Pro Techniques

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Barry Tanenbaum Posted: Mar 01, 2007 0 comments

When we heard that David Alan Harvey was doing a book on women, it didn't seem like a surprising subject. A photojournalist with over 30 National Geographic stories to his credit, plus several books, we imagined that in the course of over 30 years of travel and photography he'd have many compelling images from which to choose. Not to mention current assignments that...

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Theresa Airey Posted: Mar 01, 2007 0 comments

I started out my photographic career in 1980 and studied with some of the most prominent photographers of our time. I learned to previsualize my images and was rewarded with perfectly "zoned" black and white negatives. However, I was never satisfied with my black and white prints. I always wanted more and felt something was missing. I began translating the negative...

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Jay McCabe Posted: Mar 01, 2007 0 comments

"I built my name and reputation on safety and doing things legally, with permission."

Location is everything, and Peter B. Kaplan built his career on getting to places others couldn't...or wouldn't. Although there are images taken from blimps, balloons, and helicopters, the majority of his photographs are taken from rooftops, scaffolds, antenna...

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Neela Bhagat Posted: Feb 01, 2007 0 comments

Henry Hamilton Bennett's photographs have been collected and displayed in some of the most prestigious museums around the world, including the New York Museum of Modern Art, the Center for Creative Photography, the Smithsonian Institution, and the Library of Congress. His original photographs have found their way into many private collections.

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Rosalind Smith Posted: Feb 01, 2007 0 comments

They call him the picture taker, a humble phrase for a man whose every image is a small miracle. His name is Ken Elkins, retired chief photographer for The Anniston Star in rural Alabama. His new book, appropriately titled Picture Taker (published by The University of Alabama Press), transports us from life as we know it to a world most of us will never encounter.

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Barry Tanenbaum Posted: Feb 01, 2007 3 comments

I went into this determined not to portray fine art photographer Chris Faust as some sort of oddity because, lo and behold, he still goes into the darkroom. And as a photography teacher, he encourages others to do it, too.

But when I said, "I'm not going to approach this story as if you were an oddity in the age of digital," he stopped me with...

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Jon Sienkiewicz Posted: Feb 01, 2007 0 comments

Sooner or later, you're going to be tempted to buy a product that's labeled "refurbished." It will probably be the lower price that attracts you--after all, there is one and only one reason to even consider "refurb" and that is to save money. Depending on where you shop, you may be led to believe that the refurbished item is as good as...

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Tom Frier Posted: Feb 01, 2007 10 comments

Photography has long been a passion and one of my favorite subjects is the classic automobile. My interest is not so much in the mechanical aspects but in their design and form. Since I was introduced to the magical world of digital I have developed a new approach to this subject matter, one that extracts the car from its surroundings and considers it as an object of beauty onto...

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Jay McCabe Posted: Jan 01, 2007 0 comments

"How do you get a handle on telling the story of life on earth in images? It took tons of research to master the material."

For his most recent book, Life: A Journey Through Time, Frans Lanting traveled, researched, and photographed for over six years, but when you consider that his goal was to document the story of life on earth, it seems a reasonable amount...

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Rosalind Smith Posted: Jan 01, 2006 Published: Jan 01, 2007 0 comments

How do you translate an idea into an image? Or convert words into a photograph? How can a picture create a sense of fear and is this fear something we are born with? Perfect pitch... How might you define this phenomenon with your camera? Or hypergraphia, the compulsive need to write?

These were among the puzzles that confronted Cary Wolinsky for his story on...

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Jack Neubart Posted: Nov 15, 2006 Published: Dec 01, 2006 5 comments

Changing lenses on a digital SLR subjects the interior to invasion by dust and other airborne particles. While we can avoid the problem with prudent handling, eventually we'll have to face the facts: dust will get on the sensor. The imaging sensor, whether CCD or CMOS, is a dust magnet. As soon as the camera is turned on the sensor becomes electrostatically charged. Any...

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Jay McCabe Posted: Nov 01, 2006 0 comments

"Photographers may believe in certain pictures, but they have to have the educated eye of the picture editor."

"We're actually looking at film," David Doubilet says. He's at the offices of National Geographic magazine, going over the take from a recent two-month assignment in the South Pacific. The job was shot with both film and...

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Jon Sienkiewicz Posted: Nov 01, 2006 0 comments

It's impossible to be a serious digital photographer without learning at least a little bit about computers. Some people take to computer technology like kids take to dirt, but many never get beyond e-mail and Photoshop. Don't get me wrong--that's not bad--but when the need to upgrade arises, the folks who are short on computer skills sometimes think...

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Jay McCabe Posted: Sep 01, 2006 0 comments

"None of my sample albums have family formal shots. I intentionally leave them out because they're not what I specialize in."

"A lot of it comes down to your client's expectations before the wedding," Mike Colon says of his relationship to the bride and groom. "You have to talk about what they're really expecting, what...

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Howard Millard Posted: Sep 01, 2006 0 comments

Color can thrill, color can dazzle, but often a black and white or monochrome image is more powerful. Black and white may better convey the feeling you want to evoke for a particular image--more dramatic, more abstract. Paradoxically, even when you know that you want a final photo in black and white, you should shoot digitally in color, as you should scan a film or print...

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