Joe Farace

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Joe Farace  |  Nov 18, 2011  |  First Published: Oct 01, 2011  |  0 comments

Gene Kelly had an umbrella while dancing to “Singin’ in the Rain” but he didn’t use it much, preferring instead to get wet. Photographic umbrellas won’t keep you dry but are the simplest to use and most inexpensive form of lighting modifier available, and that makes them the most popular as well. These umbrellas look and act like the kind of umbrella that keeps “raindrops from falling on your head” except that in a studio lighting situation they are usually reflective and light is bounced into them, creating a big, soft light source that’s directed toward the subject. Sometimes an umbrella is covered with translucent material and instead of mounting the umbrella so light is bounced into it, a light is fired through it, turning it into a direct source. While some light is lost shooting through an umbrella, it produces more direct light, and since more light is being directed at the subject it gives you the ability to shoot at a smaller aperture than when bounced into the umbrella. If you compare the apertures produced in the illustrations you’ll see what I mean.

Joe Farace  |  Oct 01, 2003  |  0 comments

The Bowens 9Lite is designed specifically for digital photography and gets its name from the nine fluorescent pigtail tubes that screw into its main housing. Like Bowens Tri-Lite (see sidebar "Photographing Small Products") these are cold hot lights and each lamp head contains nine...

Joe Farace  |  Jan 01, 2001  |  0 comments

Like many professionals, my first studio lights were from Bowens. My original lights were the black 800B models that proved to be indestructible over the almost 20 years that I used them. The new Bowens line of monolights appear just...

Joe Farace  |  Oct 15, 2013  |  First Published: Sep 01, 2013  |  0 comments

Mary and I have fond memories of using early generation Bowens monolights; they were our first really “good” lighting system when we set up our studio in 1982. We loved shooting with those big, black, paint-can-shaped 800B monolights because they were inexpensive, dependable, and powerful. From what I can tell from my tests of their two-light Gemini 400Rx Kit that continues to be the case.

Joe Farace  |  Mar 11, 2014  |  First Published: Jan 01, 2014  |  0 comments

These days it seems that using LED lighting systems for studio portraiture is like puppies and kittens—everybody loves them, and why not? All you need to do is turn on an LED light panel and shoot, right? While there’s obviously more to it than that, the WYSIWYG nature of LED lighting is especially helpful for new or aspiring pros who want to get up and running quickly or in applications where the lighting needs to be consistent so lots of portraits can be made in a short amount of time, something event photographers will take to heart. With that in mind I recently tested Bowens’ Mosaic LED light panels (#1). Originally developed for film and video use, they are available in models designed for mounting on traditional light stands for portraiture, so I put them to work in my home studio.

Joe Farace  |  Oct 01, 2004  |  0 comments

Photos © 2004, Joe Farace, All Rights Reserved

OK, I'll be the first one to admit that I'm a klutz. I like to work with long lenses (an 85mm lens is short to me) and am constantly backing up into whatever boyfriend, husband, or hanger-on that models feel...

Joe Farace  |  May 02, 2014  |  First Published: Mar 01, 2014  |  0 comments

There is something quietly satisfying about working with finely crafted tools. It’s a feeling I remember having back in the film days when making photographs with my first Hasselblad 500C/M camera and one I had again while shooting with Broncolor’s Move 1200 L Outdoor Kit 2. It made creating all of the images that you see here easier and fun to shoot, and it’s in this spirit of play where creativity lives, inspiring a photographer to try new ways to make better photographs. Broncolor’s Move Kit is just that kind of lighting system.

Joe Farace  |  Jan 10, 2012  |  First Published: Dec 01, 2011  |  1 comments

The monolights that I’ve recently tested for Shutterbug combine power supply and flash head into a single unit. Handy, but an alternative approach is using power pack and flash head systems, such as those made by Broncolor (www.bronimaging.com), who offer these components as individual units that can be mixed and matched to produce different lighting setups.

Joe Farace  |  Nov 01, 2005  |  0 comments

The new electronic interdependence recreates the world in the image of a global village.--Marshall McLuhan

As I've mentioned many times, there are lots of Internet browsers to choose from and now 3B (www.3b.net) has produced a method for creating your own digital "village," using a combination of a proprietary browser and online software...

Joe Farace  |  Apr 01, 2005  |  0 comments

"The site is best viewed using Microsoft Internet Explorer at 1024x 768."--a.k.a. the writing on the wall

So began an e-mail from a photographer who wants his work featured in this department. Guess what happens when you use another browser, such as Opera, to look at his site? Nada, nothing, zilch, zero. You get a white screen. I don't know about...

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