Nikon Coolpix A The Nikon Coolpix A is an unusual camera with a very robust, retro design and a body based on a magnesium-alloy chassis. It is extremely compact but has a 16.2MP DX-format sensor (Nikon’s version of the APS-C format). It also incorporates Nikon’s EXPEED 2 image processor system.
Under Construction With jAlbum There are many ways to share images these days, from social networks to clouds to full-fledged e-commerce platforms. For some, simple online albuming will do, but for others it can become an involving project that puts your images on the Internet in a very engaging way. It’s not only in the personalization of the look and feel of the wrapper around your image content that can separate your site from the crowd. It’s also the ability to work cross-platform, include an e-commerce component, and allow for a “translator” that can make your site accessible to folks and even clients around the world that can add to its attractiveness and functionality.
DxO FilmPack 4 Vs. Alien Skin Exposure 5 I have always had mixed feelings about so-called “film simulation” software, programs that offer one-click presets that add effects and options for manipulating digital images. On one side, I am unsure why the designers use visual references to types of film for their preset IDs. It strikes me that an increasingly small proportion of folks relate to them.
A Tilt/Shift For A Variety Of Mounts A tilt-shift lens can be thought of as a flexible visual tool in the many ways it allows you to image the world. Unlike a standard lens, even a zoom, with a set point of view enforced by stance, elevation, focal length, and, within certain limits, depth of field, the tilt-shift lens opens visual doors a “fixed” lens will not. By tilting the lens within the mount you can enhance or greatly diminish depth of field beyond the “normal” abilities of the focal length and aperture setting. By shifting the lens you can “fix” perspective distortion or exaggerate it for “trick” effects. It is somewhat like using a 4x5 field camera in that you can work with these visual variations in the finder or, with Live View models, right on the back using the camera LCD. Can you get some of these same effects and corrects using software?
Web Profiles In a previous column I offered a few ideas on creating Contact pages with built-in spam protection. Littleton, Colorado’s Tim Mosholder sent me a tip for WordPress users that lets you use an e-mail link that’s impervious to spambots.
Picture This! Our assignment this month was Stacking, the lingo used to describe the optical effect that makes subjects at some distance from one another seem closely packed together through the use of a telephoto lens.
Business Trends The past few years have witnessed many challenges to those who want to earn money with their photography for both full-timers and those who use their talents to earn extra income.
Lighting Effects There I was, 20 years old behind the sideline barricade of an arena football game clutching to my now outdated Canon EOS 20D with a 200mm lens slapped on it.
The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?
“The first questions I ask myself, after receiving the layouts from the art director, are: how can I make this my own, what can I add to it?” Active lifestyle photographer Rod McLean continues: “When we select the final locations and talent, the ideas become clearer. During a tech scout, we’ll shoot various views of the location, create rough comps, and talk about the possible scenarios: the best time to shoot, the props and wardrobe, etc. We all have to have a clear idea what we’ll be shooting and how the final images are going to look because we’ll be setting up the first shot in the dark, waiting for the morning light.”
A native New Yorker, Len Speier has been photographing in the Big Apple and around the world since the Sixties. Although concentrating on street photography, his wandering eye encompasses many venues and subjects. He describes his work as a search for compassion and truth. His work is collected in the Bibliotheque Nationale, Paris; International Center of Photography; Museum of the City of New York and the Photo Archive of the NYPublic Library. Speier taught photography and photographers' legal rights (he also is an attorney of long standing), is retired Assoc. Professor at the Fashion Institute of Technology, and lectures on legal rights and street photography, many of which are available on YouTube.
Edited by Georg...
Jan 10, 2014
Published: Nov 01, 2013
The Canon EOS Rebel T5i (700D) is the replacement of the EOS Rebel T4i but in many ways is quite similar to its forerunner. Just like the T4i it uses an 18MP APS-C-sized sensor, has a compact body, a swivel monitor, Full HD video recording, and numerous helpful functions for beginners.
The book publishing business is experiencing huge upheavals and transformations of late. “Physical” bookstores are closing, and for many photographers eBooks are an exciting option. While eBooks may become a preferred delivery system for creative content, with them come questions about creation, preferred content, and, perhaps most importantly, how to market your work. In this article we’ll look at how three photographers are working through this change and how it has altered the way they show their work to the world. Thanks go to Jeff Colburn, Bret Edge, and Guy Tal for their expertise and wisdom in this regard. Please check our links and contact information at the end of this article to see their work, and more.
Beyond its primary function as a white balance tool, the precision calibration and uniformity of the ExpoDisc 2.0 means that it can also be used to meter for an 18% incident exposure and todust map the image sensor. Made in the USA, every ExpoDisc 2.0 is tested by hand on a transmission spectrophotometer and individually adjusted using custom filters to ensure neutrality and an 18% total light transmission across the visible spectrum.
One such path is onOne Software’s Perfect B&W, nestled within their Perfect Photo Suite or available as a stand-alone or plug-in for Photoshop, Lightroom, and Aperture. The advantage of using it within the Suite is that you also get access to the other excellent modules within that program. The advantage of the stand-alone is that you get an amazing array of controls for a rather incredible price. The Suite, by the way, offers onOne’s Layers, Mask, Effects, Focus, and Resize programs, all highly regarded, making the options virtually endless. For this review I accessed Perfect B&W from within the Suite.
Rogue Safari Pop-Up Flash Booster
Designed for use with most modern Canon APS-C or Nikon DX sensor cameras with telephoto zoom lenses (100mm and longer), the Rogue Safari Pop-Up Flash Booster is lightweight and easy to use. This attachment concentrates the light from the camera’s pop-up flash to provide more illumination on subjects as far as 60 to 70 feet away. The light adds up to 8x more than what the unassisted flash provides. Crafted from durable impact-resistant polycarbonate materials, the Rogue Safari Pop-Up Flash Booster does not require batteries and has a retail price of $34.95.
I AM Photographer has organized its 5th anniversary festival during four days in the beginning of spring, April 3-6, 2014. The festival will take place in Tallinn, Estonia and will be held in English. In the past the festival was held in Riga (Latvia) and Trakai (Lithuania). The 2013 Festival gathered participants from 21 countries from all over the world.
The Wildlife Photographer of the Year competition stems from two of the most famous institutions of the United Kingdom—the Natural History Museum and BBC Worldwide. For nearly 50 years, talented artists from around the world have presented their work to the Wildlife Photographer of the Year competition hoping to be one of the chosen few who are lucky enough to stand out from the crowd and have their work selected. It is a great honor to obtain that goal and a prize well worth working toward.