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Maria Piscopo Posted: Oct 01, 2005 0 comments

Tony Corbell ( was one of the first photographers I worked alongside when I started speaking on the photo lecture circuit. When I saw the "lighting" theme for this issue, I knew he would be the one to talk to about business today. Corbell's October appearance at the...

Rosalind Smith Posted: Oct 01, 2005 0 comments

Fifteen years ago Ann Johansson left Gothenburg, Sweden, and came to America. She was looking for "sunshine" but she may just have found the end of the rainbow. For seven years her real-life job was waitressing in Los Angeles. Her hobby was taking pictures.

"It took me a while to realize you could actually make a living here having a...

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Howard Millard Posted: Sep 27, 2005 0 comments

achieve the eerie, glowing effect of infrared black and
white film, I applied several techniques in Adobe Photoshop.

Photos © 2001, Howard Millard, All Rights Reserved

Are you attracted to the
mysterious, otherworldly glow of black and white infrared film? But
you've heard that it's a bit of a hassle to shoot and print.
Well, here's how to emulate that exotic infrared (IR) look digitally
starting with any color original.

Why not shoot IR film to begin with? Kodak High Speed Infrared film
is a challenge. First, to avoid fogging, it should be stored in the
refrigerator and must be loaded and unloaded in the darkroom or a changing
bag. Then, for the best effect, you must shoot with a deep red or opaque
filter over your lens. Once you've focused, you must re-focus
the lens manually to the infrared focus point. Since your camera meter
doesn't measure IR light, it's advisable to bracket exposures
widely. In the field, you must load and reload your camera in a light-tight
changing bag. After the film has been processed, the negatives are extremely
contrasty and often require extensive dodging and burning to get a good

started with this original color 35mm slide shot on Fuji Sensia
II and scanned it on a Polaroid Sprintscan 35 Plus scanner
at 2700dpi for a 26MB file.


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Howard Millard Posted: Sep 27, 2005 0 comments


Photos © 2003, Howard Millard, All Rights Reserved

Adding a reflection of your
subject can double the impact of your digital photo, transforming an
ordinary shot into something memorable and striking. Using tools in
Adobe Photoshop, Elements, and other image-editing programs, it's
not too difficult to double your pixel power. Just follow these nine
steps. I used Photoshop, and the procedure is similar in Elements or
other programs.



Filed under
George Schaub Posted: Sep 27, 2005 0 comments

Sprint PCS Samsung Multimedia Phone MM-A800

Much ado has been made of late of how camera phones will gut the lower-end digicam
market and how everyone will dump their 1-3MP digicams for these amazing multimedia
products. Having shot with a sub 1-megapixel phone a year back I shrugged and
moved on, deciding it was a fun toy that some might find useful but that image
quality was poor, even when compared with the lowliest of blister-pack dedicated
cameras. Word has gotten around that new, higher-megapixel phonecams are coming,
with 7 MP being the figure touted on one model available now overseas. In addition,
we just got word that Kodak is finally going to release their EasyShare One,
subject of a press conference last January, which is said to be a camera first
and then a web or phone connecting pictuire sender second. With all that in
mind I was intrigued by the new Samsung 2MP camphone sent to us by the folks
at Sprint, one that links up with Sprint's PCS Picture mail service.


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Shutterbug Staff Posted: Sep 23, 2005 0 comments

Microtek USA is shipping the ScanMaker i800, a high-resolution scanner that
is said to combine professional features, versatility, power and convenience
at a great price. At $399, the unit can handle multiple film sizes including
24 frames of 35mm filmstrips , 12 mounted 35mm slides, two 4" x 5"
transparencies, and medium format up to 6 x 17 cm panoramic. With a maximum
film scanning area of 8" x 12" the i800 accepts large format film
and contact sheets as well. The scanner, which features 4800 x 9600 dpi optical
resolution and a 4.0 Dmax, allows users to create poster-size images from photos
and film. The ScanMaker i800 also features a large 8.5" x 14" reflective
scanning area to accommodate legal-size documents and batch scanning of photos.


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Shutterbug Staff Posted: Sep 22, 2005 0 comments

Wacom's new Graphire4 pen tablets are said to provide the tools needed
to have fun editing photos and exploring digital creativity. These new pen tablets
include a patented, cordless, battery-free pen and mouse, a tablet and five
valuable software applications. Using the natural control of the pen and the
included software, it's easy to enhance photos and to create artwork for
scrapbooks, craft projects and slide shows. It's also easy to communicate
more personally by using the pen to digitally jot notes, annotate documents
and sketch quick diagrams. Graphire4 pen tablets are available immediately in
a choice of three colors (Silver, White and Metallic Blue) and two sizes (4x5
and 6x8) which are priced at $99 and $199.


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Shutterbug Staff Posted: Sep 19, 2005 0 comments

Epson America Inc. has announced the the Epson PowerLite 76c. Featuring up to
2,000 ANSI lumens of brightness with XGA native resolution (1,024 x 768) in a
5.7-pound design, the PowerLite 76c is slated to sell for $1,099 (estimated street
price.) Driven by Epson's 3LCD technology, a three-chip engine design that
projects continuous color and vibrant images, the PowerLite 76c is said to display
a wide color gamut with excellent brightness and edge-to-edge consistency. In
addition, the PowerLite 76c comes with a new Instant OffTM feature for immediate
shutdown of the projector. Epson has also equipped the PowerLite 76c with new
lamp technology, E-TORL (Epson Twin Optimized Reflection Lamp), to deliver what
is said to be a superior level of brightness in a compact form factor. E-TORL
efficiently gathers and projects light to reduce light leakage and diffraction.

To get presentations up and running quickly and smoothly, the PowerLite 76c takes
only four seconds between pressing the power button and projection of the start-up
screen. And, with Epson's exclusive Instant Off feature, no cool down time
is necessary. Users can simply press the power button and unplug the power cable
immediately at the end of their presentation.

For added control, the PowerLite 76c features a "Source Search" button
which automatically identifies and displays the connected inputs and changes instantly
between sources. A 1.2x optical zoom lens enables users to easily adjust the display
size to project large images from relatively short throw distances, resulting
in a wide range of set-up possibilities. The unit's 30-degree keystone correction
ensures a high-quality display, even in less-than-ideal environments. Depending
on the presenting environment, the PowerLite 76c allows users to choose a 1,500
ANSI lumens "Low Brightness" mode to increase lamp life.

The included remote control enables PowerPoint and Keynote presentation slides
to be advanced and manipulated without using a PC. The projector also offers several
useful features for ceiling-mount projection, including top-side access for easy
lamp replacement, front-side access for air-filter replacement, easy switch to
ceiling-mount mode (inverted picture) via the remote control, and direct power-on
that is activated automatically when a room's power source is switched on.

The Epson PowerLite 76c will be available through authorized pro audio/visual,
national distribution, catalog, and direct PC dealers in October 2005. Epson's
PowerLite projectors come with a two-year limited warranty that includes three
elite technical support services -- two-year Epson PrivateLine™ availability,
two-year Road Service Program and two-year International Warranty. Through the
PrivateLine, projector owners can directly access an expedited support telephone
line (typically in about one minute) by using a phone card that is included with
the product.

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Shutterbug Staff Posted: Sep 16, 2005 0 comments

As America struggles to cope with the devastation and loss caused by Hurricane
Katrina, Professional Photographers of America (PPA) has taken unprecedented steps
to assist photographers in the affected areas. Yesterday the PPA Board of Directors
guaranteed up to $200,000 for the recently established PPA Disaster Relief Fund,
as the Association continues its fundraising efforts.

"With more than 250 PPA members in the stricken areas of Alabama, Mississippi
and Louisiana, PPA knows firsthand of the destruction caused by this hurricane,"
said Ann Monteith, PPA President. "We all watched in shock and sadness as
the scope of the damage unfolded, and we felt compelled to find a way to directly
help PPA members affected by this disaster as soon as possible. We will continue
fundraising in hopes that we can surpass the $200,000 mark."

PPA's relief fund was established last week through PPA Charities, a 501(c)(3)
organization. The original intent was to disburse the money collected to disaster
relief agencies. PPA's Board of Directors, in response to requests from
PPA members, voted this week to shift the focus of the relief fund so that it
will now be used to provide direct aid to PPA member photographers. The fund will
distribute $1,000 to each PPA member studio directly affected by Hurricane Katrina.

"PPA's members have a long history of pulling together to help each
other in times of crisis," said PPA CEO, David Trust. "PPA's
Disaster Relief Fund is another example of our members' commitment to one
another and their spirit of generosity and compassion."

In addition to directly assisting its members, PPA is contributing $10,000 ($5,000
each) to its two state Affiliates in the hard-hit areas, Professional Photographers
of Louisiana and Professional Photographers of Mississippi-Alabama. These Affiliates
will use the contributions to directly assist their members.

To request a studio grant, PPA members in the disaster areas should call PPA at
1-800-786-6277 and ask to speak with a Disaster Relief assistant. They will be
asked to provide information and details including name, studio name and address,
temporary location information, brief description of damage/loss, where the grant
money can be sent or wired, and how they can currently be reached.

How Others Can Help

PPA is challenging its other members, along with vendors and suppliers in the
industry, to join forces with PPA by contributing to the relief fund. Contributions
can be made by sending a check payable to PPA Charities to Disaster Relief, c/o
Professional Photographers of America, 229 Peachtree Street, Suite 2200, Atlanta,
GA, 30303. Please note "Disaster Relief" on the check.

PPA also needs your help getting the word out about the Disaster Relief Fund.
If you know of anyone who has been directly affected by the hurricane, please
do whatever you can to get information to them about the relief fund so they can
receive assistance right away. Please also encourage photographers with useful
information to share it on the Hurricane Katrina Forum on

PPA Charities is a charitable, non-profit, 501(c) (3) organization that allows
imaging professionals to combine their individual efforts to make an impact on
the lives of children and families everywhere. It also allows PPA to become a
force for positive change in our society and to make a difference in the lives
of others. For more information about PPA Charities, visit

Professional Photographers of America (PPA), the world's largest and most
influential photographic and imaging trade organization, exists to assist its
more than 14,000 members in achieving their professional, artistic, and fraternal
goals; to promote public awareness of the profession; and to advance the making
of images in all of its disciplines as an art, a science and a visual recorder
of history. For more information about PPA, visit

Filed under
Shutterbug Staff Posted: Sep 15, 2005 0 comments

In response to the devastating effects of Hurricane Katrina, members of the
professional photography trade have established a relief effort to help industry
colleagues get back on their feet. The P.H.O.T.O. Foundation (Photographic Industry
Helping Others To Overcome) aims to rally industry support in the form of financial
contributions, loaned equipment, extended billing and payment arrangements,
and in-kind services to help photographers rebuild their businesses. Donations
may be mailed to: P.H.O.TO. Foundation, PO Box 611, Deerfield, IL 60015.