Editor's Notes

Sort By: Post Date | Title | Publish Date
Filed under
George Schaub Posted: Mar 14, 2012 Published: Feb 01, 2012 2 comments
I grew up in a black-and-white photographic world. Sure there was color and plenty of it, but what attracted my eye were the black-and-white pictorials in Life magazine, black-and-white movies like The Third Man and the film noir B-flicks, and the amazing work that came out of the FSA and that of Weston, Evans, and Siskind. When I began photography “seriously” I couldn’t imagine shooting in color, except for the rent-paying jobs, or not being the one who processed and printed my own work.
Filed under
George Schaub Posted: Feb 10, 2012 Published: Jan 01, 2012 2 comments
First off, the staff of Shutterbug wishes the very best for you and yours during the coming year. We thank you for your continued support, ideas and images, and look forward to another great year in 2012.
Filed under
George Schaub Posted: Jan 26, 2012 Published: Dec 01, 2011 2 comments
There comes a point in your photographic life when you might consider making money with your camera. It might be a life’s goal from the start, and you put the time into assisting, attending workshops, and even taking formal lessons or enrolling in a school dedicated to the craft. But more often than not it’s something that occurs to you along the way, something that sticks in the back of your mind as you lay awake at night. You consider it because of your love and dedication to making photographs, and your feeling that making a living with something you love to do would be a good way to go through life. But the question remains—just how do you get started, how do you make the transition or the first step?
Filed under
George Schaub Posted: Dec 13, 2011 Published: Nov 01, 2011 0 comments
It’s hard to beat the beautiful quality of “natural” light. As I write this I am looking out my studio window at dusk, right when the rays of the setting sun backlight the magnolia leaves swaying in the wind, and there are thousands of facets of illumination that move together as one. Yet, photographers face the fact that light is not always so kind and gentle, and that subjects do not sway in the wind to add grace to the moment, and that there are some times when you have to make the shot when the light is just plain lousy, or the weather, setup, and subject make it an indoors occasion in small rooms lacking any kind of pleasing, or even ambient light worth shooting in.
Filed under
George Schaub Posted: Nov 28, 2011 Published: Oct 01, 2011 2 comments
In this issue we feature images from the last roll of Kodachrome film ever processed. Steve McCurry’s work has always been admirable, but here the photographs have a special poignancy because they will be irrevocably tied to the end of an era in photography. These iconic images now reside in the Eastman House in Rochester, a fitting setting for them among the daguerreotypes, albumen prints, kallitypes, and other images created by processes that have become part of history. True, you can emulate the “look” of these processes with software, and even recreate some of the old paper print processes using custom-mix chemicals and old formulae, but I doubt very much that anyone is going to attempt to set up the massive machinery and chemical soups required to allow Kodachrome to be processed ever again.
Filed under
George Schaub Posted: Oct 28, 2011 Published: Sep 01, 2011 25 comments
The revised website at www.shutterbug.com is now online. This new iteration maintains all the archived stories of the past site—with postings from all our articles from over the past 12 years—plus new features that make searching easier, sharing more accessible, and now the ability for registered users to comment on all our postings. The new site is the result of hard work by numerous people from our team and we trust it will become one of your main sites for photographic news and views and research.
Filed under
George Schaub Posted: Sep 16, 2011 Published: Aug 01, 2011 0 comments
In this issue we feature the TIPA Awards for products in 40 different categories and I thought you might like to know how the finalists were chosen. TIPA, the Technical Image Press Association, is composed of representatives from photographic magazines around the world, editors, who go through the process of first nominating products by a Technical Committee and then voting on what they consider the best or most innovative products in their respective categories. Editors are from pro, advanced amateur, and amateur photo magazines, including those from Australia, Canada, Germany, Greece, Hungary, Italy, the Netherlands, Poland, South Africa, Spain, the United Kingdom, and the United States, from which Shutterbug is the sole member.
Filed under
George Schaub Posted: Aug 23, 2011 Published: Jul 01, 2011 1 comments
I remember a story Fred Picker once told about showing his portfolio to a curator at a museum in New England. Fred photographed in the British Isles, near his home in Vermont and places far and wide, and trained his eye and lens on natural forms and man-made totems in nature. His favorite photographer was Paul Strand, though his photo collection ranged as far as his travels. In any case, in goes Fred to this curator, who quickly breezes through the images and dismisses the lot, saying, “We don’t need any more rocks and trees.”
Filed under
George Schaub Posted: Jul 11, 2011 Published: Jun 01, 2011 0 comments
Photography and travel have always been intertwined. Ever since photography was invented photographers have been exploring the world, both locally and globally, with images. The camera becomes motivator and instigator, witness and commentator, of the social, natural, and wondrous sites that surround us. And while many of the articles and images in this issue deal with particular projects undertaken by a wide range of photographers, there’s no reason to think you have to travel far and wide to discover what that magical combination of camera and travel can do for you.
Filed under
George Schaub Posted: Jun 22, 2011 Published: May 01, 2011 1 comments
Image processing has always been an important facet of photography, even in these post-film days. Indeed, even working from film, most photographers now go the scan route so that all images get poured through the digital funnel as they make their way to print and online. While we often run processing technique articles that concentrate on Adobe Photoshop, the reviews here feature other products that pose an alternative to that most impressive program and that might just handle many of your conversion, manipulation, and editing needs. It is rare these days that one software package can do it all, and many exciting programs are available that offer unique ways for you to work your images.
Filed under
George Schaub Posted: Apr 01, 2011 0 comments

Throughout the years we have paid close attention to the business side of photography, featuring tips and words of wisdom from working pros in Maria Piscopo’s Business Trends column, Jack Neubart’s Pro’s Choice column, and numerous articles on wedding, portrait, stock, event, and other venues in which photographers, both full- and part-time, share their experiences on how they...

Filed under
George Schaub Posted: Mar 01, 2011 2 comments

Many photographers start their careers photographing weddings or doing portraits “on the side.” Me, too. While I was engaged in other aspects of the craft, I worked as a weekend warrior shooting weddings and social events to help raise money for new gear (and pay the rent). I set up a small studio with seamless paper on rolls in my one-bedroom apartment and would do tabletop...

Filed under
George Schaub Posted: Feb 01, 2011 0 comments

Every photo you take with a digital camera is RGB but that hasn’t stopped anyone from exploring the rich field of black-and-white imagery. True, a few years back the “conversion” to black and white was not so simple. You had to explore Channels or desaturate the image to create the foundation file, which left you with a fairly good black-and-white rendition, but something that...

Filed under
George Schaub Posted: Jan 01, 2011 0 comments

Every two years the photo industry and sundry crews from the art, printing, and Internet world gather in Cologne, Germany for what is indisputably the largest gathering of its sort in the world. While the halls are filled with various products and innovations, and probably the best minds in the photo world, the town gives itself over to photography with exhibits both sublime and ridiculous in...

Filed under
George Schaub Posted: Dec 01, 2010 0 comments

When the barbarians sacked an ancient city they often used the library as kindling, wiping out ancient knowledge and ages of historical texts and pretty much bringing on the Dark Ages. To hear some folks tell it, all a barbarian would need today is a powerful magnet applied to servers and hard drives. This would hardly seem to sate the appetite for pillage any good barbarian would practice, but...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading