DSLR News

The first thing most photographers do after buying a new camera is to invest in a second battery, and the immediate quandary is whether to buy an expensive OEM product or purchase a bargain-priced battery that supposedly offers equal or better performance.

Conventional wisdom has always been that zoom lenses can’t compete with fixed focal length glass for most forms of photography. So when a respected pro asks, “Are zoom lenses just better than primes,” we stop and pay attention.

NY pro David Bergman regularly responds to queries from fans, and his responses often result in very helpful tutorials. Today’s question is a common one that you may have asked yourself: ”On cameras that you can switch between full-frame and APS-C crop modes, is it the same as using a longer lens.”

Camera manufacturers take pride in how many focus points are available in new models, and the number seems to be increasing with every introduction. From a user’s perspective, the phase “more is better” often rings true.

It‘s no secret that there’s been a dramatic shift from DSLR to mirrorless camera systems on the part of consumers and manufactures alike. But some photographers are hanging on to their trusty DSLRs for making certain types of images.

Is it necessary to have an expensive professional camera to shoot boudoir photography? Or is it possible to get by with just an entry-level, beginner camera for boudoir?

The current trend in cameras is clearly moving in the direction of full-frame mirrorless models with super-high resolution, and the megapixel race shows no signs of abating. But is this based upon sound photographic principles, or does creative marketing and the “Gear Acquisition Syndrome” factor into the equation?