LATEST STORIES

Jack Neubart  |  Jan 01, 2009  |  0 comments

The biggest news at photokina this year was perhaps the unveiling of Photoshop CS4, advancing this imaging application’s reputation as the leader in its field. But if you’re more interested in using other apps for raw conversion and workflow management alone (with some editing thrown in), then you’ll be happy to learn that there are also new iterations of Bibble, ACDSee Pro, and...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2009  |  0 comments

Every photokina, we are assigned a category that for want of a better term we call “weird and wonderful.” It’s stuff that doesn’t easily fit into any other category, or differs so much from the mass of its competitors that it deserves special mention.

Some products are just bizarre: we’ll come to what we thought was the most bizarre trend at the end...

Roger W. Hicks  |  Jan 01, 2009  |  0 comments

Let’s start with the cheapest Large Format (LF) camera at the show, and, as far as I am concerned, the one that is likely to be of the most interest to the largest number of our readers: the Bulldog 10x8” camera (also available in 8x10” for the American market—it’s a reversing back and can be used either way). The UK price is £250, which means that although a...

Frances E. Schultz  |  Jan 01, 2009  |  0 comments

At two very well-attended open forums, Kodak asked the all-important question: “What’s film got to do with it?” The answer, given by four top professionals (Amy Postle, Pep Bonet, Det Kempe, and Eddie Soloway), cheered on by large audiences, turned out to be “A lot more than you might think.”

I forget which of them first said, “I use digital...

Roger W. Hicks  |  Jan 01, 2009  |  0 comments

When it came to rangefinders, Leica completely stole the show: Zeiss and Voigtländer had only one new product each. Admittedly they were interesting—an 85mm f/4 Tele-Tessar in Leica M-compatible ZM mount and a dual-format rangefinder folder, the Bessa III—but they were somewhat eclipsed by Leica’s four new lenses and the revised M8.2 camera body.

The item...

Frances E. Schultz  |  Jan 01, 2009  |  0 comments

At photokina 2008, there was (as usual) an extraordinary range of camera supports. So many in fact that a “laundry list” of new introductions could easily fill the whole magazine. This prompted me to think hard about what to look for in a camera support. It seemed to me there are three things: three legs, if you like. What you need; what you want; and what you can afford. You may care...

Roger W. Hicks  |  Jan 01, 2009  |  0 comments

One of the great pleasures of photokina is finding really brilliant new accessories. Some are completely unexpected. Others, you’ve wanted for years but have never been able to find—often because until now, the technology needed to build them has not been available.

A shining example (literally) of the latter, and the accessory hit of the show as far as I am concerned...

Peter K. Burian  |  Jan 01, 2009  |  0 comments

With the growing popularity of D-SLR cameras with sensors of various sizes, most of the manufacturers are working to expand their line of lenses. As expected, many of the latest products are “digital only”: designed for the majority of D-SLRs with the APS-C or Four Thirds size sensor. But (as specified in the text), some are multi-platform products suitable for all 35mm and digital...

Peter K. Burian  |  Jan 01, 2009  |  0 comments

Whether you own a 35mm or digital SLR camera, a dedicated external flash unit can be a valuable accessory. Not many new models were unveiled at photokina, and three of the four were macro ringlights. These have been gaining in popularity for extra lighting in extreme close-up photography of products, nature subjects, and medical/dental applications, but they can also be useful for some...

Jack Neubart  |  Jan 01, 2009  |  0 comments

Studio lighting comes in all shapes and sizes, and the lights that are new to photokina certainly support that contention. Our primary focus here is on strobe lighting, but that includes a mix of monolights and power packs (generators), and select flash heads that attach to these generators. If we can see any trend in studio strobes it is the increasing reliance on electronic components and...

Pages

X