Equipment Reviews
Sigma 18-35mm F/1.8 DC HSM Lens
Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.
Elinchrom D-Lite RX ONE To Go Kit
First impressions: the D-Lite RX ONE To Go Kit includes a pair of Elinchrom monolights so you know it’s going to contain quality products. Then you discover that the maximum output of each light is 100 watt seconds and you start to think you’ll need more power. That’s until you’re reminded that this fully loaded two-monolight Elinchrom kit sells for less than $700.
Digital Innovations
The paradigm shift in imaging that digital capture kicked off continues to roll on with ever capable smartphones and wearable tech such as Google Glass, and it all shows no sign of letting up and has me wondering where it will end. Cameras such as the UK-based OMG Life Autographer has a form factor not much different than the original Minox subminiature film camera, which measured 3.1x1x0.62” and weighed 4.5 oz.
Roundup
Hoya PROND Neutral Density Filters
Created with still photography and HD-SLR video in mind, the new line of Hoya PROND filters (2 to 6, 6 2/3, 7 2/3, 9, and 10 stops) use ACCU-ND technology to provide a true neutral color balance that does not add any noticeable color cast to your images while effectively reducing the amount of light entering the lens.
Techniques
Landscapes
As primarily a landscape photographer Iam often in a situation where I am struggling to give a feeling of scale to big dramatic views.
Personal Project
It is probably true that a photographer, through almost single-minded devotion to a place, can help make it known, understood, and appreciated.
Personal Project
The idea for Phil Pantano’s photographic series, “The American Worker,” walked into his office at a local steel mill in Lackawanna, New York, where Pantano holds a day job as a computer analyst. Others have photographed workers at similar job sites.
Personal Project
Vivian Maier (1926 - 2009) was an amateur photographer who had no desire to share her work with anyone during her life, and kept a treasure trove of over 100,000 prints.
News
Olympus SP-100
Olympus introduced a breakthrough in its Ultra Zoom camera line-up with the new STYLUS SP-100, the world’s first-ever camera with a built-in dot-sight.
iON Video Camera
The Air Pro 3 Wi-Fi is a wearable, high-definition video camera features compact size, light weight and fully-waterproof design.
Slinger BigBag
Adorama recently enhanced its Slinger camera bag collection with nine new BigBag camera bags, available exclusively at Adorama and designed for a wide range of photo and video accessories.
Rokinon Lens
Rokinon's popular 14mm f/2.8 and 85mm f/1.4 lenses are now available in a range of new mounts, including Fuji X, Samsung NX, MFT and Sony E mounts.
Latest Additions

Passport
Jack Hollingsworth Aug 01, 2000 0 comments

Since this is the magazine's annual issue devoted to lenses, let's talk about the lens most likely to be forgotten or ignored, the one that practically no pro pulls out of his bag, but which is my favorite: the 50mm f/1.4. You know, the paperweight.

David B. Brooks Aug 01, 2000 0 comments

The digital camera industry seems to be in that adolescent period when growth and maturation is at a feverish weed-like pace. At the forefront is Olympus, now with their Camedia C-3030 Zoom, with 3.34 megapixel resolution and a host of new features...

Features
Dave Howard Aug 01, 2000 0 comments

How many times have you missed a picture opportunity due to not having the right lens on your camera at the time? It never fails: you've just finished taking a wide angle, get-everything-in shot with a 28mm lens; no sooner than you've released...

Features
Rick Sammon Aug 01, 2000 0 comments

Okay, so I lied--but it's a small, white lie. Please let me explain. I do go on location (and on assignment) with just two lenses: my 100-400mm Image Stabilizer zoom and my 17-35mm zoom. My tiny fib is that I use a 1.4x tele-converter (some would call...

Lighting
Ben Clay Aug 01, 2000 0 comments

Photographing jewelry can be particularly challenging for a number of
reasons:

1. Since most jewelry is highly reflective, the size and placement of
light modifiers is crucial.

2. To appreciate theatte...

The Darkroom
Darryl C. Nicholas Aug 01, 2000 0 comments

The Beginners Method.
You'll need three trays; a black and white enlarger; a red, green, and
blue filter; some of the special, ambient temperature, color chemicals;
and, of course, some color printing paper.

Accessories
Tom Fuller Aug 01, 2000 0 comments

This month we have a Level 5 project (see the April 2000 issue for an explanation of the DIY complexity scale) that I've broken into two parts for convenience. This part describes the concept and the basic camera design, with next month's Part 2 covering...

Digital Innovations
Joe Farace Aug 01, 2000 0 comments

"You miss 100 percent of the shots you never take."--Wayne Gretsky

Back in the Cretaceous era while studying photography at the Maryland Institute of Art, I was privileged to have Jack Wilgus as an instructor. One of my fondest memories of...

Digital Help
David B. Brooks Aug 01, 2000 0 comments

This column will attempt
to provide solutions to problems readers may have getting into and using
digital cameras, scanning, and using digital photographic images with
a computer and different kinds of software. All questions sent to me will
b...

Lenses, Test Reports
Peter K. Burian Aug 01, 2000 0 comments

Ever since its introduction in 1995, the Canon EF 75-300mm f/4-5.6 IS USM--the first lens for 35mm SLR systems with an Image Stabilizer (IS)--has won acclaim and honors. Most prestigious were the European awards: "Lens of the Year" and "Best Lens"...