LATEST ADDITIONS

George Schaub  |  Mar 01, 2011  |  1 comments

The substrate and the image often go hand in hand, with a natural tendency to choose a matte surface for one type of scene, bucolic landscapes, perhaps, a hard gloss for commercial work, and a luster for deep blacks and a fine art feel.

Maynard Switzer  |  Mar 01, 2011  |  1 comments

I’m writing this in mid-December as I’m making plans for a February trip to Vietnam. As those plans are shaping up, it might be a good time to talk about how I decide what to take on my photo trips and how I try to ease it all through the world’s airports.

The gear I take depends on where I’m going, how long I’ll be there, and what I expect to accomplish. One thing I know from the...

Joe Farace  |  Mar 01, 2011  |  0 comments

Everybody knows the basic concept and conceit of High Dynamic Range (HDR) imaging but first let’s get rid of yet another unnecessary acronym. What does HDRI—High Dynamic Range Imaging—add to the discussion other than just another letter?

Gary Fong  |  Mar 01, 2011  |  1 comments

Many photographers will walk out the door for a portrait shoot with little more than a camera and a reflector. They do so based on the common belief that flash photography is meant exclusively for indoor shooting, that flash is only used when there isn’t enough light to achieve a perfect exposure. However, based on my experience, a flash combined with a few affordable accessories has tremendous...

George Schaub  |  Mar 01, 2011  |  0 comments

At first glance you might think that Alien Skin’s Exposure 3 ($249 at www.alienskin.com/store or $99 upgrade from Exposure 1 or 2; a free trial is available on their website as well) is a push-button solution to image manipulation.

John Siskin  |  Mar 01, 2011  |  0 comments

The following is an excerpt from Understanding and Controlling Strobe Lighting: A Guide for Digital Photographers by John Siskin, published by Amherst Media (ISBN: 978-1-608952-42-7). John has been a Shutterbug contributor and we were glad to see him bring his knowledge on the topic of lighting to this new book.—Editor

Hard Or Soft Light?
In the past, most...

Joe Farace  |  Mar 01, 2011  |  0 comments

“Fine art and pizza delivery, what we do falls neatly in between!”—David Letterman

Fine art photography has a special place in my heart since I started photographic studies at the Maryland Institute College of Art in Baltimore. Years later when Mary and I opened our Colorado studio its tag line was “for the art of photography,” but I’m not sure how much art we practiced in those early...

Shutterbug Staff  |  Mar 01, 2011  |  1 comments

I had passed this long-abandoned, one-room prairie schoolhouse near Elk City, Kansas, hundreds of times over the years and each time I resolved to stop the next time to photograph it. Except for the chimney and tin roof, there had been no apparent effort to preserve the building, which is now on private property. Finally, on a hot, cloudless July morning, after 25 years of procrastination, I...

George Schaub  |  Mar 01, 2011  |  0 comments

Many photographers start their careers photographing weddings or doing portraits “on the side.” Me, too. While I was engaged in other aspects of the craft, I worked as a weekend warrior shooting weddings and social events to help raise money for new gear (and pay the rent). I set up a small studio with seamless paper on rolls in my one-bedroom apartment and would do tabletop...

Joe Farace  |  Mar 01, 2011  |  5 comments

“Computers = Ticket to Hell.”—from an old Alien Skin Software T-shirt

I’ve always been an ambidextrous computer user, having a Windows system on my left and a Mac OS computer on my right. That Windows computer handles Internet surfing for Web Profiles and e-mail. It’s also where I test the $29 “just as good as Photoshop but Windows-only” imaging...

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