Jack Neubart

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Jack Neubart  |  Jun 01, 2003

Lighting And Supports

Everywhere you turn in Las Vegas, there are lights flashing, or should we say, flashy lights? And while the Las Vegas Convention Center was not awash in the bright, showy lights of the Strip, still the lights of photography shone in their own small way. As did tripods...

Jack Neubart  |  Jun 01, 2003

Power And Performance

I literally got a charge out of seeing the plethora of chargers and both reusable and primary batteries at PMA this year. (By the way, when you see the word "primary," it's the politically correct term for "throwaway.")...

Jack Neubart  |  Dec 01, 2002

Fujifilm FinePix S2Pro

I was standing in Times Square, the Fuji S2 Pro with 28-105mm f/2.8 lens in my hands, when I chanced to glance over my shoulder and noticed someone peering at me. The quizzical expression on my face was greeted by a...

Jack Neubart  |  Oct 01, 2002

You can go your entire life using a 35mm SLR and its built-in flash without ever buying an accessory electronic flash unit. If you don't mind compromise. The built-in flash takes fairly long to recycle and may not be ready when you are...

Jack Neubart  |  Oct 01, 2002

Any time of year presents us with budding opportunities to shoot close-ups. We can find flowers any time of year, indoors--and possibly even outside. And we're not just limited to...

Jack Neubart  |  Mar 01, 2002

Everyone involved in digital printing cannot stress strongly enough the importance of using good-quality inks and media, especially when it comes to printing pictures of true photographic quality. In the case of ink jet printers, we begin, where a choice for our printer indeed exists, by choosing the...

Jack Neubart  |  Nov 01, 2001

Multiple-flash lighting is easier than ever with today's dedicated flash technology.

When in Madeira, while working on my Kodak Electronic Flash book (Silver Pixel Press), I found myself...

Jack Neubart  |  Mar 01, 2005

It's not often a camera like the Panasonic Lumix DMC-FZ comes along.
But when it does, it thankfully arrives in several flavors to suit various tastes,
in 4-, and 5-Mp versions, priced at $499 (DMC-FZ15), and $599 (DMC-FZ20), respectively.




For starters, what makes the Lumix FZ stand out is the Leica DC Vario-Elmarit
6-72mm/12x optical zoom lens, which translates into 36-432mm, in 35mm parlance.
More astounding still is the maximum aperture: f/2.8, which defines a fast lens
for this zoom range, one eminently suited to low-light situations. As if that
weren't enough, optical image stabilization should help when shooting
in subdued light at relatively long shutter speeds, a key feature we'll
be testing.

...
Jack Neubart  |  May 22, 2006

On the road, it's not always about transferring picture files to a portable
device. Many of us take our laptop computers with us, transferring pictures
directly to the computer, often for immediate previews while shooting on assignment.
And what folly that is without some means of backing up those pictures from...

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