LATEST STORIES

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Roger W. Hicks & Frances E. Schultz Posted: Aug 01, 2006 1 comments

As we said in the review of the new Zeiss Ikon (ZI) 35mm rangefinder (April 2006 issue of Shutterbug or online at www.shutterbug.com), we received six of the seven Zeiss ZM-mount lenses announced at photokina 2004: 15mm f/2.8, 21mm f/2.8, 25mm f/2.8, 28mm f/2.8, 35mm f/2, and 50mm f/2. The 85mm f/2 (listing at $2759, plus $127 for the lens shade) still wasn't available as we...

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Joe Farace Posted: Aug 01, 2006 0 comments

"I can't believe your song is gone so soon."
--Paul Simon

Many readers e-mailed about my participation in Great Race 2006 (www.greatrace.com), asking if the event was going to pass through their town, but our 1953 Packard Clipper was withdrawn from the event. Without sponsorship, the event became...

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Barry Tanenbaum Posted: Aug 01, 2006 0 comments

In the early 1980s, when he was just starting out as a commercial and advertising photographer, Rob Atkins took a few trips to the Southwest. "I went to photograph the great natural wonders," Rob says, "like the Grand Canyon and Monument Valley." But as he traveled to those and other destinations, something else caught his eye. "So often, out in the...

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Posted: Aug 01, 2006 0 comments

August
2006

On the
Cover


This month our focus is on optics. Aside from Test Reports on the newest optics,
we share with you the two must-have lenses for pro portrait photographers and
explore the useo...

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Jim Zuckerman Posted: Aug 01, 2006 0 comments

Photography can do two things that no other artistic medium can do: It can freeze motion so we are able to examine every detail in a fast-moving subject, thus revealing things that our eyes could never catch; and it can blur the same subject to express the fluidity and aesthetics of motion. When you blur a subject with a long enough shutter speed, it blends the background with a...

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Jason Schneider Posted: Aug 01, 2006 1 comments

This fairly large (6.5" long, 3.3" in diameter), reasonably lightweight (32.5 oz, including removable tripod collar) macro tele covers the 24x36mm format in film or digital as well as the smaller APS-C digital format. The Di (Digitally Integrated) designation indicates that it's "optically designed for digital SLR cameras." To translate the remainder...

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Jay McCabe Posted: Aug 01, 2006 0 comments

Will Newman
Carolina Day School
Asheville, North Carolina

Good Start

Will is the youngest photographer we've featured on this page--he's 11, and in the fifth grade at Carolina Day School. "When I was about 2 years old," Will says, "my mom put a camera in my hands and said, `Shoot.' But...

Peter K. Burian Posted: Aug 01, 2006 0 comments

The first digital SLR from Sony, the Alpha A100 ($899, body; $999 with 18-70mm f/3.5-5.6 kit lens) offers amenities from the Konica Minolta Maxxum 5D along with Sony technology. This first camera from the Konica Minolta/Sony collaboration announced in 2005 employs the Alpha designation that was previously used for the Maxxum line in Asia. More than a "re-badged Maxxum...

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Rosalind Smith Posted: Aug 01, 2006 0 comments

Imagine living on a beautiful island: Look to your left and see the sun rise in the morning; look to your right and see it set each night.

The secret nuances of color on the horizon where the sky meets the sea and the sea meets the shore have drawn photographer Alison Shaw to Martha's Vineyard off the coast of New England, where she has lived and photographed for...

C.A. Boylan Posted: Aug 01, 2006 0 comments

Adorama's Flashpoint Studio Case
The Flashpoint Studio Case is available in three different versions, each designed to meet the needs of professional or advanced amateur photographers on the move. These strong cases are lightweight and crafted from a core of Lexan plastic with a dense foam layer that provides extra protection against bumps and shocks.

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