There's nothing more frustrating that capturing a beautiful landscape scene, thinking that you totally nailed focus and exposure, only to return home, view the image on the computer, and discover that you didn't get the light right after all. Sure, you can fix many exposure problems during post processing, but wouldn't you rather get things right in the camera?
Adobe just unloaded a boatful of innovative updates across their entire Lightroom and Photoshop ecosystem, and we'll be bringing you all the details one at a time. But there's one impressive capability, known as Variance, that seems to be flying under the radar and that's what you'll use learn how to use today so you don't miss it later on.
If you're continually amazed by how pros achieve such spectacular results when processing images in Lightroom, we're going to let you in on a little secret: Sometimes these remarkable enhancements are less about advanced skills than knowing the best tool to use for the task at hand.
Lightroom is so full of powerful tools and capabilities that it's understandable when inexperienced users overlook some very powerful features that not only provide more effective results but can streamline their post-processing workflow. Today's Lightroom Classic tutorial from instructor Brian Matiash falls into the latter category and it's all about what you can accomplish in Lightroom's Versions panel.
We all know that skillful composition is the key to capturing great photos. And this is especially true when it comes to complicated landscape scenes that are full of competing elements. Today you'll learn a simple technique for making outdoor images significantly more appealing.
Experienced Photoshop and Lightroom users understand the difference between enhancing images in a realistic way and ruining an otherwise nice shot by creating an "overcooked" effect. This quick tutorial from the Yorkshire Photo Walks YouTube channel explains where to draw the line.
There's an interesting dichotomy when it comes to adjusting color during post processing. Most of the time our goal is to use various techniques to make an image appear exactly as it did through the viewfinder for a believable, natural looking result. Other times, however, our intent is to is to employ lens filters, camera settings, or editing enhancements to achieve special effects or change the mood and feeling of an image.
Bright sun-filled days are great for a trips to the beach but when it comes to outdoor photography, well, not so much. These high-contrast situations make it very difficult to capture impressive images, whether you're shooting nature scenes, landscapes, sports photos, or even environmental portraits without supplemental light.
Photographers love their affordable, fast, and easy-to-carry "nifty fifty" lenses that can be used to capture a wide range of scenes from landscapes and portraits to nature photos and more. When your images fail to meet expectations, and you're not sure why, it's likely because you're making one or more common mistakes when shooting with a 50mm prime.
Cropping is a controversial topic when it comes to landscape photography but it's also a misunderstood one. Whether to crop or not to crop during post-shoot editing for landscape photos is really a matter of preference but there are a few mistakes you want to avoid.
It's not often that a helpful post-processing trick slips by Adobe impresario Matt Kloskowksi, and there's a good chance that you may have missed it too. This technique isn't exactly new but it's quick, easy, very effective, and it's takes barely five minutes to learn.
Beginning Lightroom and Photoshop users tend to become so enamored with all the transformative tools that they often go overboard with post-processing effects, which is a sure way to ruin an otherwise nice shot. As you'll see in this tutorial from instructor Johny Spencer, there are six warning signs that your edits are overcooked.
It's a dead giveaway that you're new to post-processing if the images you edit are oversaturated because you took a heavy-handed approach with one of Lightroom's most overused tools. By doing so you just spoiled an otherwise great shot because it no longer appears realistic.
Sooner or later we all fall into a rut and run out of fresh ideas. This tutorial will definitely get your creative juices flowing again the next time this happens to you, with what one pro calls "a totally underrated landscape photography editing trick."
Let's say you capture a nice image, and you want to bring out a bit more detail during the editing process. It doesn't matter whether the photo is a portrait, macro shot, a landscape scene, or something else. What's your strategy?