Photo How To

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Ron Leach  |  Nov 06, 2023

Do your autumn photographs fall short of the awesomeness that you saw through the viewfinder? If so, the quick Lightroom tutorial is just what you need to transform good mages into great ones.

Lynne Eodice  |  Feb 01, 2004

Whether you're the proud owner of some hot new wheels, or enjoy shooting pictures at car shows, there are a few tips to keep in mind which will make your photography easier and more fun.

 

It's important to keep your camera angle in mind when...

Ron Leach  |  Jun 17, 2024

If you're just getting started in macro photography, or the images you capture leave something to be desired, this tutorial from the Naturefold YouTube channel will significantly improve the quality of your photos, with three helpful tips from a small-world expert.

Ron Leach  |  Jul 08, 2024

Is your phone a camera of last resort when you've left your photo gear at home, or do you have higher aspirations for mobile photography? In either case, you'll be able to significantly improve your mobile imagery by taking advantage of four helpful tips in the four-minute tutorial below.

Ron Leach  |  Nov 10, 2020

There’s nothing like a bit of motion blur or slightly missed focus to spoil an otherwise great shot. But with the eight tips below, and a little practice, you’ll be able to shoot sharper wildlife photographs every time.

Maria Piscopo  |  Nov 18, 2014

Even with today’s “everyone with a camera is a photographer” syndrome, the event photography business is still ripe for making sales. With event photography, clients can’t use stock photos and shooting their own images often turns out to be below par, at best. It is a very specialized field of professional photography requiring both personal and business skills.

Tom Harms  |  May 27, 2014  |  First Published: Apr 01, 2014

As image resolution keeps getting bigger and better, photographers are challenged storing their images. One cost-effective solution that’s gaining in popularity and offers good protection is a Network-Attached Storage (NAS) server. However, they are a relatively unfamiliar option for most photographers who aren’t IT-oriented, so we thought it would be a good idea to get guidance on them from an expert.—Editor

David Zimmerman  |  May 23, 2014  |  First Published: Apr 01, 2014

There’s nothing more discouraging than making great shots in the field only to discover that they are nowhere to be found on your memory card when you get to your home or studio. That’s why we were happy to receive this list of mistakes to avoid when dealing with memory cards from David Zimmerman, CEO of LC Technology, a company that supplies data management and recovery solutions to a wide variety of companies within the field.—Editor

Susan Park  |  Oct 19, 2012  |  First Published: Sep 01, 2012

With the profusion of new cards with various and often confusing classifications and ratings we thought it a good idea to get guidance on selecting the right card for your camera and way of working from an expert. We recently met with the folks from SanDisk and they were kind enough to offer the following synopsis of card and camera, ratings and usage.—Editor

David Grover  |  Jun 03, 2014  |  First Published: Apr 01, 2014

An exposed photographic plate or a segment of exposed film inside a dark camera body are analog equivalents of today’s Raw file. Before digital technology made it possible to capture visual images electronically, a photograph was visible only after it had been processed in a darkroom with chemicals. Now the processing is handled either in camera or by Raw rendering software. The word “Raw” is not an acronym; it’s a simple description for a file that contains pure data, invisible to the human eye.

Jason Schneider  |  May 20, 2014  |  First Published: Apr 01, 2014

Given that the physical and perceptual experience of making a photograph is shaped by technology, and that technology is also embedded in the resulting images, one of the chief and perhaps most profound changes in how we make an image has been the changes in focusing—and recently autofocusing—technology. There’s a reason that the documentary photojournalism of Lewis W. Hine (shot with a ponderous 5x7 view camera or a 4x5 Graflex SLR) has a qualitatively different feel from that of Alfred Eisenstaedt or Henri Cartier-Bresson (shot with pocket-sized 35mm rangefinder cameras). It’s not only framing—it’s responsiveness, spontaneity, and, perhaps, repose, that underlies what these image-makers showed us.

Seth Shostak  |  Dec 09, 2016

Depending on your photographic interests, depth of field—the range of distances over which your lens will be sharp—can affect you in either propitious or problematic ways. If you’re trying to isolate one face in a group, a shallow depth of field is just what you need. If you’re hoping to capture the drama of a racehorse beating down the track in your direction, then shallow depth of field can turn much of the equine into a befuddling brown blur, no matter how high your shutter speed.

Seth Shostak  |  Feb 21, 2017

Shooting color used to be simple: you just dialed in your white balance and fired away. Excepting the rare cases where the colors had to be spot on (such as in fashion photography), this straightforward approach was close enough for most types of photography.

Ron Leach  |  Nov 04, 2022

Travel and landscape photographers typically reach for a wide-angle lens when confronted with a compelling landscape. But choosing a telephoto provides an opportunity to create images that stand out from the rest—especially in iconic locations that have been photographed time and time again.

Ron Leach  |  Jan 18, 2022

If you’re new to telephoto lens photography the video below is a must see. But even if you already shoot with long lenses, you’ll pick up some valuable tips for taking your photography to the next level.

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