Steve Bedell Posted: Apr 01, 2005 0 comments

Photos © 2004, Steve Bedell, All Rights Reserved

The rapidly changing world of professional photography has photographers scrambling to grasp all the new technology. Some photographers are film based, some use a mix of film and digital, and many (like me) are now 100 percent digital. But all photographers I talk to express the same concern--how can they increase...

Peter K. Burian Posted: Apr 01, 2005 0 comments

All Photos © 2004, Peter K. Burian, All Rights Reserved

The Adobe Photoshop series is the most popular among image-editing programs, and this software includes a vast range of image-enhancing features. While some of the available tools are quite easy to use, advanced image-correction techniques require sophisticated and time-consuming multi-step processes. These are...

David B. Brooks Posted: Apr 01, 2005 0 comments

Photos © 2004, David B. Brooks, All Rights Reserved

Early in 2004 Epson announced a new digital camera body based on a classic 35mm rangefinder model with a Leica lens mount. This back-to-the-future concept caused a stir among members of the photo press, and I wrote as much as was known then about it in a First Look in the July 2004 issue. My chief concern then was...

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George Schaub Posted: Apr 01, 2005 0 comments

The portrait is one of the most demanding of all photographic tasks. We are asked to capture the character of a person in the brief, fleeting moment it takes to make an exposure. Painters seem to have the advantage, being able to take hours or days to render their impressions. They can block out forms and fill in the light and shadow as they see fit. What do we have to contend...

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Joe Farace Posted: Apr 01, 2005 0 comments

All Photos © 2004, Joe Farace, All Rights Reserved

"Living is having ups and downs and sharing them with friends."--Trey Parker & Matt Stone

There are lots of photo-sharing sites, even good ones, too, like Smugmug ( and Webshots ("...

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David B. Brooks Posted: Apr 01, 2005 0 comments

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and...

Roger W. Hicks Posted: Apr 01, 2005 0 comments

Photos © 2004, Roger W. Hicks, All Rights Reserved

The 90mm f/2.2 Leitz Thambar is one of those few lenses that is always prefixed "legendary." Designed primarily for portraiture, it was introduced in 1935 in Leica screw fitting, 39mmx26 tpi. It seems to have been discontinued during World War II, although there are scattered reports of...

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Maria Piscopo Posted: Apr 01, 2005 0 comments

All Photos © 2004, Marilyn Sholin, All Rights Reserved

I first met portrait photographer Marilyn Sholin when both of us were teaching classes at the Golden Gate School. Impressed by her wonderful images, we talked about business every chance we could that week. I was quite surprised to learn that Sholin was working with a rep, usually a business relationship reserved...

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Howard Millard Posted: Apr 01, 2005 0 comments

The PhotoshopWorld Dream Team Book, Volume 1, edited by Steve Weiss, 9x9", softcover, 308 pages, $29.99, New Riders/Peachpit Press,
Once a year, Adobe Photoshop gurus and would-be gurus from around the globe gather at the PhotoshopWorld conference to trade...

Woody Walters Posted: Apr 01, 2005 1 comments

All Photos © 2004, Woody Walters, All Rights Reserved

Ansel Adams once told me that it is the background that makes or breaks the image. The background is what will tie all the key elements of a photograph together. I learned very early in my career that it's true whether you're shooting large format landscapes or even if you're shooting digital senior...


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