Just so you’re not confused, this is the second tutorial of the day from two German landscape pros with the same first name. This one is from Christian Mohrle of the PHLOG Photography YouTube channel—not Christian Irmler who is responsible for the earlier discussion on using different aspect ratios for more effective landscape photos.
Some photographers think all that’s involved is a decision to frame a scene in either a vertical or horizontal orientation. But as you’ll see in the tutorial below, there’s much more that factors into the equation. One is creative cropping, and another is whether to modify the native aspect ratio of the camera you use—which varies from one model to another.
Have you ever wondered how to shoot dynamic photos with soft silky water, cotton-like clouds moving across the sky, or light trails emanating from cars cruising down the road at night? If so, the comprehensive guide in the video below is all you need for getting the job done.
Most landscape photographers’ weapon of choice is a wide-angle lens—typically in the range of 24-35mm. But if you’re lucky enough to own an ultra-wide lens, and know how to use it properly, it’s possible to capture truly breathtaking photos of expansive vistas.
There’s one constant when shooting outdoor photographs: You’re always at the mercy of Mother Nature, and she’s anything but predictable. So you have two choices when weather is threatening or the light is less that ideal. You can either learn how to deal with it or go home.
Macro season is in full swing, with colorful flowers, interesting insects, and other creepy-crawlies just about everywhere you look, so if you still haven’t dusted off your trusty close-up lens, now is the time.
Those new to Photoshop are often overwhelmed by everything this feature-packed program can accomplish. The quick video below from the Adobe Photoshop YouTube channel is designed to shorten your learning curve in a big way.
We’ve said this before and we’ll probably repeat it in the future: The notion that “you’re not a real photographer unless you shoot in Manual mode” is simply absurd. And there’s vast array of stunning imagery captured by acclaimed professional photographers that easily prove the point.
One of the biggest challenges faced by landscape photographers is arriving at a proper exposure when shooting scenes with a wide-range of tones that exceed the dynamic range of their cameras. In such cases conventional camera-settings or editing methods may not be up to the task.
The use of Selections in Photoshop is an oft-ignored technique because of a misconception by some photographers that it’s beyond their skill levels. Fortunately, the comprehensive guide below will allay your concerns, and get you up and running today.
Today’s quick tutorial is a throwback to the days before electronic cameras, without autofocus, built-in meters, and other modern conveniences. The Sunny 16 method for determining proper exposure was one of the easiest “rules” back then, and it can bail you out of a jam today when using a full-featured camera.
One camera feature that landscape photographers have relied upon for years to achieve sharp photos is image stabilization. But does it always work the way you expect? Read on.
Perhaps we’ve raised a few eyebrows with the headline above, since we constantly preach the importance of slowing down and taking a thoughtful approach when shooting in the field. But hold on for a moment, because the valuable advice you’ll learn in the tutorial below isn’t really a contradiction at all.
Have you heard the term “non-destructive” to characterize certain editing methods, but you’re unsure what it means? If so, we’re going to clear that up today. You’ll also learn how easy it is to get the job done using Adjustment Layers to process photos.
If you’re just getting started in landscape photography, welcome to the club! You definitely have a lot to learn, but don’t feel intimidated because expanding one’s skills is part of the fun.