one of her earliest influences, the photographer Sam Abell,
telling about a body of work he did on canoeing. His bosses were not
enthusiastic about the project initially but Abell hadst...

Christine Triebert was looking
for a different way to photograph the landscape, an alternative process
that would be more subjective in nature, more abstract. She wanted to
continue working in silver since it would give...