George Schaub

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George Schaub  |  May 01, 2004  |  0 comments

Editor's Notes

Travel photography evokes all sorts of images, from the 19th century vistas in fading albumen prints to satellite images made miles above our planet. The aim of most travel work is to share a sense of place, a feeling of "being there" that only the camera can...

George Schaub  |  Jul 11, 2011  |  First Published: Jun 01, 2011  |  0 comments
Photography and travel have always been intertwined. Ever since photography was invented photographers have been exploring the world, both locally and globally, with images. The camera becomes motivator and instigator, witness and commentator, of the social, natural, and wondrous sites that surround us. And while many of the articles and images in this issue deal with particular projects undertaken by a wide range of photographers, there’s no reason to think you have to travel far and wide to discover what that magical combination of camera and travel can do for you.
George Schaub  |  Mar 08, 2012  |  First Published: Feb 01, 2012  |  1 comments

Operating as a plug-in for Lightroom, Aperture, or as a stand-alone workspace, Perfect Layers from onOne Software distills down and codifies the often-complex task of working in Layers to a fairly simple task, offering various Blend modes, composite shortcuts and tools that might otherwise pose a steep learning curve. You can use numerous source files, including Raw, TIFF, and JPEG formats, and scale and move the various layers as required. In short, Perfect Layers poses an effective tool for those who have wanted to work in Layers out of Aperture and Lightroom and opens up new doors to image creation.

 

The onOne workspace contains toolbars on the left and modifications and working options on the right, #1. Once you have selected an image or images from an organizer such as the Library in Lightroom, they load as separate Layers in the center screen. You choose the images to be used by selecting them from the Library or Browser, then going to File>Plug-In Extras>Perfect Layers. Here’s the selection process shown in Lightroom 3, #2.

George Schaub  |  Sep 01, 2009  |  0 comments

Once upon a time we’d bring our roll of film into a lab and wait expectantly for the prints. Upon opening the envelope we’d be surprised or perhaps disappointed, but for the most part we’d accept what was given us, despite the fact that the sky was not as blue as we saw, or a face didn’t have quite the right tone. That was then. These days we have the right (some would...

George Schaub  |  Aug 01, 2008  |  0 comments

It goes without saying that digital has changed lots of things in photography. One matter that requires more thorough investigation is how it affects optics and assumptions we have made about the design, recommendations, and even the naming conventions we use. While this column length does not allow for full discussion I'll raise some of the issues and open the floor to our...

George Schaub  |  Aug 29, 2017  |  0 comments

Inkjet printmakers now have a range of printing paper options that go well beyond the wildest dreams of darkroom printers in terms of size, surface, and print “look.” While covering all the offerings would fill all the pages of this issue, and then some, what follows is a sampling of paper options that I have recently tested with some suggestions about how they might best be put to use in your creative endeavors. 

George Schaub  |  Dec 01, 2009  |  0 comments

’Tis the time of year when many magazines and newspapers and even websites hit you with their annual gift guide, tips for everything from stocking stuffers to big-ticket items. While the latter might have to wait until things improve, photographers and their kin and kindred have many such items available to them, being by nature collectors and, as Joe Farace says, tinkers who are...

George Schaub  |  Jun 01, 2005  |  0 comments

We are pleased to dedicate most of this issue to our Photo Marketing Association (PMA) reports, which cover just about every aspect of the show held this winter near world headquarters in Orlando, Florida. We had a very large team at this, the largest photo trade show held in the US, and each reporter was assigned various categories and the picking of their Best of Show. Coming on...

George Schaub  |  Jan 01, 2007  |  0 comments

This issue contains our photokina show report, a summary of what caught our eye at the giant photo and imaging show held in Cologne, Germany, every two years. While we concentrate our main energy on the PMA Show held here in the US (our report on that show will be in our July 2007 issue), photokina does represent a milestone in photography in its international appeal and breadth...

George Schaub  |  Jun 01, 2008  |  0 comments

Every year the PMA (Photo Marketing Association) convention brings together all things photographic to one spot and attracts visitors and exhibitors from around the world. We see the show as a way to gather information about what's new, and perhaps as important, what's coming in terms of technology in the months and even years ahead. To accomplish our task we have a...

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