The Samsung NX200 is a Compact System Camera (CSC) with an interchangeable lens system. It is based on an APS-C-sized sensor and Samsung’s NX-mount system, which currently comprises nine Samsung lenses. The range of lenses will be expanded this year, with the latest being the Samsung 85mm f/1.4 ED SSA, which is a fast portrait lens that supports Samsung’s i-Function technology. The lens ring—which is normally used for manual focusing—can be used for i-Function settings, a very handy feature that can be programmed by the photographer to change various settings right from the lens.
In this and a continuing series of articles in the coming months we’ll bring you the news and innovations from the recent Consumer Electronics Show (CES) held earlier this year in Las Vegas. While the show floor was dominated by “smart” this and that, from phones to TVs and tablets, we’ll concentrate on those items of most interest to photographers. This report is on the new and recently introduced D-SLRs and interchangeable lens mirrorless cameras.
For a number of years we have been presenting the work of photographers that we generally include under a “personal project” heading, meaning essays and long-term dedication to a subject, a “cause,” or a particular field of study that uses images to help tell the tale. These projects generally focus on a point of view, a social commentary, or a distinct subject that the photographer finds of interest. They draw upon a legacy of photo essays that are a mainstay of how the camera has always been and continues to be used to communicate, to amuse, to give you a sense of wonder, or to convince you about changes that need to be addressed to better the world. They are presented as “evidence” of a point of view and often ask you to consider more deeply the topic presented, or inspire you to undertake a body of work that both codifies your perception of the world around you and makes a statement about where you stand.
The new Canon 5D Mark III has a large and handy grip on the right side. The body is a lot smaller than the new EOS-1D X because the 5D Mark III doesn’t use a “motor winder like” bottom for the rechargeable battery and therefore doesn’t offer a second shutter release button and setup dial, convenient for vertical shots. An additional battery grip is offered as an option, however.
The Canon EOS-1D X is a professional camera system that could be considered ideal for sports photography and photojournalism. It offers extremely high speed and is fully customizable to fit the needs of every photographer. It has a massive and robust body, with many functional elements available in a type of “dual version control” that allows for comfortable shooting in landscape or portrait orientation. Small joysticks and a lot of setup dials will help users navigate through the very comprehensive menus and to set up all parameters in a fast and intuitive manner.
The new Canon PIXMA PRO-1 is a 13x19” pigment-ink printer that makes fine quality prints in a price range that could be considered quite fair for what you get ($999). Aimed at avid photographers and enthusiast printmakers, as well as pros choosing to do their own mid-size prints, the PIXMA PRO-1 fills a void left by HP’s abandonment of the category and directly challenges Epson. The printer offers ease of use, solid performance, 12 ink cartridges, and all in all seems to improve upon 13” printers of the past. Our tests were aimed at determining if the PIXMA PRO-1 could be a solid contender in its class and if there were upgrades or new workflow techniques that would differentiate it from the competition.
The diminutive Nikon 1 series of cameras, including the J1 reviewed here and the coming V1, introduces the new CX-format CMOS sensor to the interchangeable lens, mirrorless camera field, which we dub Compact System Cameras. The sensor is smaller than APS-C and Micro Four Thirds sensors, coming in at a 2.7x multiplication factor using standard 35mm focal length designations. The 10.1-megapixel sensor has a native speed of ISO 100, with speeds up to 3200, and 6400 with a 1 EV push.
While parts of the nation are blessed with warm or let’s say tolerable weather during these winter months there are many more areas in which we inhabitants spend the short days thinking about the springtime to come. For photographers who earn all or part of their keep with their camera some of the planning has to be preparing for what is hoped will be a busy season—the myriad social events that photographers are paid to document, including weddings, graduations and concomitant senior portraits, Easter and First Communions, and whatever social and familial events that come along. Granted, a good many jobs are already booked by now, but there are always late calls, cancellations, and rebookings.
The compact Olympus E-PL3 has a retro body design and is available in different colors. The camera has a large swivel LCD on the back which allows the user to flip the monitor up and down. This is handy but is not as flexible as a swivel monitor that allows side-to-side movement. The LCD screen is a standard TFT screen instead of the OLED system used by the Olympus E-P3.
Operating as a plug-in for Lightroom, Aperture, or as a stand-alone workspace, Perfect Layers from onOne Software distills down and codifies the often-complex task of working in Layers to a fairly simple task, offering various Blend modes, composite shortcuts and tools that might otherwise pose a steep learning curve. You can use numerous source files, including Raw, TIFF, and JPEG formats, and scale and move the various layers as required. In short, Perfect Layers poses an effective tool for those who have wanted to work in Layers out of Aperture and Lightroom and opens up new doors to image creation.
The onOne workspace contains toolbars on the left and modifications and working options on the right, #1. Once you have selected an image or images from an organizer such as the Library in Lightroom, they load as separate Layers in the center screen. You choose the images to be used by selecting them from the Library or Browser, then going to File>Plug-In Extras>Perfect Layers. Here’s the selection process shown in Lightroom 3, #2.