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There's an interesting dichotomy when it comes to adjusting color during post processing. Most of the time our goal is to use various techniques to make an image appear exactly as it did through the viewfinder for a believable, natural looking result. Other times, however, our intent is to is to employ lens filters, camera settings, or editing enhancements to achieve special effects or change the mood and feeling of an image.

If you're unfamiliar with the term "Smart Objects" here's a definition paraphrased from the experts at Adobe: They're a type of "container" that holds multiple layers, that enable you to apply a variety of characteristics to an image with different tools and features.

Photographers love their affordable, fast, and easy-to-carry "nifty fifty" lenses that can be used to capture a wide range of scenes from landscapes and portraits to nature photos and more. When your images fail to meet expectations, and you're not sure why, it's likely because you're making one or more common mistakes when shooting with a 50mm prime.

It's not often that a helpful post-processing trick slips by Adobe impresario Matt Kloskowksi, and there's a good chance that you may have missed it too. This technique isn't exactly new but it's quick, easy, very effective, and it's takes barely five minutes to learn.

It's a dead giveaway that you're new to post-processing if the images you edit are oversaturated because you took a heavy-handed approach with one of Lightroom's most overused tools. By doing so you just spoiled an otherwise great shot because it no longer appears realistic.

Let's say you capture a nice image, and you want to bring out a bit more detail during the editing process. It doesn't matter whether the photo is a portrait, macro shot, a landscape scene, or something else. What's your strategy?

Experienced photographers understand the many benefits of shooting in Raw, but you may be in for a surprise—especially if the images you capture don't always look quite as good as expected. That's because, according to conventional wisdom, Jpeg settings aren't relevant when using the Raw file format.