George Schaub

Buffs of infrared photography often go to great lengths to get the ethereal effects that define their images. Now that Kodak has served notice that their high-speed black and white IR film is on the endangered species list, there will be IR film shooters everywhere looking for a way to continue their exploration of that fascinating world. In the past year we have reviewed two Fuji...

Now that Nikon has entered the "full" or FX-format realm with their new D3 the debate is sure to ensue about what creates the best image quality--so-called DX (or APS-C) sensors or the 35mm-size sensor found in the Nikon D3 and former Canon models and the new Canon EOS-1Ds Mark III, reviewed in this issue. (The D3 review will appear in our May issue.) These...

Gone are the days when we might be discussing the merits of stock vs. dilution ratios for film processing and the uses of potassium ferricyanide for snapping up highlights on prints. While these are still items of interest for those working in the chemical darkroom, the talk these days is more about raw image converters and which plug-ins are optimum for gaining a "Velvia...

Mac users can use Aperture to attain good foundation monochrome images from digital camera and scanned RGB files. Because Aperture treats the original raw file as sacrosanct, and works in Versions from what it dubs the Master, many options can be explored before exporting the file to image-manipulation software for further refinement. As with any conversion software, I suggest...