Travel Photography How To

Every so often one of our favorite instructors surprises us with a concept that really makes sense for capturing landscape scenes with maximum impact. And that’s exactly what you’ll find in the quick tutorial below, as Romanian pro Toma Bonciu demonstrates what he means by “layering” a scene from foreground to background.

We’ve all been there: You plan an excursion to a beautiful location, pack your gear, and hit the road in plenty of time to get there for perfect light. When you arrive, however, you confront flat, boring skies.

Do you avoid using Lightroom’s powerful Tone Curves because you find them confusing or difficult to use? Well those days are over thanks to the simple tutorial below from Danish travel photographer Alex Bjorstorp.

Widely regarded as the father of Canadian photojournalism, Ted Grant is also the father of one of our favorite quotes: “When you photograph people in color, you photograph their clothes. But when you photograph people in b&w, you photograph their souls.”

One of the most difficult challenges when photographing landscapes is balancing the wide range of tones from deep shadows to bright highlights that often occur in outdoor scenes. In fact, sometimes the density range is so great that’s it’s impossible to precisely exposure the image.

Let’s face it: Most of us are passionate about gear, and we regularly update our equipment. The medical term for this affliction is Gear Acquisition Syndrome—commonly known as G.A.S.

Given a choice, most outdoor photographers prefer to shoot at the beginning or end of the day. At Blue Hour, just before sunrise, the landscape is bathed in soft, cool tones, while at Golden Hour, just after sunset, beautiful warm tones prevail.