LATEST ADDITIONS

Jay McCabe  |  Sep 01, 2010  |  0 comments

Trevor Hart
Cosby High School
Midlothian, Virginia

The Roots
Photography courses at Cosby High mean film photography, from image capture to developing and printing. If digital files are needed, prints are scanned. Which doesn’t bother Trevor, who is going into his senior year and third year of photo instruction. The look of film...

Shutterbug Staff  |  Sep 01, 2010  |  0 comments

In the 1930s, a small group of California photographers challenged the painterly, soft-focus Pictorialist style of the day. They argued that photography could only advance as an art if its practitioners exploited characteristics inherent to the camera’s mechanical nature. This small association of innovators created Group f/64, named after the camera aperture which produces great depth of...

C.A. Boylan  |  Sep 01, 2010  |  0 comments

Nikon’s S-Series COOLPIX
There are three new S-series COOLPIX cameras from Nikon. The S8000 features a 10x optical zoom ED glass lens, a four-way Vibration Reduction (VR) Image Stabilization System, ISO settings to 3200, and a 3” LCD screen. It can record HD movies with stereo sound and has a Sport Continuous mode. Colors for the S8000 include black, red...

George Schaub  |  Sep 01, 2010  |  0 comments

Canon’s latest entrants in the 24” segment are the iPF6350/iPF6300 imagePROGRAF printers, essentially the same except for the addition of an 80GB hard drive on the iPF6350 that can store information on jobs and images themselves.

David B. Brooks  |  Sep 01, 2010  |  4 comments

I’ve been testing and reporting on film scanners for almost 20 years, and names like Imacon, Kodak, Nikon, Microtek, and UMAX all come to mind.

Shutterbug Staff  |  Sep 01, 2010  |  0 comments

We continue our compositional assignments this month with “Leading Lines: S-curves and the Diagonals” (the July issue was “Into Infinity”) and readers responded with fascinating images that show why these compositional devices are so visually enticing. The S-curve runs the eye from front to back, playing with movement through both vertical and horizontal space, while the...

John Brandon  |  Sep 01, 2010  |  0 comments

If a computer is part of your photographic workflow, then you’re probably already using Adobe’s Photoshop. The program has become standard for serious pros, erstwhile amateurs, and even those who just want to add some flair to their Facebook profile.

Shutterbug Staff  |  Sep 01, 2010  |  0 comments

Panasonic has a very clear and distinct mission and priority for its LUMIX digital cameras: superior image quality. Without image quality, what use is the digital camera? With its newest introductions of LUMIX point-and-shoot digital camera models, Panasonic continues to strive for premium image quality—both in capturing still and moving images, and with the addition of some big and...

Maynard Switzer  |  Sep 01, 2010  |  0 comments

In my last column I talked about fixers—the guide/translators who smooth the way and open the doors so I can get the photographs. They’re important when it comes to photographing people, especially when I don’t speak the language, which is most of the time. But while I don’t always have a fixer, I have my people skills.

The most...

George Schaub  |  Sep 01, 2010  |  0 comments

Apple’s latest generation MacBook Pro computers come in three screen sizes and with two basic configurations, the 13” with an NVIDIA GeForce 320M graphics processor paired with Intel Core 2 Duo processors, and the 15” and 17” with an NVIDIA GeForce GT 330M graphics processor and Intel Core i5 and i7 processors.

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