Michael Grecco is an award-winning, internationally renowned director and photographer of celebrity portraits, advertising and editorial commissions, private collections, and fine art. As one of the most respected visual storytellers in the world, his conceptual vision and signature dramatic lighting create distinctive images that are evocative, sophisticated, and comedic.
Hi everybody! I’m very excited to be launching a new Q&A column here in Shutterbug—a magazine I’ve been reading, and been a fan of, for so many years—so it’s truly an honor to be here with you. I invite you to send in your questions to editorial@shutterbug.com (with "For Scott Kelby" as the subject line), and I’ll do my best to answer them in Ask a Pro. OK, let’s jump right to it.
Adobe has released version 14 of Photoshop Elements and Premier Elements. Both are exciting and easy-to-use, and offer enough editing horsepower for most photo and video enthusiasts. Although Premier 14 is chock full of improvements, including some cool new things you can do with 4K video, I found the enhancements in Photoshop Elements to be more groundbreaking and fun. So that’s what we’ll focus on today.
Manfrotto’s PIXIE EVO: Manfrotto recently introduced the new PIXI EVO, a mini tripod created for enthusiast and hobbyist photographers who need a lightweight/portable tripod. PIXI EVO provides flexibility of use, robustness and a variety of framing. PIXI EVO features two different leg angles with a sliding selector, enabling users to shoot ground level images.
I can’t understand the current love affair between photographers and drones. Like all kids I made paper airplanes which I anonymously launched toward unsuspecting substitute homeroom teachers, sure. Sometimes with uncanny accuracy. Is the current drone rage the ultimate technological evolution of the balsawood P-51 Mustang? Or are we channeling our inner Wright brothers?
Forgive me if I catch my breath for a second but I just returned from the PhotoPlus Expo show in New York City and it was an exhausting show in many respects. But I say that in a most positive way.
When I realized that this column would be in the magazine’s lighting focus issue, I looked at the data for the photos I’d taken earlier this year during a nearly month-long combination of safari workshop, assignment, and stock shoot in Africa. What I found surprised me: I’d used flash on about one-third of the 13,000 photos I’d made on that trip. I had no idea I’d used my Speedlights as often as I had.
I had the opportunity to spend a couple of weeks with the Profoto B2 Location Kit. Said kit contains one power supply with two batteries, two flash heads, a carrying bag, and more. Profoto also sent me a bunch of light-shaping tools to experiment with.