Olympus E-P5 The Olympus E-P5 has a classic viewfinder camera design but doesn’t have an optical or electronic viewfinder. It does have a swivel monitor which can be folded up- and downward and offers very high resolution (1,037,000 RGB dots). Its 3:2 aspect ratio shows additional information on both sides of the viewfinder image, which has an aspect ratio of 4:3 when taking images in the highest image resolution setting. By pressing the “OK” button in the center of the control field additional parameters are shown as overlays on the right-hand side of the live view image.
Nikon Coolpix A The Nikon Coolpix A is an unusual camera with a very robust, retro design and a body based on a magnesium-alloy chassis. It is extremely compact but has a 16.2MP DX-format sensor (Nikon’s version of the APS-C format). It also incorporates Nikon’s EXPEED 2 image processor system.
Under Construction With jAlbum There are many ways to share images these days, from social networks to clouds to full-fledged e-commerce platforms. For some, simple online albuming will do, but for others it can become an involving project that puts your images on the Internet in a very engaging way. It’s not only in the personalization of the look and feel of the wrapper around your image content that can separate your site from the crowd. It’s also the ability to work cross-platform, include an e-commerce component, and allow for a “translator” that can make your site accessible to folks and even clients around the world that can add to its attractiveness and functionality.
DxO FilmPack 4 Vs. Alien Skin Exposure 5 I have always had mixed feelings about so-called “film simulation” software, programs that offer one-click presets that add effects and options for manipulating digital images. On one side, I am unsure why the designers use visual references to types of film for their preset IDs. It strikes me that an increasingly small proportion of folks relate to them.
On The Road I’ve seen my share, and I expect you have too, of people who basically spray the area hoping to get a keeper.
Web Profiles In a previous column I offered a few ideas on creating Contact pages with built-in spam protection. Littleton, Colorado’s Tim Mosholder sent me a tip for WordPress users.
Picture This! Our assignment this month was Stacking, the lingo used to describe the optical effect that makes subjects at some distance from one another seem closely packed together through the use of a telephoto lens.
Business Trends The past few years have witnessed many challenges to those who want to earn money with their photography for both full-timers and those who use their talents to earn extra income.
Canon U.S.A., Inc. announces improvements in the functionality and convenient operation of the EOS-1D X Digital SLR camera and the EOS-1D C Digital SLR Cinema camera through new firmware scheduled to be available starting in January 2014 and November 2013, respectively. Firmware enhancements for the EOS-1D X Digital SLR camera are designed to provide photographers with greater creative freedom and speed, especially in sectors such as sports, wedding, nature/wildlife, and journalism, which often contain rapidly changing action, sometimes in low-light environments. Service enhancements for the EOS-1D C Digital SLR Cinema camera improve lens performance, lens status display, metadata storage, and audio recording.
The world of videography has quickly changed over the past few years. Many photographers have realized the need and advantage of shooting videos. The introduction of DSLRs and lower priced modular video cameras that can produce professional quality videos, has accelerated this trend.
The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?
“The first questions I ask myself, after receiving the layouts from the art director, are: how can I make this my own, what can I add to it?” Active lifestyle photographer Rod McLean continues: “When we select the final locations and talent, the ideas become clearer. During a tech scout, we’ll shoot various views of the location, create rough comps, and talk about the possible scenarios: the best time to shoot, the props and wardrobe, etc. We all have to have a clear idea what we’ll be shooting and how the final images are going to look because we’ll be setting up the first shot in the dark, waiting for the morning light.”
A native New Yorker, Len Speier has been photographing in the Big Apple and around the world since the Sixties. Although concentrating on street photography, his wandering eye encompasses many venues and subjects. He describes his work as a search for compassion and truth. His work is collected in the Bibliotheque Nationale, Paris; International Center of Photography; Museum of the City of New York and the Photo Archive of the NYPublic Library. Speier taught photography and photographers' legal rights (he also is an attorney of long standing), is retired Assoc. Professor at the Fashion Institute of Technology, and lectures on legal rights and street photography, many of which are available on YouTube.
Edited by Georg...
Jan 10, 2014
Published: Nov 01, 2013
The Canon EOS Rebel T5i (700D) is the replacement of the EOS Rebel T4i but in many ways is quite similar to its forerunner. Just like the T4i it uses an 18MP APS-C-sized sensor, has a compact body, a swivel monitor, Full HD video recording, and numerous helpful functions for beginners.
The book publishing business is experiencing huge upheavals and transformations of late. “Physical” bookstores are closing, and for many photographers eBooks are an exciting option. While eBooks may become a preferred delivery system for creative content, with them come questions about creation, preferred content, and, perhaps most importantly, how to market your work. In this article we’ll look at how three photographers are working through this change and how it has altered the way they show their work to the world. Thanks go to Jeff Colburn, Bret Edge, and Guy Tal for their expertise and wisdom in this regard. Please check our links and contact information at the end of this article to see their work, and more.
Beyond its primary function as a white balance tool, the precision calibration and uniformity of the ExpoDisc 2.0 means that it can also be used to meter for an 18% incident exposure and todust map the image sensor. Made in the USA, every ExpoDisc 2.0 is tested by hand on a transmission spectrophotometer and individually adjusted using custom filters to ensure neutrality and an 18% total light transmission across the visible spectrum.
One such path is onOne Software’s Perfect B&W, nestled within their Perfect Photo Suite or available as a stand-alone or plug-in for Photoshop, Lightroom, and Aperture. The advantage of using it within the Suite is that you also get access to the other excellent modules within that program. The advantage of the stand-alone is that you get an amazing array of controls for a rather incredible price. The Suite, by the way, offers onOne’s Layers, Mask, Effects, Focus, and Resize programs, all highly regarded, making the options virtually endless. For this review I accessed Perfect B&W from within the Suite.