LATEST ADDITIONS

Joe Farace  |  Sep 01, 2006  |  0 comments

"You will not be able to plug in, turn on, and cop out."
--Gil Scott-Heron

Is the raw file format the solution or the problem? According to OpenRAW (www.openraw.org), "closed, proprietary, raw file formats present many immediate and future challenges for photographers." Some of their reasons...

Roger W. Hicks & Frances E. Schultz  |  Sep 01, 2006  |  0 comments

Is there still a demand for an entry-level film SLR camera? The folks at Voigtländer seem to think so, evidenced by their new VSL 43. It is very much an entry-level SLR, with a manually set (but completely battery-dependent) shutter from 1/2 sec to 1/2000 sec, flash sync at 1/60 sec, manual focusing, manual diaphragm, and manual film advance. There is a through-lens meter...

Peter K. Burian  |  Sep 01, 2006  |  0 comments

Digital cameras with built-in shake compensating devices have been available for at least three years, but this feature is definitely increasing in popularity. At one time, an Image Stabilizer was considered to be necessary only with long telephoto lenses, but it's quickly making its way down the ranks. Today, you can find cameras with short 3x optical zooms that are...

Howard Millard  |  Sep 01, 2006  |  0 comments

Color can thrill, color can dazzle, but often a black and white or monochrome image is more powerful. Black and white may better convey the feeling you want to evoke for a particular image--more dramatic, more abstract. Paradoxically, even when you know that you want a final photo in black and white, you should shoot digitally in color, as you should scan a film or print...

Howard Millard  |  Sep 01, 2006  |  0 comments

Would you like to transform your photographs into striking works of art echoing oil paint on canvas, charcoal on textured art paper, woodcut, silkscreen, watercolor, pastel, pencil drawing, even mosaic tiles or scores of other natural art media? Whether for your own artistic expression or to broaden the services you offer to clients, creating naturalistic art directly from...

Maria Piscopo  |  Sep 01, 2006  |  0 comments

What's new in the stock photography business? As most photographers already know, the business of stock photography has changed dramatically in the last five years. It no longer can be supplied with photos left over from an assignment or old photos sitting in a file drawer. Stock photo sales can be a potential profit center, but only for those willing to put in the time and...

Rosalind Smith  |  Sep 01, 2006  |  0 comments

For the past 55 years what has captivated collector Thurman (Jack) Naylor about photography is just about everything. He has amassed a private collection that has extended from the pre-photography days of Chinese mirrors and the earliest daguerreotypes to a miniature digital camera used today as a spy device. It has been a labor of love for Naylor and an unforgettable experience...

David B. Brooks  |  Sep 01, 2006  |  0 comments

A computer system is essential to digital photography image processing and editing. Its components are a central processing unit, input devices like a keyboard and mouse, and a display/monitor. Only one of the computer's components has a significant role affecting the quality of photo images created, edited, and processed, and that is the display. To use software like...

 |  Sep 01, 2006  |  0 comments

September
2006

On the
Cover


How effective are the latest camera-shake compensating systems? Wonder no more
as we tell all in Peter K. Burian's in-depth Anti-Shake camera shootout
on page 80. New...

Frances E. Schultz  |  Sep 01, 2006  |  1 comments

Leonard Bernstein's Mass is the next thing I want to buy for my darkroom. It might seem an odd choice, but for me the darkroom is not only a place of work: it is also a place of sanctuary. We quite often get letters from people who are returning to the wet darkroom, or are setting one up for the first time. What is the appeal? After all, you can now just sit down in front of...

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