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The trusty wide-angle lens is a top choice among many of the world’s best travel, nature, and landscape photographers. But having the right glass doesn’t mean optimum results, unless you know how to make the post of this popular tool.

Most of the tutorials we share from image-editing expert Anthony Morganti explain Photoshop and Lightroom techniques for enhancing your photos. Consider this one more of an important maintenance task to keep Lightroom running smoothly and avoid losing track of your hard-earned images.

My 35mm f/2.8 Tokina AT-X M35 PRO DX Macro was discontinued in 2010, but I’ve always liked it because it’s small, it focuses quickly and it’s extremely sharp. It’s for Nikon cameras with APS-C size sensors and was a constant companion for my now-retired 12-megapixel Nikon D90. So I decided to see how it performed on my full-frame Nikon Df. Man, did I get a surprise!

One overlooked, so to speak, area of your camera that can get dirty is the viewfinder. Whether it's an optical viewfinder on a DSLR or an EVF on a mirrorless camera, that eye-sized window is prone to smudging, which can make it hard to see your subject.

What makes a great landscape photo? According to landscape pro Mark Denney it must have at least two of three key things.

Most of you are familiar with the farcical notion that, “You’re not a real photographer unless you always use your camera’s Manual mode.” Well, the video below takes the opposite and equally controversial view.

When improving soft images during the editing process there’s a big difference between sharp, crisp, and crispy. Do things properly and you’ll achieve realistic sharp results. But make a common mistake and you’ll turn an otherwise nice shot into a crispy, ugly mess.