Videos

One common reason for unimpressive photos is a lack of attention-grabbing contrast with weak highlights and shadows, along with an insufficient difference between these two crucial elements. Today's Lightroom tutorial from the popular PHLOG Photography YouTube channel explains how to deal with high-contrast images and achieve a wide range of tones from bright whites to deep blacks, and everything in between.

Are you struggling with overexposed or underexposed photos? If so you've come to the right place today, as instructor Anthony Crothers identifies three common errors made by beginners and then demonstrates how to fix them fast.

Experienced photographers sympathize with the plight of those of you who are just getting started because all recall the early days when none of our images seemed to meet expectations. Today we're enlisting the aid of long-time Australian pro Lachlan Garutti to shortcut your learning curve in a big way.

We're all looking for ways to improve our image-editing workflow by getting the task done faster while achieving great results. Today's tutorial does exactly that by revealing five Photoshop tips and tricks that you've likely never tried.

The task of removing image-killing reflections, like in photos shot with a window within the frame, used to be a somewhat arduous chore. But fortunately those complications are now a thing of the past thanks to the powerful new AI-powered Remove Reflections tool in Adobe Camera Raw (ACR).

Before getting started on a project do you carefully select the most appropriate Adobe Camera Profile for the specific image at hand? If not, that's a shame, as you'll see in the following quick primer from instructor Mitch Lally. In fact, watching his video could be the most productive five minutes you spend today.

We're all faced with a choice when it comes to photographing fast-moving subjects, whether they're birds in flight, sports subjects, shots of rambunctious kids or pets, or vehicles passing quickly through the frame. One option is to freeze the peak moment of action as it occurs, while the other is to intentionally blur the subject to create a unique, visual representation of speed.