Software How To

If you’re ever tried to manually mask out a sky in Photoshop, you know that achieving a precise selection can be difficult—especially when your shot includes complex objects in the foreground. There are many methods for tackling this challenge, and today you’ll learn one of the easiest and most effective.

We always turn to photographer Jordi Koalitic when we need a fresh jolt of creativity, because he never seems to run out of ideas for capturing unique images close to home. In today’s quick episode he demonstrate five fresh hacks that you’ll definitely want to try.

One of the common pitfalls with travel photography is returning home, reviewing images on the computer, and discovering they don’t look as great as they did through the viewfinder. The same thing is true when shooting landscapes, even close to home, because it’s impossible to return and find exactly the same light.

Today’s Photoshop tutorial is all about analyzing boring photos carefully before relegating them to the trash. That’s because a drab image with good composition and a compelling subject can often be transformed into a beautiful scene with a few thoughtful adjustments in Photoshop.

Photoshop’s Selection tools offer a variety of ways to improve an image. They enable you to lighten or darken one portion of a scene without affecting the rest of the image, selectively adjust colors, remove distracting elements, or cut out an object from one photo and place it on another.

By now you’ve probably realized that some images look better in b&w than they do in color. You can always set your camera to monochrome, but most photographers prefer shooting in color, and making the conversion during the editing process, so they have a choice of which look they prefer.

Today we’re not going to get into another discussion of the many advantages of Raw files compared to JPEGs. Let’s just assume that, for whatever reason, you shot a bunch of JPEG images and they look really awful.