LATEST ADDITIONS

Press Release  |  Oct 16, 2013  |  0 comments
LPA Design, manufacturers of PocketWizard Photo Products, announced the immediate availability of the new hot shoe to miniphone cable (HSFM3). This three-foot cable, which has a basic (non-TTL) hot shoe on one end and a mono miniphone connector on the other, allows photographers to slide any speedlight style flash into the shoe to avoid using the sometimes unreliable or missing PC port. The miniphone end plugs into either a Plus® radio (PlusX, Plus III, Plus II or Plus Receivers), MultiMAX Transceiver orFlexTT5 Transceiver. With another PocketWizard radio on the camera, photographers now have the most reliable triggering setup possible.
Joe Farace  |  Oct 15, 2013  |  First Published: Sep 01, 2013  |  0 comments

Mary and I have fond memories of using early generation Bowens monolights; they were our first really “good” lighting system when we set up our studio in 1982. We loved shooting with those big, black, paint-can-shaped 800B monolights because they were inexpensive, dependable, and powerful. From what I can tell from my tests of their two-light Gemini 400Rx Kit that continues to be the case.

Blaine Harrington  |  Oct 15, 2013  |  First Published: Sep 01, 2013  |  1 comments

I learned photography in the film days, and when the huge change to digital came along, I changed not only my gear but the way I see. I used to have to see in terms of very specific criteria of what would work within the ISO range of my film and what the film could record in terms of light and shadow. Low ISOs meant I couldn’t get enough depth of field, or a tripod was needed, or I had to light something because there wasn’t enough information in pictures that had incredible shadow detail. High ISOs often meant an unacceptable level of grain and bad color rendition. As a result I passed up a lot of situations that got my attention but were beyond the capability of my film to capture.

Press Release  |  Oct 15, 2013  |  0 comments
Rick Sammon has a new iPhone and iPad app that will help you find the best light for the best pictures - day and night. It's called Rick Sammon's Photo Sundial and is on sale for $2.99. The app not only shows the sun's position and where shadows will fall, but it also displays the phases of the moon, a five-day weather forecast, a sun compass, a shadows meter and 25 of Rick's favorite sunrise/sunset images with tips.
Press Release  |  Oct 14, 2013  |  0 comments
The versatile new Sony α NEX-5T compact system camera combines a stylish, ultra-compact design and the creative capabilities of interchangeable lenses with large-sensor image quality, speedy Auto Focus (AF) and the convenience of NFC (Near Field Communication) one-touch for easier Wi-Fi connectivity.
Steve Bedell  |  Oct 11, 2013  |  First Published: Sep 01, 2013  |  0 comments

“Look Ma, no cords!” That’s right; the Priolite does not have a power cord. It is run strictly off battery power. Each unit has its own interchangeable and removable battery, plus a built-in receiver to work with a Priolite transmitter. And, unlike most monolights, it has a usable modeling light even on battery power.

Joe Farace  |  Oct 11, 2013  |  First Published: Sep 01, 2013  |  0 comments
Here are a few ABCs of web design to keep in mind when working on your site. A) Add something new each week. This is doubly important for blogs because search engines look for regular activity; the more and regular activity there is, the higher it will move the site in rankings when people look for photographers. B) Bigger is not necessarily better. Large file sizes cause a page to load slowly and, as I mentioned before in this column, the longer it takes, the more likely a person visiting the site will bail. Big file sizes also means it takes longer for a search engine spider to crawl your site. C) Colors should be simple, avoiding a strong graphic or photographic background. What works in print doesn’t always look good on a backlit monitor. A site’s focus should be on your photographs, not its design.<
Press Release  |  Oct 11, 2013  |  0 comments
SpinLight 360® has announced the release of the new 20 Gel Collection and Light Modifier. The SpinLight 360® Gel Collection offers an exciting ‘twist’ to the company’s existing SpinLight 360 Modular System. Included in the new Gel Collection are 5 color correction gels, 15 color effect gels and a unique, multi-functional storage case. All gels are made from high quality, industry-standard LEE filters and each gel is individually labeled with its name and f-stop loss for ease-of-use and reference. All the gels (and more) can be stored in the case provided.
Press Release  |  Oct 10, 2013  |  0 comments
Canon U.S.A., Inc. has introduced the new EF-S 55-250mm f/4-5.6 IS STM telephoto zoom lens. Created to be the perfect companion lens for the EOS 70D, EOS Rebel SL1 and EOS Rebel T5i Digital SLR cameras, the EF-S 55-250mm f/4-5.6 IS STM lens expands Canon’s line of Stepping Motor (STM) lenses to six models – the EF-S 18-135mm f/3.5-5.6 IS STM, the EF 40mm f/2.8 STM, EF-S 18-55mm f/3.5-5.6 IS STM, EF-M 18-55mm f/3.5-5.6 IS STM, EF-M 22mm f/2.0 and the new EF-S 55-250mm f/4-5.6 IS STM lens. Canon’s Stepping Motor lenses allow for the capture of high-quality still and video images and reduce motor noise from the lens so cameras, such as the new EOS 70D, will capture the sound of the video scene being recorded without the interruption of noise by the focusing motors.
Press Release  |  Oct 09, 2013  |  0 comments
International Supplies has announced that Japanese lens maker Yasuhara just released a Nanoha Macro Extension Tube Set for Micro 4/3rds and Sony E mount cameras. These tubes allow users to increase the distance between the lens and the sensor, thus enabling the lens to focus much closer than its minimum focusing distance. The set includes both a 10mm and a 16mm hollow extension tube that can be used either individually or in combination to achieve optimal magnification. Simply mount one or both of the tubes between the camera and the lens. The two tubes, when used together, can provide a combined length of 26mm. The greater the distance, the closer the lens will be able to focus. For macro photography, the focal distance of the lens must be larger than the extension length of the Nanoha tube(s) used.

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