LATEST STORIES

Robert E. Mayer Posted: Feb 01, 2007 0 comments

Here Is A Quick Tip List On Letters For The HELP! Desk:
Please confine yourself to only one question per letter. Both postal letters and e-mails are fine, although we prefer e-mail as the most efficient form of communication. Send your e-mail queries to editorial@shutterbug.com with Help in the subject header and your return e-mail address at the end of your message.

George Schaub Posted: Feb 01, 2007 0 comments

Having worked with and tested the Epson Stylus Pro 4800 (Shutterbug, November 2005 issue, or type Epson 4800 in the Search box on our homepage at www.shutterbug.com) I can attest to the fidelity and quality of the Epson UltraChrome K3 inks and to the reliability of this wide format, 17" wide printer. But there were two complaints I had about the printer, which I believe were...

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George Schaub Posted: Feb 01, 2007 0 comments

While I am very proud of the job we do here at Shutterbug magazine, there's another aspect of our work that I'd like to call to your attention--our website at www.shutterbug.com. I was reminded of what we offer when I recently met a Shutterbug reader at a photo show. After we talked for a bit about the state...

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Joe Farace Posted: Feb 01, 2007 0 comments

"No good deed goes unpunished."--Clare Boothe Luce

Editor & Publisher recently reported that Charlotte Observer Editor Rick Thames apologized to readers when a staff photographer "inappropriately altered" an image of a local firefighter. The original photograph had a brownish-gray sky, while the enhanced image featured a deep red sky and a...

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David B. Brooks Posted: Feb 01, 2007 0 comments

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and...

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Phillip Andrews Posted: Feb 01, 2007 0 comments

For most photographers being able to switch from color to black and white with a few simple mouse clicks is one of the most powerful aspects of digital imaging. With digital you no longer need to pick color or black and white before taking the photo, as was the case when film was king. Now after color capture the decision to convert to monochrome can be made easily at the...

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Tom Frier Posted: Feb 01, 2007 8 comments

Photography has long been a passion and one of my favorite subjects is the classic automobile. My interest is not so much in the mechanical aspects but in their design and form. Since I was introduced to the magical world of digital I have developed a new approach to this subject matter, one that extracts the car from its surroundings and considers it as an object of beauty onto...

Roger W. Hicks Posted: Feb 01, 2007 0 comments

The Samoca 35 LE definitely wants to be taken seriously. The box is a classic piece of high 1950s design, and proudly announces "Exposure Meter Built-In" and "Lens - F 2.8." Open it up and there's a really classic leather ever-ready case with metal-rimmed, red velvet-lined removable top, so you can use the camera in the half case. Or you can take it...

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David B. Brooks Posted: Feb 01, 2007 0 comments

Technical Specifications
Scanner Type: Flat-bed color with TMA for scanning all standard film formats
Photo & Film Restoration: Digital ICE (built-in) to restore damaged photos and film
Color Restoration: ColoRescue for photos and film
Bit Depth: True 48-bit color
...

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Barry Tanenbaum Posted: Feb 01, 2007 2 comments

I went into this determined not to portray fine art photographer Chris Faust as some sort of oddity because, lo and behold, he still goes into the darkroom. And as a photography teacher, he encourages others to do it, too.

But when I said, "I'm not going to approach this story as if you were an oddity in the age of digital," he stopped me with...

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