DSLR News

With news that Nikon and, possibly, Canon will be coming out with full frame mirrorless cameras, many dyed-in-the-wool DSLR users are considering making the switch to mirrorless. While mirrorless might be the wave of the future, there’s still lots to consider if you’re thinking about making the switch from DSLRs.

For me, the Mark II designation forever conjures up images of the classic Jaguar Mark 2 automobile, but this new Pentax DSLR may change my mind. When testing the original Pentax K-1 for Shutterbug I was impressed by its outstanding construction and image quality. That thing was built like a tank with styling reminiscent of the classic medium format Pentax 67.

Ask just about any professional photographer what the top cameras are for capturing sports, photojournalism or wildlife and they’ll likely tell you the Nikon D5, Canon 1D X Mark II or the Sony A9. These full-frame cameras are truly the cream of the crop when it comes to capturing high-quality images of fast action.

If you’re considering buying a high-resolution full-frame camera, you’ve likely considered both the Nikon D850 DSLR or the Sony A7R III mirrorless camera.

The Nikon D850 has certainly earned its fair share of accolades since it was launched in August 2017. We named it our favorite camera of 2017, and it also made the Technical Press Association International’s (TIPA) list as the Best Pro DSLR of 2018. Now two photographers and prominent YouTube personalities say the Nikon D850 could be the best camera of all time.

Julia Trotti is one of our favorite photographers for swimwear photography tips videos and she’s back with another one, which features a shootout between two popular cameras. In the video below, Trotti pits her trusty Canon 5D Mark III DSLR against the underdog Sony A7 II mirrorless camera while photographing her model, Jax, in a variety of swimsuits on the beach.

The first thing most photographers learn is that a camera’s light meter is calibrated to deliver correct exposures of “average” subjects with a tone of middle gray. But what about bright scenes like a snowfield, or close-ups of dark subjects like a black cat? That’s where exposure (EV) compensation comes into play.