Simplify Your Compositions’s simple! Page 2

Another consideration with off-center subjects is autofocusing. If the subject is located out of the camera's AF target area, the camera will focus on the background rather than on the subject. Some AF SLRs have wide AF areas that can handle off-center subjects (the viewfinder's AF target will show you the camera's AF area). If yours has only a small central AF area, aim it at the subject, lock the focus (generally, by holding the shutter button halfway down), then recompose the image as desired and shoot.
It's a good idea to try composing the subject somewhere besides dead-center in the frame--sometimes dead-center is most effective, sometimes off-center is better.

The red car adds a touch of color and interest to this otherwise monochromatic scene of a road in Washington's Olympic National Park during a wintry storm.
Photo by Lynne Eodice

Yet another way to simplify your compositions is to use just a touch of color. Although lighting and composition are perhaps the most important aspects of photography, color can play a very important role in some images. Learning to emphasize color is largely a matter of training your eye to recognize situations in which color stands out--whether it's selecting one color to predominate a scene, or by choosing particular colors and minimizing others.

When choosing a color, consider its psychological impact in your image. Perhaps more than any other design element, color can determine the mood of your photo. Generally, red, orange, and yellow are considered warm and exciting. Passion, heat and love are some of the moods that warm colors evoke. Warm colors stand out in a photo. On the other hand, colors on the other end of the spectrum--such as green, blue and lavender--are thought to be cool, peaceful and serene. These colors tend to recede.

Some pictures have impact because of the contrast between a colorful detail and a muted background; all you need is a splash of a very bright color or two. You can challenge yourself with a creative self-assignment by looking for scenes where you can isolate dramatic color against a neutral background. In the case of the photo on this page, the photographer used her red car as a touch of color in this monochromatic, wintry road scene in Washington's Olympic National Park. The eye is drawn to the bright car even though the leading lines that the road creates would normally lead your eye through the picture.

When working with color, don't be indiscriminate and assume that pretty color alone will carry the photograph. Wonderful colors are no substitute for good composition. So don't get so carried away with an interesting scene before you that you forget to pay attention to composing that great shot. Our eye tends to weed out distracting elements--the camera lens, on the other hand, is not as selective on its own.

Often, the key to a successful color photo is how you frame the image. Use a moderate wide-angle lens (in the 28--35mm range) to reveal the contrast between the background and the color you want to spotlight. Use a telephoto lens (perhaps 100mm) to isolate this color, or to minimize the background.

Zoom in on some bright patterns on a piece of clothing, or shoot a yellow umbrella on a gray, rainy day. Creative options are everywhere--you're limited only by your imagination.

In a nutshell, you are the director and the cinematographer of your photos. You decide what the viewer will see. Don't include too much, and thus take away the magic.