Scans, Scanning, & Scanners
Turning Your Pix Into Pixels

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For many the convenience of having thweir own desktop film scanner, such as the Polaroid SprintScan 4000, which was just introduced at PMA '99, is the best approach for their personal style of digital imaging.

After desktop printers, one of the most popular digital imaging products that Shutterbug readers ask me about is scanners. Typically, these aspiring digital imagers want to get started digitizing the slides and negative they've been shooting for many years and want to use the least expensive--but best quality--method available. To many of them, it's obvious that they want and need a film scanner, but because every photographer's requirements are different, this may or may not be true.

The first question that needs to be asked is how will you be using your images. The resolution and financial requirements for digitizing images for the Internet are far different from what you'll need to produce digital images for commercial photographic environments such as full page magazine ads or billboards. In fact, if that later description fits you, this isn't the place to get the answers you may be looking for. If on the other hand you want to create images for a home page on the World Wide Web (WWW) or to print images on any of the many inexpensive, photo-quality ink jets that are available from Canon, Epson, or Hewlett-Packard, read on.

Agfa's DuoScan T2500, recently seen at the PMA trade show, is a 36-bit scanner that has the ability to scan prints up to 8x14" or transparencies from 35mm up to 8x12".

Scanners. Scanners convert graphic photographs into digital form by passing a light emitting element across an original image, transforming its analog form into a collection of pixels that can be stored as a digital file. Both flat-bed and film scanners use similar methods to accomplish this, with the addition of some form of backlighting necessary to scan slides or negatives. While film scanners are popular for digitizing slides or negatives, flat-bed scanners, that were once limited to only scanning prints, are morphing into hybrids that can also digitize film with a quality not possible even a few years ago with dedicated film scanners.

Scanners are rated by many specifications, including color depth, resolution, and dynamic range. Some of this was covered in the "Digital Q&A" article by Bob Shell and I last year, but if you missed it, here's a quick review. Color depth refers to the number of bits assigned to each pixel (picture element). These days even inexpensive flat-bed scanners offer a 36-bit color depth which assigns 12 bits for each red, blue, or green pixel. The more bits you have for each color, the more photo-realistic the final scanned image will appear. Because 36-bit scanners capture more detail than 24-bit models, the resulting images are easier to edit with image manipulation software like Adobe Photoshop.

A scanner's resolution is measured by the maximum number of dots or pixels per inch it can read and the higher the number, the higher the quality. Resolution can be rated as optical as well as interpolated. Optical resolution is the raw resolution inherently produced by the scanner's hardware. When the resolution requested through the scanner driver exceeds the scanner's optical resolution, software resamples the image data and uses algorithms and fills in spaces between pixels. If you limit your use of interpolated resolution to just double the scanner's optical resolution and tweak the resulting image using the Unsharp Mask command of an image-editing program, like Adobe Photoshop, these interpolated scans can be quite usable. Using interpolation, sometimes referred to as "enhanced," beyond twice the optical resolution results will produce images that may not be as usable. Most flat-bed scanners with film scanning ability let you digitize transparencies and negatives at over 2000dpi resolution, but scanning 35mm slides and negatives at these higher resolutions may only produce larger files, not better image quality.

A scanner's dynamic range is a combination of the optical density that can be achieved by the hardware and the total number of bits that can be captured. This measurement can be literally interpreted as the range of f/stops that can be captured from a digital photograph. The greater the dynamic range, the greater the number of tones that can be captured, and the better the final scan's image quality will be. Until recently only expensive scanners offered a dynamic range over 2.5, now affordable scanners perform at 3.0 or higher. By comparison, a Kodak Photo CD scan has a dynamic range of 2.8, while a Pro Photo CD scan is 3.2.

Kodak's Photo CD. The Photo CD process has been around for some time, but I often get the feeling that Kodak doesn't know what a great product they have. I made my first Photo CD disc in the summer of '92 from 35mm color negative film that my wife and I shot at Walt Disney World. To me, one of the best features of the Photo CD is that someone else does all the work of scanning my slides and negatives. To make your own Photo CD, all you have to do is take your negatives or slides to a local photofinisher who offers the service and they will turn your analog film images into digitized photographs. To produce a finished disc, a Photo CD Transfer Station converts your analog images into digital form and creates a finished disc by using a high-resolution film scanner, a computer, image processing software, a disc writer, and a color thermal printer. Each image is pre-scanned and displayed on the system's monitor, where the operator checks the orientation (portrait or landscape) of the image and creates a final, high-resolution scan. During the process, the digital image is adjusted for color and density, and each 18MB image is compressed to 4.5MB using Kodak's Photo YCC format and is written onto a CD. A thermal printer creates a contact sheet-like index showing the images transferred to disc and is inserted into the cover of the CD's jewel case.

Originally there were six different kinds of Photo CDs, but now a new, more flexible strategy has simplified the number of categories to two: the Photo CD Master Disc and the Pro Photo CD. The Photo CD Master Disc format is specifically designed for 35mm film and each disc can hold 100 images. The image files use a format Kodak calls Image Pac, which contains five different scans at five different resolution scans. This is often referred to as a "five res" scan. On a Photo CD Master Disc you'll find images stored in the following resolutions:
Base/16--128x192 pixels
Base/4--256x348 pixels
Base--512x768 pixels
Base*4--1024x1536 pixels
Base*16--2048x3072 pixels

The Pro Photo CD is designed for anyone who shoots large-format film, whether they are an amateur or professional. Besides 35mm, Pro discs accept images from 120 and 70mm rolls and from 4x5 sheet film. The Pro disc offers a sixth, Base*64 resolution image that yields an image size of 4096x6144 pixels.

Alternatives. There was a time when the only way you could digitize 35mm, roll film, or large format film was by using a film scanner or a scanning process like Kodak's Photo CD system. As flat-bed scanner prices dropped through the floor and the under $100 scanner become a reality instead of a fantasy, manufacturers began looking for new functions to add value to their products. One of the first "new" features being touted by scanner companies is the ability to scan film in addition to prints. If you've been around the digital carousel a while, you know that using flat-bed scanners to digitize film is nothing new, and transparency adapters have been available for some time as an option for many flat-beds. In most cases these adapters were nothing more than "light box" lids for the scanner and provided a method to backlight negatives or transparencies so they could be digitized by the moving CCD elements. This method always produced a digitized image, but the adapter was often cumbersome and always expensive--sometimes costing more than the scanner itself. Now all that's changing. Transparency adapters have gone from being expensive options to inexpensive options and even standard equipment for some low-priced scanners.

In recent years, companies, such as Agfa, have introduced new technology that allows their DuoScan scanners to provide a different, separate location for digitizing 35mm, roll film, or large format film--instead of on the glass--that produces even better results than conventional transparency adapters. Agfa calls this technology "TwinPlate" and feels it provides better control over the scanner's optical path, resulting in sharper scans with higher color quality. They believe the DuoScan system is the easiest way to produce film scans. Instead of attaching a transparency adapter to a flat-bed scanner, the DuoScans have a "reflective drawer" that lets you insert slides (or negatives of any size) into adapters for scanning. The user can even prepare the drawer for transparency scanning at the same time that he or she is scanning reflective copy on the glass. Another advantage is that the transparency drawer lets you scan the transparencies directly, instead of through a glass plate. If you do not scan through glass, you'll get a better scan and avoid the possibilities of moiré or Newton-ring patterns from the glass (see page 128). The biggest advantage of DuoScan, Agfa claims, is that each scanning bed--reflective or transparent--is optimized for that particular method of scanning. Most scanners' transparency units are designed for reflective or transmissive and compromise to achieve the second method. Since DuoScan scanners have two scanning mechanisms, Agfa claims, that optimal results for both types of scans are possible.

Like other members of the DuoScan family, Agfa's least expensive DuoScan, the T1200, offers separate beds for scanning film or prints. The 36-bit T1200 flat-bed scanner offers 600dpi resolution for reflective scans up to 8.5x14" color and 2400dpi for transparencies up to 8x10". The film scanning bed produces a dynamic range of 3.0 and an optional batch slide holder kit lets you scan several 35mm originals at one time. The DuoScan T1200 costs $699. What if your few scanning needs are occasional? Can you say: "How about a scanner that will digitize 4x5 sheet film for under $400?" Even lower in price is the Epson Perfection 636, a 36-bit flat-bed scanner with an optical resolution of 600dpi and an interpolated resolution of 9600dpi. This $299 scanner sports a SCSI II connection and includes drivers for Mac OS and Windows computers. The optional 4x5 transparency unit, usually an expensive add-on, costs $99. The transparency adapter lets you produce 2400dpi film scans with a dynamic range of 3.0--remarkable for an inexpensive package--for slides and negatives up to 4x5". Epson provides film holders for 4x5 sheets, 120 roll film, and 35mm slides.

Crystal Ball Time. I'd like to make a prediction here and now: Other than for high-end publishing, dedicated film scanners, as we have come to know and love them, will disappear for many graphics applications. The introduction of products like the Epson Perfection 636 flat-bed scanner with optional film adapter will pull the plug on all but high-end film scanners. Users always chase the lowest possible cost solutions to their problems and if they can get an inexpensive scanner that will digitize film and flat artwork, they are going to purchase them by the pallet load. As more companies add film scanning capabilities to their flat-beds, there will be competitive pressure to increase the quality of the scans and decrease the cost of the scanner. That's already starting to happen with product announcements that include Plustek's $199 flat-bed scanner with transparency adapter as standard equipment. Plustek's 9636T is a 36-bit flat-bed scanner with a built-in 4x5 film adapter. In addition to being able to scan prints up to 8.5x11.7" in size, the 9636T can digitize negatives and transparencies. Priced at under $200, the scanner has an optical resolution of 600dpi and a maximum (interpolated) resolution of 9600dpi. The 9639T is TWAIN compliant and is designed to work with Windows computers via their parallel port connection. Apparently, there is no stopping this trend.

All Glass Isn't The Same
Those of us who were around during the heyday of multi-projector slide shows wouldn't drop a single slide in a tray unless it was mounted between Anti-Newton ring glass. It turns out it may not be such a bad idea to use the same kind of glass for your scanner. Many people are using Anti-Newton ring glass in their flat-bed scanners when they have to digitize smooth surfaced materials like glossy paper or transparencies in scanners that have a transparency adapter--anywhere Newton rings tend to show up. Anti-Newton ring glass is textured just enough to allow the air to escape from between the film base and glass, but not enough to show up on the scan. Some high-end flat-bed scanners also use Anti-Reflection (AR) glass for their platen. Both sides of the glass are anti-reflective coated because high-resolution scanners can pick up dim reflections off the surfaces of the glass. AR glass also reduces any refraction of the light as it passes through the glass. The problem with AR coating is that it can wear off with use or cleaning and is expensive. Replacement glass can cost $1000 for larger scanners, but Focal Point Industries--who also offers Anti-Newton ring glass for scanners--has prices that shouldn't exceed $350. Anti-Newton ring glass isn't cheap either and can cost $110 for a 14x17 scanner. The company, who also makes printer and enlarger glass, can supply replacement scanner glass for any brand of flat-bed scanners in sizes up to 30x32" and in thicknesses ranging from one to three millimeters.

Manufacturers/Distributors
Adobe Systems Inc.
345 Park Ave.
San Jose, CA 95110
(408) 536-6000
fax: (408) 537-6000
www.adobe.com

Agfa Electronic Pre-press Systems (Bayer Corp.)
200 Ballardville St.
Wilmington, MA 01887
(978) 658-5600
fax: (978) 658-6285
www.agfahome.com

Cies-Sexton Visual Laboratories, Inc.
1247 Santa Fe Dr.
Denver, CO 80204
(303) 534-4000

Eastman Kodak
343 State St.
Rochester, NY 14650
(800) 235-6325
www.kodak.com

Epson America Inc.
20770 Madrona Ave.
Torrance, CA 90503
(800) 289-3776
(800) 463-7766
(310) 782-0770
fax: (310) 782-5220
www.epson.com

Focal Point Industries, Inc.
2867 Stonewall Place #101
Sanford, FL 32773
(407) 322-2123
fax: (407) 322-2186
www.fpointinc.com

Microtek Labs, Inc.
3715 Doolittle Dr.
Redondo Beach, CA 90278
(310) 297-5000

Minolta Corp.
101 Williams Dr.
Ramsey, NJ 07446
(201) 825-4000
fax: (201) 327-1475
Photofax: (800) 528-4767
www.minoltausa.com

Plustek
169 Pullman St.
Livermore, CA 94550
(925) 453-8888
fax: (925) 453-8899
www.plustek.com

Polaroid Corp.
575 Technology Square
Cambridge, MA 02139
(781) 386-2000
fax: (781) 386-9339
www.polaroid.com

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