Pro Techniques

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Jay McCabe  |  Jan 01, 2006  | 

"With the alternative processes, you can see someone's hand at work. It's a very personal way of creating a photograph."

Most of us are finding more of everything thanks to digital imaging technology, but for some photographers, the essentials are getting scarce. Jill Enfield, for example, for whom it's not a question of cameras--she uses...

Monte Zucker  |  Jan 01, 2006  | 

Paul Aresu
I had worked before with some of the other Explorers. I had even employed and trained one of them. But I had never before experienced the likes of Paul Aresu, a New York-based commercial photographer. His clients are like a who's who of dream customers. Aresu is a freestyler. He shoots just like all the commercial photographers you see in...

David B. Brooks  |  Jan 01, 2006  | 

There's one lens that's part of my 35mm/digital SLR system that I have used longest, continuously now for about 40 years. It is a homemade single-element soft-focus lens inspired by the Rodenstock Imagon lens for large format cameras. There are more images in my library of photographs made with this lens than any other. But why in this modern, high-tech world of...

Howard Millard  |  Nov 01, 2005  | 

Recently, I attended several excellent Photoshop seminars presented by Software-Cinema.com. These were held in a large meeting room of a city hotel with some 200 people in attendance. Photographic images from the presenter's laptop were projected on an enormous screen, with great clarity and color saturation. They must be using a very expensive projector, I assumed. After...

Jay McCabe  |  Nov 01, 2005  | 

The difference is not always skill. Success as a pro shooter takes talent, but, as Rosanne Pennella says, "there are many excellent photographers who cannot make a name for themselves because they cannot figure out how to market themselves and project mastery of their careers."

Eleven years ago Rosanne was an attorney whose first love was not the law.

Jay McCabe  |  Sep 01, 2005  | 

It starts with the website, which is a key element in wedding photographer John Solano's business. John's goal is to be pre-sold before the client even meets him. "The ideal is that I don't have to show them a picture," John says. "I do that, of course, but the work kind of sells itself, and if they've seen it already, the selling is...

Joe Farace  |  Sep 01, 2005  | 

My favorite scene in the film Lawrence of Arabia is when Peter O'Toole, as Lawrence, looks out onto the desert landscape and watches a rider riding slowly toward him. It turns out to be Omar Sharif but the encounter is made more dramatic by the widescreen format.

There are a lot of ways to make panoramic images, including cropping standard...

Stan Trzoniec  |  Jul 01, 2005  | 

Photographers, by nature, love accessories. But sooner or later we all have to face the fact that we can only carry so much equipment. When I go out I go through a mental check list and include the basic equipment that I've outlined in this article. Please keep in mind this is my personal list; vary yours to suit the terrain, subject, and distance covered.

...

Jay McCabe  |  Jul 01, 2005  | 

"If you define your creativity by what the market wants, you're dead before you start."

When James Balog traveled to Banda Aceh, Indonesia, in January, he knew there was little chance of his photographs being picked up by newspapers or magazines. The tsunami, which struck the region on December 26, had been well covered by the media. But as a photographer...

Timothy Edberg  |  Apr 01, 2005  |  First Published: May 01, 2005  | 

Photos © 2004, Timothy Edberg, All Rights Reserved

"Geez, Tim, your photo gear alone is heavier than my entire backpack!" This was a fellow backpacker I met in Glacier National Park. She was exaggerating...I hope. But it is certainly true that adding a lot of photography equipment to a loaded camping backpack adds significant weight.

So why...

Steve Bedell  |  May 01, 2005  | 

Photos © 2004, Steve Bedell, All Rights Reserved

I love shooting outdoor portraits! As a matter of fact, it has become my "signature style." During my busy season, I may take over 400 outdoor exposures in a single day, so I'd better be able to do it well and do it fast. An element of my style is that I don't use flash. Many photographers do, and...

Roger W. Hicks  |  May 01, 2005  | 

Photos © 2004, Roger W. Hicks, All Rights Reserved

We fly less than we used to. Terrorists don't worry us: realistically, flying is still far safer than driving. But we don't like the hassle, three-hour check-ins, restricted carryons, frequent x-rays, and endless security checks. In that sense, the terrorists have made us (and many other people) change...

Jay McCabe  |  May 01, 2005  | 

You promote the work that has your heart and soul in it, the work you want to keep doing.

The art director for an ad agency is setting up a storyboard presentation for a client's kick-off campaign for an upscale shopping mall. The plan calls for five evocative photographs to be used in print ads and on billboards. The photographs are key: they will set the look...

Jay McCabe  |  Mar 01, 2005  | 

Photos © 2004, Sandro, All Rights Reserved

"A lot of people, that camera is in front of them and there's a fear, an anxiety that rises inside them. You need them to look past the camera and connect with you."

"You've got to have a game plan," Sandro says, and there's no pun intended. He's talking about photographing...

Howard Millard  |  Feb 01, 2005  | 

Want to add a new dimension to your photography? Try shooting panoramic pictures--shoot a series of two or more frames and then combine them digitally. The wide sweep of the panoramic format captures attention, adds impact, and compels viewers to...

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