Pro Techniques

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Jim Zuckerman Posted: Jun 20, 2014 0 comments
One of the first techniques I learned in photography was to use long exposures at night to blur traffic lights. I liked it decades ago, and I still enjoy seeing artful streaks of light superimposed over an urban environment. You never know exactly what the resulting images will look like, and that’s part of the fun. When the background happens to striking, like the Walt Disney Theater in Los Angeles, California (#1), the combination of abstract lights and architecture makes a winning photograph.
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Jim Zuckerman Posted: Jun 20, 2014 0 comments
Most people find the bones of animals fascinating. Nature photographers are usually drawn to them like a magnet, and when they are in a particularly beautiful environment, they make captivating subjects. Too often, though, bones are scattered in an unattractive way or they are laying in dirt or underbrush that isn’t especially appealing. In that case, it’s a simple matter of arranging the various elements so they are more pleasing.
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Jack Neubart Posted: Jul 08, 2014 Published: Jun 01, 2014 3 comments
“I don’t have a favorite location. I just like the challenge of where I go and what I’m presented with on any given assignment,” advertising photographer Brian Bailey declares. One assignment lasting 10 days took Bailey to the Galapagos Islands, for a sunglasses company. But many assignments involve anything but sun-drenched conditions. In fact, the road to this point was a rocky one—of sorts…
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Barry Tanenbaum Posted: Jul 29, 2014 Published: Jun 01, 2014 0 comments

Natural History
When Steve Gottlieb took this picture in 1985 he’d been practicing law for 10 years. Photography was his hobby, and his hometown, Washington, D.C., was his favorite subject.

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Chuck DeLaney Posted: Jul 15, 2014 Published: Jun 01, 2014 0 comments
A comprehensive retrospective of photographs by Garry Winogrand (1928 - 1984) made its debut last year at the San Francisco Museum of Modern Art and will be on view at Washington’s National Gallery of Art (March 2 - June 8) and New York’s Metropolitan Museum (June 27 - September 21). The show then travels to Paris and Madrid. It includes pictures that became well known during Winogrand’s lifetime and others that he himself never even viewed. See it if you can because it raises provocative questions for every photographer and, as the show wends its way, gives critics an opportunity to rethink his career.
Jeff Howe Posted: Jul 18, 2014 Published: Jun 01, 2014 0 comments
Last year, I decided to take on a challenge focusing on the unique natural beauty associated with wildfires in a Florida scrub ecosystem, one of the most rare ecosystems in the state. Florida is no stranger to wildfires. Nationwide, Florida has the second highest number of wildfires annually. In 2011, it was estimated that 300,000 acres of land was burned due to over 4800 wildfires. My project was centered at Indrio Savannahs Preserve, where a 120-acre wildfire was ignited by lightning in March of 2013.
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George Schaub Posted: May 28, 2014 0 comments
The image color of even a conventional black and white silver print is rarely black, white and grayscale shades. It may be warm (golden) or cold (blue) neutral or toned (sepia, magenta). Over many years print makers and chemists developed paper and developer combinations, as well as after-printing toners, to add additional color to monochrome silver prints. For example, using a warm-tone paper such as Agfa Portriga and a warm-tone enhancing developer, such as Selectol Soft, could alter image color. This yielded brownish blacks and creamy whites. A cold-tone paper could be developed in Dektol and after fixing toned in a mild dilution of rapid selenium toner for added “snap”, resulting in a “harder” bright white/deep black effect.
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George Schaub Posted: May 28, 2014 1 comments
Human visual perception is a wondrous thing—it allows us to see a wide spectrum of colors, with all the subtleties and shades, lights and darks, pastels and richness of the earth and the heavens. To see in black and white is an abstraction of that world, one that perceives luminance, or brightness, without the benefit of hue. Yet hue, or color, and its shades, often determine what tones, or grayscale values, will be seen in black and white. If one were always to see the world only in black and white it would be considered a deficiency of vision. But to see that way occasionally, and to be able to render what we see in a monochrome fashion, opens the door to different perceptions and feelings about the world, and yields a unique form of expression in the bargain.
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Jim Zuckerman Posted: May 28, 2014 1 comments
I have always been fascinated by a photographer’s ability to turn a common subject into a work of art. Being a photographer means seeing the artistic potential in the elements that surround us on a daily basis. I travel all over the world seeking out amazing things to shoot, but I also find them at home—in the kitchen, in my backyard or even in my office. It’s always an exciting discovery to work with a subject to which I never gave a second thought, and then one day it turns into something that is visually arresting.
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Jim Zuckerman Posted: May 28, 2014 2 comments
The pearlescent colors that appear in soap bubbles are endlessly fascinating if you take the time to look at them closely. It is chaos at its most beautiful—a random mix of color that, unfortunately, we can’t freeze with our mind to examine any one instant in time. With a camera and flash, however, we can capture these amazing works of art and examine every detail, even though each design lasts only milliseconds.
Maria Piscopo Posted: Jun 20, 2014 Published: May 01, 2014 0 comments
What is “stock” photography, and how can it be a source of revenue? First, let’s define some terms. In most cases, rather than selling an image in the stock photo market think “license,” as stock images are not really sold—they are licensed for a particular use. The larger agencies all license Rights Managed (RM) images and many Royalty Free (RF) agencies will offer a “removal from market” option if an exclusive license is needed by the client.
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Blaine Harrington Posted: Jun 24, 2014 Published: May 01, 2014 0 comments
The roads I follow as a travel photographer mostoften lead me to landmarks and landscapes, festivals and events, people and cultures. But not always. As you can see from the photos here, I consider photographing wildlife one of the requirements of a successful travel photographer.
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Suzanne Driscoll Posted: Jun 20, 2014 Published: May 01, 2014 0 comments
Known as a master of combining art in the traditional sense with photography, Chiarenza has been making pictures for five decades. He started out with tightly framed, documentary-style photographs that sparked a lifelong interest in abstract images and landscapes. But since 1979 he has been making collages out of scraps of paper, foil, can lids, and whatever else he finds or people send him. He then photographed the collages with Polaroid positive/negative film, always in black and white. Using light, shapes, forms, and surfaces, the results are very unique images that encourage the viewer to let his or her imagination do all the interpretation.
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Lorin R. Robinson Posted: Jun 27, 2014 Published: May 01, 2014 0 comments
The skies have been a source of fascination for humankind since our earliest days. But only in the past 100 years or so has photography provided tools to enable people to capture, view, and enjoy the astonishing images astronomers were privileged to see in their elaborate telescopes.
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Jim Zuckerman Posted: Apr 24, 2014 0 comments
Photography has taught me to be aware of color, design and patterns, and I am always looking for something interesting to photograph. A few years ago when my wife was making a marble cake, I was drawn to the design in the swirling chocolate and thought it would make a successful abstract shot. I liked the images I took, but I felt more color would make the pictures a lot more interesting.

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