Rosalind Smith

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Rosalind Smith  |  Mar 01, 1999  |  0 comments

People come and go in Raphael
Noz's photographs, unaware that the strange, little man holding
an object out in front of him is taking their picture. He encounters
his subjects crossing a street, at a bus stop, ori...

Rosalind Smith  |  Mar 01, 1999  |  0 comments

If you ask Grace Hopkins-Lisle
where the greatest influence on her photography lies, she will probably
answer, "right here"--here being a small, odd-shaped, cement
house set pretty among trees at the end ofa...

Rosalind Smith  |  Feb 01, 1999  |  0 comments

Norma Holt surveys her subjects
with the eye of a purist, her direct and intelligent gaze looking at
life from childhood to old age. Her focus is often on the artists around
her, some well-known, others, less noted, but...

Rosalind Smith  |  Feb 01, 1999  |  0 comments

When Claire Yaffa showed
her photographs to Cornell Capa, he said, "You take pretty pictures,
Yaffa, but what do you really want to say?" Yaffa thought long
and hard about the question. She had always beenin...

Rosalind Smith  |  Jan 01, 1998  |  0 comments

Felice Frankel and Chuck Doswell are scientists as well as photographers. However, their interests lie poles apart. While Frankel finds her chosen material in the laboratories at Massachusetts Institute of Technology, Doswell is a storm chaser, in love...

Rosalind Smith  |  Jan 01, 1998  |  0 comments

Peter McDonough is concerned
with perception; not the physiological aspects of perception, but rather
how the eye sees and converts its image, what people see and what they
don't see of a given subject. Quotingthe...

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