Outdoor Photography How To

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Cynthia Boylan  |  Jun 17, 2015  |  0 comments

COOPH (The Cooperative of Photography) recently partnered with photographer Ray Demski to create a video that highlights 14 smart and practical travel photo tips and tricks. The video, which is embedded below, was shot in beautiful Venice, Italy and features tips to make your photo adventure much easier, safer and more fun.

Jack Neubart  |  Jun 16, 2015  |  0 comments

Travel and nature photographer John Shaw lives his dream, traveling the world with his camera, without deadlines or obligations. His images go toward stock sales worldwide, in addition to being used in his many books. While he doesn’t shoot on assignment, magazine editors familiar with Shaw’s work will come to him when needed, or he’ll occasionally pitch story ideas to them when planning a trip.

Paul Reiffer  |  Jun 15, 2015  |  0 comments

Paul Reiffer is a commercial and landscape photographer who shoots with a Phase One medium format camera system. Reiffer is known for his city and landscape photography and he travels the globe extensively looking for the perfect shot. In this story, Reiffer offers ten tips on how to take the best vacation photos.

Josh Miller  |  Jun 01, 2015  |  1 comments

Telephotos have always been bread-and-butter lenses for photographers shooting everything from commercial and sports to wildlife and landscapes. The ability to separate a subject against its background or pull in a distant scene has made telephoto lenses a staple in nearly every camera bag around the world.

George Schaub  |  May 26, 2015  |  0 comments

A camera enforces a “framing” of the world before you. While you can choose various aspect ratios (from standard to panoramic, from 3:4 to 6:19) the fact remains that you always have to choose what to include and what to leave out of the photo. It’s like constructing a box and deciding what to put inside it. Making those decisions often involves utilizing certain compositional guidelines and tools that artists have used in the past, although like any rules they “are made to be broken.” When deciding which guidelines to apply always remember that content rules, and that context helps tell the tale.

Blaine Harrington  |  May 05, 2015  |  1 comments

Here are some of the questions I asked myself on the way to taking some of the photos you see accompanying this column:
• How am I going to find a father and son trekking through snow?
• How long is this fog going to last?
• Police tape? What’s police tape doing here?
• Is this rain ever going to stop?

Cynthia Boylan  |  Mar 06, 2015  |  0 comments

The Canon Digital Learning Center is now offering free tutorial videos hosted by world-renowned bird photographer Arthur Morris. Arthur demonstrates which techniques, gear and settings he uses to create artistic photos of birds and other wildlife.

Blaine Harrington  |  Mar 06, 2015  |  0 comments

A recent shoot offered a spectacular setting, cooperative subjects, wonderful lighting, great colors, a number of advantageous positions from which to shoot—and a challenge for a travel photographer used to roaming cities and countryside in search of images.

Chuck Gloman  |  Mar 03, 2015  |  0 comments

As a child, I clearly remember my father taking Kodachrome images of my sister and I in the snow. I always associated childhood winter 35mm slides with the blue cast they possessed. Not understanding color temperature, I assumed photos were always blue because it was cold outside. Summer images were understandably warmer looking.

Rick Sheremeta  |  Feb 27, 2015  |  0 comments

There’s no reason to pack your photo gear away when the first snows of winter start to fly. Winter photography presents some of the most wonderful opportunities to capture stunning subject matter that is not available during other times of the year. With the ground enveloped in a blanket of white snow, even familiar surroundings will take on an entirely different perspective and serve as the background for new and exciting images.

Barry Tanenbaum  |  Feb 20, 2015  |  0 comments

Not too long ago we received these notes from photographer Daryl Hawk about his April, 2014, journey across the kingdom of Ladakh:
“Traversed the entire region from the Pakistan border in the west to the Tibetan border in the east…crossed the Khardung pass at 18,380 feet on the highest motorable road in the world…lived with both nomads and residents…explored 25 ancient monasteries and fortresses…tracked snow leopards, discovered petroglyphs and sacred lakes…had a meeting and interview with the King of Ladakh.”

Barry Tanenbaum  |  Feb 18, 2015  |  0 comments

[Column Note: Most people come to professional photography by traveling a familiar route: from an early fascination with cameras, to photo classes and courses, followed by assisting a pro to gain some real-world experience. Then comes striking out on one's own as photographer, which, if all goes well, is followed by the frequent printing of invoices. Others, however, arrive at a pro career sideways—that is, coming at it from another occupation. The stories these "second career" pro photographers tell tend to be quite interesting, even inspirational. And those stories are what this new online column, titled Going Pro, is all about.]

Barry Tanenbaum  |  Feb 10, 2015  |  0 comments

“It was a two-month expedition, and it had taken weeks just to hike into the area and weeks to get to this point on the mountain,” photographer Tom Bol recalls about the above image.

Jim Zuckerman  |  Jan 22, 2015  |  0 comments
The beauty and artistry of the natural designs found in rocks and minerals rivals the most expensive abstract paintings you might find in an art gallery. Some of them are truly breathtaking. Of course, not all rocks are created equal. Some are boring and not worth a second glance, but others are works of art and, if you were to print the images very large and frame them elegantly for your home, people would think you paid thousands of dollars for such a visually compelling piece of art.
Jon Sienkiewicz  |  Jan 21, 2015  |  0 comments

For centuries, scientists have labored to understand the nature of light. Some ancient Greeks believed that light was emitted from the eyeball the same way a bat sends out an echolocation chirp which allows him to determine his precise position in physical space. Understandably, there were problems with that hypothesis. Other theories followed. Those who embraced the wave theory were right—mostly. Light behaves like a wave up to a certain point. Similarly, those who professed the particle theory were also correct—partly.

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