George Schaub

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George Schaub  |  Nov 01, 2003

If you ever have the need to make snapshot-sized prints on the road, or want a tough but practical printer that speeds through the printing process with image enhancements to boot, you might want to consider the Hi-Touch Imaging Technologies "Transphotable" printer. That somewhat...

George Schaub  |  May 01, 2007

Travel photography today has its difficulties, what with security lines and restrictions at airports and the concern some security personnel seem to have, perhaps rightfully so, of people with a camera in their hands. Photographers need be aware of the various restrictions and rules that are in place at the airports, available at http://www.tsa.gov/public"...

George Schaub  |  Dec 07, 2004

Every month in Shutterbug we publish photographs from readers based on an assignment
published in a previous month's issue. We get hundreds of photographs
from readers all around the world and unfortunately we are limited to publishing
just a small fraction of the work we receive. We've had topics including
"Black and White in Color", "Silhouettes" and "Historical
Reenactments." Our purpose in creating this section in the magazine is
to create a visual forum for readers and to challenge them to fulfill assignments.
It's always a delight to open the packages we receive. I know the thrill
I got when my fist photo was published, and my hope is that the same excitement
is shared by those whose images we select to publish each month.

...

George Schaub  |  Dec 21, 2004

There are many ways to work with monochrome images, including selective adjustment
of tonal values, contrast and even image color that can emulate toning. In this
installment of our Web How To's we'll play with colorization, adding
color to selective parts of a monochrome image that can make it look like a
combination hand-painted (with photo oils) and toned photograph. You can paint
in selectively with brush tools if you like, but this how-to deals with a more
simplified approach.

...

George Schaub  |  Jun 13, 2011  |  First Published: May 01, 2011

For those who thought that we here at Shutterbug were inalterably attached to our Macs, the chance to work with a PC, albeit a very fast and upper-price range one at that, was something we did not want to pass up, if only to dispel our own notions about crossing the OS Rubicon. The new HP EliteBook 8540w we worked with came with 8GB of RAM and a 320GB hard drive, more connection slots than we ever could wish for, a Blu-ray reader/writer, a download card slot for SD memory cards (with adapters available for CF, etc.), microphone, image out slots to a projector, HDMI, and more. As configured the unit runs close to $3100, although we’ve seen lesser-priced units of the same model with more modest attributes. This is close to what you’d pay for a MacBook Pro similarly configured, albeit minus Blu-ray and various slots but plus a larger screen. But our aim was not to put it head to head against the latest MacBook Pro, but to check it out on its own merits. That said, in terms of size and weight it is similar to the 15” Mac in many respects (the HP being 9.9x14.7x1.3” and weighing in at 6.5 lbs with a 15.6” display) so there’s no plus and minus in portability here.

George Schaub  |  Dec 01, 2003

The debate between dye sublimation and ink jet printing has always been about the "presence" of the image, the feeling of continuous tone it imparts to the print. For some digital printmakers the dye sub route was the way to go, but ink jetters argued that the problem with dye sub is...

George Schaub  |  Aug 01, 2005

When I first reviewed an HP 7960 printer about two years back (www.shutterbug.net/test_reports/1203sb_hp/index.html) I was very impressed with the neutral black and white images it delivered. I had become increasingly frustrated with the color shifts in black and white with pigment inks, and have...

George Schaub  |  Oct 31, 2013  |  First Published: Oct 01, 2013
While we cover our fair share of gear we always keep in mind what all that gear is for—producing images that speak to your vision and your desire to express your view of the world. In this issue we do just that by introducing you to a number of photographers who have taken those tools and techniques and created a group of images that focus on an important aspect of their view of the world. Tied in with those projects is a dedication to the craft and its practice, which is what often makes their images unique and noteworthy.

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