Software How To

A colorful dragonfly alighted on a tree branch adjacent to the patio, so I went inside to grab my Nikon D300 and attached a Tamron 70-300mm lens. With strong backlighting, flash fill was mandatory, so I added an SB-900 speedlight to the mix.

Lightroom has been always available as retail standalone software that you buy, install, update, and pay to upgrade when applicable. Well, that has changed, in part, thanks to the Adobe Creative Cloud, which unleashed a torrent of cloud-integrated apps, among them Lightroom CC.

You don’t need three magic wishes to make your Mac or PC more digital photography-friendly. Here are five ways anyone can upgrade their computer to improve the speed and efficiency of Photoshop, expand storage space for all those Raw image files, add room for unlimited back-ups of your photo archive and make the whole shebang more secure—without touching a screwdriver.

I’ve been using PortraitPro since the first edition and now the company behind this popular retouching software, Anthropics Technology, has released Version 12, which includes a variety of updates, both major and minor. PortraitPro 12 can operate as a stand-alone and a Photoshop/Lightroom/Aperture plug-in. To get started in PortraitPro 12 (PP12), you open an image with one or several people in it and the software automatically analyzes and outlines each face. The software then magically goes about retouching the faces one at a time.

I’ve worked with DxO's OpticsPro imaging software for several years and have watched this program evolve and make great strides as a Raw image converter. What the new DxO OpticsPro 10 version of the software brings to the table is a cadre of new features and improvements. But are these enough to catapult this software into the top tier, or is it still playing catch-up?

Are you someone who appreciates the richtones, colors and textures of 19th and 20th century alternative photo processes? With onOne Software’s Perfect B&W (www.ononesoftware.com), you can imbue your own images with these classic looks, and you won’t have to spend days in the darkroom to do it. Options include Platinum and Palladium, the warm beige tones and mottled surface of Calotype, the blue hues of Cyanotype, the buff tones of an Albumen print, the velvety reds of a warm Carbon print, even the look of a Tintype and many more.