Having worked with Steve in the past, and knowing him for many years, we are always pleased to feature his photography and writing. Recently a new book of his came across our desk (ISBN: 978-1-4547-0327-3, published by Pixiq, www.pixiq.com, 272 pages, $29.95) and we are happy to offer an excerpt of just a few pages of the tip and technique filled volume here. This is one book where Steve’s personality, experience, and expertise certainly comes through in each and every well-illustrated page.—Editor
“Whether the client is advertising a travel destination or a product, such as clothing or sports apparel, I strive to set up the shoot with talent that’s the best fit for the ad,” lifestyle photographer Dennis Welsh proclaims. “That’s what makes the shot and the client’s message believable. That’s what sells it to potential customers. For instance, if I’m shooting for a ski company or a ski resort, I want to find skiers who can easily do what I want them to do. That conveys a sense of truth and honesty. If you start with skiers who are not convincing, you start with a deficit. In that case, you have to do the best you can with what you’ve got. If I’ve got great talent and a great location, a lot of things are already working in my favor.”
Jul 09, 2013
Published: Jun 01, 2013
After a grueling three-day walk, an elderly farmer, hobbling with the aid of two gnarly walking sticks, finally arrived at the hospital in Ometepec. The long distance and oppressive Mexican heat were not his only obstacles—the insidious cataracts that were slowly robbing him of his vision made his trek a precarious journey. A young mother, who had been sightless for several years, gave birth to a child. She had nursed her, raised her, and loved her, without ever seeing her face.
There are stories we tell to explain ourselves, to clarify who we are, and to account for why we are who we are. And no matter what the apparent subject of these stories, what they are always really about is the past. “The past is never dead,” William Faulkner said. “It’s not even past.”
May 30, 2013
Published: May 01, 2013
Photographing Waterdrops is a beautifully illustrated how-to photography guide that serves as both a technical tutorial and visual photography inspiration. Its collection of imagery explores the world within the tiniest droplets of water. Written by award-winning photographer Harold Davis, author of more than 30 books including the bestselling title, Photographing Flowers: Exploring Macro Worlds with Harold Davis, this photography book is intended to offer a fresh, creative perspective into the dynamic possibilities of natural waterdrop photography. Davis draws from his professional expertise and artistic perspective to offer advice on capturing extraordinary waterdrop compositions. Readers learn how to use light and reflections to their advantage, which tools and equipment work best for macro photography, and how to perfect their waterdrop shots both before and after shooting.
In a business that thrives on intensely refined specialties, Newport, Rhode Island-based shooter Matthew Cohen has managed to find success in what has to be one of the ultimate photographic niches: nautical adventure photography. Cohen is one of a handful of photographers worldwide who earns much of his living adventuring on the high seas and capturing those exploits with his camera.
Jun 25, 2013
Published: May 01, 2013
Straddling a beautiful stretch of the Blue Ridge Mountains of northern Virginia, Shenandoah National Park is a hiker’s and photographer’s delight. Located only 70 miles from the nation’s capital, Shenandoah provides an oasis of nature surrounded by ever-encroaching civilization. Long and narrow, the park runs north/south along a ridge crest characterized by rolling hills and mountains, quiet hollows, rushing streams and waterfalls, and verdant forests. Running through the park is Skyline Drive, a 105-mile scenic roadway that meanders along the crest of the Blue Ridge. Along this roadway are 75 overlooks offering unparalleled views of the piedmont to the east and the valley and mountains to the west. The park is also host to a 101-mile segment of the venerable Appalachian Trail as it winds its way from Georgia to Maine.
I have always been a big supporter of joining and participating in professional groups. The growth of my career as a photo rep, teacher, and author all came from joining and participating in groups that brought together like-minded individuals. For photographers looking to enhance or initiate their careers there are numerous professional associations worthy of attention.
Jul 02, 2013
Published: May 01, 2013
Several years ago I decided to take on a challenge of focusing on macro photography right in my own backyard. No, I do not reside in the Sierra mountains or adjacent to a national wildlife refuge or conservation area. I live in a typical South Florida suburban subdivision surrounded by homes and asphalt. South Florida doesn’t even offer much in the way of seasons. Yet, I am amazed at how many unique images I have captured over the past several years.
Mark Katzman has been shooting professionally for over 25 years. Originally, he studied filmmaking at the University of Wisconsin, Madison. In college, and for a short while thereafter, he found he could earn money by taking pictures of baseball teams.
Actor Richard Gere is best known for his roles in over 40 films, but few may be aware he is also an avid photographer and collector. Taking pictures on his many trips to India was always more of a personal project, until photography book and exhibition designer Elizabeth Avedon happened to notice a 3-foot stack of beautiful 8x10 photos in his loft. “A lot of these photographs I didn’t show anyone because it was such a private experience for me,” Gere recalls. “I had no interest in sharing them.” Fortunately, Avedon was able to convince him they needed to be seen, and these and other photos have been exhibited around the world and published in his book, Pilgrim.
In the annals of American photography the images made by Farm Security Administration (FSA) photographers in the 1930s and 1940s are famous. Over a dozen men and women captured a variety of life and work styles during the Great Depression. Their pictures, distributed to news media and other outlets, illustrate how people were dealing with the hard times of the Great Depression, and were used to justify programs for relief and aid.
A phone call from a friend woke Chris Fulcher at his home in Newtown, Connecticut, around 10:30am on December 14th last year. “I’d slept late and didn’t know what was going on,” Chris says. “My buddy told me to check the news, and then I rushed to the school because my 6-year-old cousin goes to that school.”
Philippe Halsman, in his book Halsman on the Creation of Photographic Ideas, talked about an ad he’d shot, where he had to show a car making a splash as it was driving through a water-filled trough. But rather than give it the traditional treatment of the day, he sought to make a real splash with the picture, so he lit it differently. Shooting at dusk, he positioned flashbulbs so they hit the “wings,” as he called them, from each side. Like Halsman, photographers specializing in automotive are finding ways of introducing unusual and unique twists to make the shot stand out. Peter Dawson is one such automotive photographer who takes a particularly keen interest in dealing with challenges outdoors, on location.