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Staff  |  Aug 23, 2012  |  First Published: Jul 01, 2012  |  0 comments
While enjoying an afternoon coffee break at a Parisian café, I was engulfed by the fantasy world of the city itself as I heard the sounds of traffic mingling with the footsteps of people passing by.

In my mind, the image still evokes a heady sense of “joie de la vie” (the joy of life)…and one can never get enough joy in life.
—K. Preiss
Wake Forest, NC

Staff  |  May 21, 2012  |  First Published: Jun 01, 2012  |  0 comments
On The Cover
In this issue we feature tests on a myriad of image software programs for everything from creating unique images to speeding workflow to aids in organizing and editing your work. We also continue our Image Tech series with in-depth tests on Nikon and Panasonic cameras plus take a look at a new trend in inkjet papers as well as a handy Wacom tablet that will make working with all that software in our tests so much easier. And visit us at www.shutterbug.com for more web-exclusive content added daily.

Staff  |  Jul 03, 2012  |  First Published: Jun 01, 2012  |  5 comments
Our Picture This! assignment this month was “At the Flea Market.” The amazing diversity of material found at flea markets and antique malls is grist for a photographer’s mill. Not only are there odd and unusual items aplenty—from castoffs to treasures unknown—there’s also the element of the yet-undiscovered art directors, the dealers and vendors who arrange these items in sometimes random, sometimes ironically intentional ways. When photographers talk about capturing “found art” they needn’t go farther than their local flea market to find all they need.
Staff  |  Jul 12, 2012  |  First Published: Jun 01, 2012  |  1 comments
Bicycles are integral to the city of Amsterdam’s lifestyle and while traveling there, I decided to give myself an assignment and carve out time to concentrate on them alone. I set up in the open window of my hotel room along a busy, narrow thoroughfare with a designated bicycle lane, next to the Amstel River, and began to shoot. I recorded an incredible variety of bikes, including some for hauling everything from pets to freight, but this one, which I call “Rush Hour,” has become my favorite.
Staff  |  Apr 12, 2012  |  First Published: May 01, 2012  |  0 comments
On The Cover
This month’s issue continues our report of the new products of 2012 based on our coverage of the annual CES/PMA trade show. In this issue we cover new tripods, bags, lenses, and lighting. We also have an in-depth report on new tech that is beginning to revolutionize how we capture images, as well as Image Tech reports on the Sony A65 and Fujifilm X10. Plus there are some new photo stamps coming, this set honoring aerial photography, that we trust all of you who still send letters will use!

Staff  |  Jun 05, 2012  |  First Published: May 01, 2012  |  0 comments
Our Picture This! assignment this month was “Things Are Looking Up” and readers responded with a great variety of images with a skyward point of view. Many were architectural studies, and the fascinating compositions we received transformed the spaces in which we work, visit, and live. The abstraction engendered by taking a new point of view was certainly visually rewarding in all the entries we saw. It reminded us that some of the best images we can make are those that are made by looking anywhere but straight ahead, and we think when you look at the images below you’ll agree.
Staff  |  Jun 26, 2012  |  First Published: May 01, 2012  |  2 comments
Traveling in winter on the train from Dresden, Germany, the mostly overcast countryside zipped by as the train quickly moved along on its way to our destination in Prague, Czech Republic. Occasionally the sun peeked out from the clouds and lit up the houses and the industrial areas we traveled through. At first I thought my images might be impaired by a too slow shutter speed and the reflection in the train windows, but I quickly decided to use those problems to my advantage. The photos I ultimately made (and named “Views From the Train”) clearly indicate movement, low light, and reflections; qualities that mirror both the literal and metaphorical aspects of the country we traveled through.
Staff  |  Mar 16, 2012  |  First Published: Apr 01, 2012  |  0 comments
On The Cover
This month’s issue features the work of a number of photographers who have created their own personal projects and applied great energy, effort, and skill to them. The owl photo is by David FitzSimmons from his Curious Critters book. We also kick off our US trade show coverage this month by highlighting the battle of the D-SLR titans and their new flagship cameras, plus continue our Image Tech series with a lab review of two fascinating mirrorless cameras.

Staff  |  May 08, 2012  |  First Published: Apr 01, 2012  |  0 comments

Traveling by plane these days is certainly no joy, a bad situation made worse for photographers who never check their precious gear. Traveling on regional jets, and especially international flights, means not being able to lug large backpacks or roller cases filled with gear on board. And with flights so jammed airlines have gotten even stricter about carry-ons, despite the fact that their policies now make everyone want to carry on rather than shell out the extra bucks. It’s getting pretty nasty out there.

Staff  |  May 17, 2012  |  First Published: Apr 01, 2012  |  0 comments
While it might seem odd to have fall colors in late winter, we thought we’d take advantage of the crop of image ops available when the contest began (those luscious fall hues) and to have a bit of color to fight off the winter blahs right now. In any case, readers sent in a host of images from all around the country showcasing the fantastic colors and richness of that very special season. Editing from all the photos received was tough, but we found numerous images that we hope that for you, like for us, was a reminder that seasons do change and that gray and cold (at least here in the Northeast) is not how it always is outside. Please note that while we did not limit the post-processing allowed on these images we tended to choose those where processing enhanced the image and did not overwhelm it.

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