Olympus OM-D E-M1 The new Olympus OM-D E-M1 is the follower of the first OM-D, the proper and full name having been the “OM-D E-M5.” The E-M1 incorporates many of the E-M5 advantages, the famous five-axis image stabilizer being one of them. This image stabilizer is based on sensor-shift technology and allows the user to shoot a stabilized image with every lens system mounted to the camera.
Fujifilm X-M1 The Fujifilm X-M1 is an extremely compact system camera that uses Fujifilm’s 16MP X-Trans CMOS sensor. The camera offers very high image quality due to its special RGB filter array which differs from the standard Bayer RGB pattern. The pattern on the APS-C-sized X-Trans sensor resembles the random pattern of grain of analog film and reduces image noise. The interpretation of this RGB pattern isn’t very easy, but the most current versions of Adobe’s Photoshop Camera Raw plug-in and Adobe’s Lightroom are able to convert this pattern correctly.
Sigma 18-35mm F/1.8 DC HSM Lens Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.
Elinchrom D-Lite RX ONE To Go Kit First impressions: the D-Lite RX ONE To Go Kit includes a pair of Elinchrom monolights so you know it’s going to contain quality products. Then you discover that the maximum output of each light is 100 watt seconds and you start to think you’ll need more power. That’s until you’re reminded that this fully loaded two-monolight Elinchrom kit sells for less than $700.
When my fascination with macro began all my work was done by available light. Getting sharp images at life-size magnification took all the resolve I could muster, especially when dealing with heat and humidity or frigid conditions. It’s tough to hold a camera steady in those situations. What I wouldn’t have given for image stabilization!
You can’t simply walk into an Operating Room (OR) and insinuate yourself into the scene. There are rules, there are boundaries. Greg Shapps knows them well. Still, he manages to produce telling images that convey the client’s message without blatantly advertising any product or service. The methodology involves a complete 180 from the way he approaches his small product photography, where the message is unmistakably to buy a specific product. His healthcare imagery is nuanced, often depicting healthcare givers and receivers alike. Specific products are not necessarily the focus. It’s more about what a product, service, or institution can do for the individual.
The company has developed a small compact Kit that is said to be perfect for
the photographer just getting into the field or the
photographer that wants to start using flash and flash
modifiers but isn’t sure what to purchase.
Currently a lecturer, teacher, and writer, Sam Abell’s celebrated career includes positions as a contract and staff photographer and photographer-in-residence at National Geographic magazine. This 1959 photo of his father at the Painesville, Ohio, train station is the homepage image of his website, samabell-thephotographiclife.com.
PortraitPro 12 offers face relighting for the most natural face enhancement It includes new, patent applied for face relighting technology, so you can now literally show your subject in their best light, bringing out the beauty or character of any face naturally. It offers an enhanced capability to slim faces and take the weight off that the camera puts on. Face slimming can have a dramatic effect on how happy people are with their photos.
The hybridization of cameras and phones has produced various manifestations of late, one being the Samsung Galaxy S4 Zoom, reviewed here a few months back, which looks like a smartphone with a camera/lens grafted onto it’s front. The Galaxy NX comes at this combination from the other direction, a decidedly camera-like design with built-in Android functionality, sans phone capability, but with all the other amenities and accouterments included. And there’s no confusing this with a smartphone, what with it being 3x5.5x2.25 inches in size, the benefit being a very large back display, 4.77” on the diagonal and width to height ratio of 2.5 x 4 inches.
These days it seems that using LED lighting systems for studio portraiture is like puppies and kittens—everybody loves them, and why not? All you need to do is turn on an LED light panel and shoot, right? While there’s obviously more to it than that, the WYSIWYG nature of LED lighting is especially helpful for new or aspiring pros who want to get up and running quickly or in applications where the lighting needs to be consistent so lots of portraits can be made in a short amount of time, something event photographers will take to heart. With that in mind I recently tested Bowens’ Mosaic LED light panels (#1). Originally developed for film and video use, they are available in models designed for mounting on traditional light stands for portraiture, so I put them to work in my home studio.
The arctic sun was just about to make its brief dip below the mountainsto the north when I arrived at a cluster of strange monolithic rocks on the ridge. I cursed myself for not carrying my tripod on the evening hike, but I hadn’t expected to stumble on something quite so strange and photogenic. I braced myself on a tussock of soft tundra and began snapping images of the glowing rocks. I clicked the shutter, recomposed, then clicked again. As I made images, it occurred to me that I was quite possibly the first person to photograph these rocks. They weren’t marked on any map, and the nondescript ridge was just one of many in this part of the range. That, I thought to myself, is one of the great things about photography in the Brooks Range, it was unlikely that anyone had made the same composition before.
Epson America has announced the newest addition to its award winning portfolio of Signature Worthy media. Engineered for the most discerning professional photographers, artists, museums, and fine-art reproduction houses, Epson Exhibition Watercolor Paper Textured is designed to deliver a distinctive feel along with rich blacks, a wide color gamut and smooth tonal gradations for the ultimate in quality, both visually and tactility.