Editor's Notes

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George Schaub Posted: Sep 01, 2009 0 comments

Once upon a time we’d bring our roll of film into a lab and wait expectantly for the prints. Upon opening the envelope we’d be surprised or perhaps disappointed, but for the most part we’d accept what was given us, despite the fact that the sky was not as blue as we saw, or a face didn’t have quite the right tone. That was then. These days we have the right (some would...

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George Schaub Posted: Aug 01, 2009 0 comments

I have used just about every type of lens in my work, from super wides to fisheyes and PCs to mirrors. I have worked with super teles that focused “like buttah” to clunkers that when in AF mode chattered like hyperactive squirrels. While some lens choices are always dictated by the shot at hand, I thought I’d share some advice about lenses based on my experience with both...

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George Schaub Posted: Jul 01, 2009 0 comments

Many of the reports in this issue were generated by our team of reporters covering PMA, the recent US photo trade show. While some new cameras have come out in the last few months, many of which we now have under test, there were, quite frankly, a lack of same at what is usually the premier site for such announcements. I can’t help but feel that some new cameras are waiting in the wings...

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George Schaub Posted: Jun 01, 2009 0 comments

“Photographers owe nothing to reality.”—Fred Picker, 1988

An image sits in front of you on the monitor, something you caught on some stroll or an intentional trip into some world space that you wanted to share with the rest of the inhabitants, and there is something right about it and something wrong, something you missed along the way or that dropped out from...

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George Schaub Posted: May 01, 2009 0 comments

There’s nothing like travel to refresh your photographic eye, to make you see new again and break the visual habits gained from the same path trodden day in and out. These days travel might be limited to a park a few miles away or into a city available by transit, but whatever the trip, from arboretum to a national park, there are photographic possibilities awaiting us. We are all curious...

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George Schaub Posted: Apr 01, 2009 0 comments

Multimedia usually means a device that does a lot of things for you; experience shows that in such devices some are done better than others. We are seeing more and more multimedia coming to photography. Sony, for example, just announced a digicam that you can use to connect to the web, and not just an online storage server. Epson, HP, Canon, and other printer companies tout...

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George Schaub Posted: Mar 01, 2009 0 comments

I recently got back a roll of processed color negative film from a lab touting itself as “professional” and it reminded me why it’s difficult for me to go back to shooting film. It’s not that I don’t like the look of film, or that I don’t enjoy actually working with it; it’s that the prints were well below my expectations. I checked the negatives and they...

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George Schaub Posted: Feb 01, 2009 0 comments

This issue might seem to have a slight touch of split direction, what with our annual tribute to black and white photography and a trio of new D-SLR reviews thrown in together. But that seeming contradiction is soon dispelled when you consider that the amazing interest in black and white has occurred at the same time as the rise in megapixel counts in cameras. More and more photographers are...

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George Schaub Posted: Jan 01, 2009 0 comments

In this issue we bring you our photokina report, information gathered over a week spent at the worldwide photo show held every two years in Cologne, Germany. Our team of reporters covered the vast show halls to bring you reports on the latest products and technology in the photo and imaging world as photokina has always been the source for new trends in photography, and a good deal of inside...

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George Schaub Posted: Dec 01, 2008 0 comments

Everyone has experienced the frustration of making changes to an image on the monitor until it’s just right, then seeing a print emerge only to have it too light, too dark, or, for black and white images, seeing the image color go a sickly green or other color cast. It would make sense that what you see on the monitor screen matches the print, but that’s not always or, for some, often...

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George Schaub Posted: Nov 01, 2008 0 comments

As this issue goes to press we’re off to photokina in Cologne, Germany, for the one show that always rocks the photo world. Held every two years, photokina is where just about every manufacturer in the industry from around the world gathers to show their wares, and their future tech, so that’s where we’ll be. Shutterbug is sending a team of reporters to cover every aspect of the...

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George Schaub Posted: Oct 01, 2008 0 comments

Those who spend most of their time working in natural light have come to appreciate the difficulties of making the best exposure reading, working the point of view, and maintaining tonal value and detail in the scene. One of the reasons for the increasing interest in HDR (so-called High Dynamic Range imaging) is that it seems to be a digital way to overcome the curse of the ancient...

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George Schaub Posted: Sep 01, 2008 0 comments

There's no doubt that digital allows you to blithely shoot away without concern for film and processing expense and to record every possible angle and compositional permutation, with bracketing to boot. In that, it has freed the image from the implied cost of every snap of the shutter--not to worry, you paid for most of that up front. Now what you get to spend is time...

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George Schaub Posted: Aug 01, 2008 0 comments

It goes without saying that digital has changed lots of things in photography. One matter that requires more thorough investigation is how it affects optics and assumptions we have made about the design, recommendations, and even the naming conventions we use. While this column length does not allow for full discussion I'll raise some of the issues and open the floor to our...

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George Schaub Posted: Jul 01, 2008 0 comments

For those who worked in the confines of the amber-lit chemical darkroom and experienced the wonder of an image emerging from paper after being dipped in a tray of liquid, the changeover to the digital darkroom, as it has come to be known, has been radical. No longer dealing with dye and density, we are now confronted with changeable codes that are handled by graphic interfaces...

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