LATEST ADDITIONS

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Tony L. Corbell Posted: Jul 01, 2002 0 comments

People who have attended art classes have been taught that in order to produce depth in a painting there must be a foreground, middle ground, and background. Control over this dimension and depth usually is the result of planning and foresight. As...

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Joe Farace Posted: Jul 01, 2002 0 comments

If you're a location photographer who needs a lighting kit that's lightweight, rugged, and can handle whatever kind of assignment that gets thrown at it, Calumet's Travelite 750 One-Head Umbrella Kit may be just what you need. With a price tag under $550...

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Maria Piscopo Posted: Jul 01, 2002 Published: Jun 01, 2002 1 comments

You are in the business of
photography to make money but often photographers do not know how to manage
their business to make a profit--or even where profit comes from! To help
you better manage your business to make a profit, we interviewedTom...

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Lloyd Ferriss Posted: Jul 01, 2002 0 comments

Amy Arbus' work is in the collection of the Museum of Modern Art. Dozens of magazines and newspapers use her photographs: The New Yorker, The New York Times, Vanity Fair, Rolling Stone, The Village Voice, and Aperture among them. Her 1986-published book, No Place Like...

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Lorin R. Robinson Posted: Jul 01, 2002 0 comments

What do Harry Houdini, bats, Duke Kahanamoku, teddy bears, and the Masters of American Photography have in common? All will be honored this year with special philatelic releases by the United States Postal Service (USPS). The photo masters release, first in a new USPS series called the Classic...

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Roger W. Hicks Posted: Jun 01, 2002 Published: May 01, 2002 0 comments

Let's be honest: most photographers, even the most jaundiced and worldly-wise, find it hard to resist a really gorgeous new camera or lens. It makes sense, therefore, to kick off with what was, for me, the camera hit of the show--except that it wasn't officially on display because...

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Robert E. Mayer Posted: Jun 01, 2002 0 comments

After having attended the PMA trade show for 38 years I'm still surprised with the number of new, useful, and interesting photographic gadgets that keep showing up in various booths everywhere on the show floor. Somebody always thinks of a new gizmo or gadget that will assist in making some facet...

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Mike Stensvold Posted: Jun 01, 2002 0 comments

A great tool for creative photographers

You can't beat the 35mm SLR for its combination of features, price and performance. And one its best features is its ability to accept a wide range of interchangeable lenses. From superwide fisheye to supertelephoto, macro...

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Frances E. Schultz Posted: Jun 01, 2002 0 comments

A story I heard at this PMA should reassure all darkroom aficionados and quiet some of the doomsayers. A high school with a strong photography course decided that digital was the wave of the future: the wet darkroom was a thing of the past. They therefore closed the wet darkroom and offered only a...

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Frances E. Schultz Posted: Jun 01, 2002 0 comments

To detail all the new bags that are introduced at a single show would take up at least one issue of Shutterbug, so what follows is a brief (believe it or not), alphabetical review of the highlights at PMA, with a small rant by way of preface. If you want more information on introductions not described...

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