Wildlife Photography How To

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Joe Farace  |  Sep 01, 2015  |  0 comments

If there’s a more challenging photographic discipline than wildlife photography, I don’t know what it is. It requires heavy and expensive long focal length lenses, a sturdy tripod, and the physical prowess to schlep all this gear through physically demanding environments. If you’re thinking “that’s not you, Joe,” you are correctamundo so I asked a few friends for advice on telephoto lenses and this is what they told me.

Josh Miller  |  Aug 27, 2015  |  0 comments

Have you ever wished you could photograph colorful frogs, exotic birds, and tropical forest landscapes all in the same day? If so, then a trip to the tropics may be in order for your next photo adventure.

Staff  |  Aug 18, 2015  |  0 comments

Andy Biggs shot this striking image of a giraffe under an acacia tree on the Serengeti Plains in Tanzania, Africa, in 2007.

Staff  |  Aug 18, 2015  |  0 comments

Without a doubt, this month's Wildlife and Nature assignment brought out the best in Shutterbug readers. There were so many excellent entries, we could've easily picked twice as many favorites and still felt we left some great shots out. In the end, we narrowed it down to 10 wildlife and nature images that truly stood out.

Jack Neubart  |  Aug 14, 2015  |  0 comments

It’s one thing to sit in the safety of a Jeep or Land Rover while photographing the wildlife of the Serengeti. It’s quite another to be one with nature, coming face to face with wild creatures on their level, and even to establish a certain rapport with the animals. Then add yet another ingredient: enduring harsh Arctic conditions for hours, if not days, on end, just to get that one great shot. Welcome to the world of wildlife and nature photographer John Hyde.<

Maria Piscopo  |  Aug 07, 2015  |  0 comments

Wildlife and nature photography is certainly a niche market but it turns out to be bigger than many think. According to our contributing photographers in this month’s column, photos of nature and wildlife can be sold for a broad range of uses, including stock, editorial, book publishing, interior design, fine art, and even assignment. Other important questions we ask our wildlife and nature photographers this month include what does it take to make your passion for these subjects a business? How do you market and promote your images?

Cynthia Boylan  |  Jul 27, 2015  |  0 comments

In this video (brought to you by B&H Photo and currently available on YouTube) photographer Chris Nicholson provides a wide variety of pro level tips and tricks to help you get the most from your next visit to one of America’s beautiful National Parks. Captured during a photography workshop, this video has a runtime of nearly one hour and includes sample images, advice on the best places to explore and what to bring with you. 

Chuck Gloman  |  Jun 30, 2015  |  0 comments

The Arctic National Wildlife Refuge (ANWR) in northeastern Alaska consists of 19,286,722 acres along the Alaskan North Slope, and supports a greater diversity of flora and fauna than anywhere else in the Arctic Circle. It was established in 1960 and is governed by the U.S. Fish and Wildlife Service. It receives only about 1,500 visitors a year.

Josh Miller  |  Jun 01, 2015  |  1 comments

Telephotos have always been bread-and-butter lenses for photographers shooting everything from commercial and sports to wildlife and landscapes. The ability to separate a subject against its background or pull in a distant scene has made telephoto lenses a staple in nearly every camera bag around the world.

Dan Havlik  |  Oct 09, 2014  |  0 comments

Ok, this should give you a good chuckle this morning. Photographer Tony Northrup has teamed up with his wife Chelsea, who's also a photographer, to create a hilarious video called “Stuff that Annoys Wildlife Photographers.”

Blaine Harrington  |  Jun 24, 2014  |  First Published: May 01, 2014  |  0 comments

The roads I follow as a travel photographer mostoften lead me to landmarks and landscapes, festivals and events, people and cultures. But not always. As you can see from the photos here, I consider photographing wildlife one of the requirements of a successful travel photographer.

Jay McCabe  |  Jun 12, 2014  |  First Published: Apr 01, 2014  |  0 comments

To photograph the wild horses of the Outer Banks of North Carolina you have to deal with the fact that they are indeed wild and thus not particularly welcoming of a photographer’s attention.
But first you have to deal with the Outer Banks, a 200-mile stretch of barrier islands off the coast of North Carolina. “It’s important to have an awareness of time, tide, and weather,” Lisa Cueman says of the location. “You can get into your photography, but not so much that you lose a sense of your surroundings.”

Rich Sheremeta  |  Jan 17, 2014  |  First Published: Feb 01, 2014  |  0 comments

Wildlife photographers with any interest in photographing big Alaskan brown bears should certainly consider the McNeil River State Game Sanctuary, professed to have the highest concentration of large adult brown bears in the world with over 70 bears having been seen at any one time. The sanctuary is located on the Alaskan Peninsula about 100 air miles west of Homer and is only reachable by floatplane.

Stan Trzoniec  |  Jan 28, 2014  |  First Published: Dec 01, 2013  |  1 comments

When photographing animals on an African safari, sharp photos are a gift to bring home and it all centers on proper technique. Use the “sweet spot” on the lens; with both of my shorter lenses it was around f/5.6 or f/8. On the longer zoom, I found f/5 or f/5.6 gave me needle-sharp and distortion-free images. With the animal at rest, always put that focusing spot on the eye. On longer distances or perhaps with the animal moving, place that spot on the shoulder or flank to keep a decent depth of field throughout their length.

David C. Schultz  |  Dec 31, 2013  |  First Published: Nov 01, 2013  |  2 comments

Seeing what was about to hit us I quickly grabbed for a table I knew was anchored to the floor, but it was too little, too late. Along with a number of other staff and passengers I was thrown to the floor and found myself rolling from starboard to port, bouncing off chairs and tables along the way. I knew the ship would very quickly start to roll in the opposite direction, so no attempt was made to stand. Instead I waited on the floor, arms wrapped around a table leg, for a moment of relative calm. Good morning, and welcome to the Drake Passage.

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