George Schaub

The Olympus OM-D E-M10 Mark III is the latest iteration of a long and storied lineage that began in the early 1970s with the introduction of the then-revolutionary OM-1 35mm SLR film camera. As is with the new digital Mark III, the analogue OM-1 was a lightweight and portable camera that posed a viable alternative to the comparatively bulky SLRs of the day.

The PMA Show: 8Mp Digicams, Digital SLRs...And Much, Much More

This issue contains our reports from the Photo Marketing Association (PMA) Show, the biggest photo and imaging trade show in the US. Covering...

There’s nothing like travel to refresh your photographic eye, to make you see new again and break the visual habits gained from the same path trodden day in and out. These days travel might be limited to a park a few miles away or into a city available by transit, but whatever the trip, from arboretum to a national park, there are photographic possibilities awaiting us. We are all curious...

Operating as a plug-in for Lightroom, Aperture, or as a stand-alone workspace, Perfect Layers from onOne Software distills down and codifies the often-complex task of working in Layers to a fairly simple task, offering various Blend modes, composite shortcuts and tools that might otherwise pose a steep learning curve. You can use numerous source files, including Raw, TIFF, and JPEG formats, and scale and move the various layers as required. In short, Perfect Layers poses an effective tool for those who have wanted to work in Layers out of Aperture and Lightroom and opens up new doors to image creation.

The onOne workspace contains toolbars on the left and modifications and working options on the right, #1. Once you have selected an image or images from an organizer such as the Library in Lightroom, they load as separate Layers in the center screen. You choose the images to be used by selecting them from the Library or Browser, then going to File>Plug-In Extras>Perfect Layers. Here’s the selection process shown in Lightroom 3, #2.