If you’re in the market for an ultra-wide lens you’ve probably noticed they’re available in two basic configurations; fisheye and rectilinear. So what’s he difference, and which type best suits your needs?
Act now and you can save $100 on the exciting new Tokina atx-m 11-18mm f2.8 E zoom for Sony E APS-C format mirrorless cameras during Tokina’s Holiday Instant Savings Event.
Travel and landscape photographers typically reach for a wide-angle lens when confronted with a compelling landscape. But choosing a telephoto provides an opportunity to create images that stand out from the rest—especially in iconic locations that have been photographed time and time again.
Following closely on the introductions of the X-H2S and X-H2 mirrorless APS-C cameras, Fujifilm has announced the X-T5. Dubbed the “5th Generation System,” the X-T5 features a 40-megapixel X-Trans CMOS 5 HR imaging sensor and the new X-Processor 5 ASIC. Priced at $1699 (body only) the new model replaces the X-T4 in Fujifilm’s lineup at the same price point.
Tamron just announced an 8X lens for Sony full-frame mirrorless cameras that starts at 50mm and zooms to 400mm, widening the range of creative applications compared to telephoto zooms that begin at the 100mm focal length. In addition to beginning at 50mm (the established “normal” or “standard” focal length for full-frame cameras) the new ultra-telephoto zoom focuses as close as 9.8 inches, rendering a magnification ratio of 1:2 (one-half life size).
If you're a beginner photographer who has gotten bored with shooting everything in fully automatic mode, you've likely thought of experimenting with your camera's manual settings. And the first setting you've probably considered adjusting is the lens' aperture.
Lens diffraction is an important concept that’s not very well understood by many photographers, and it can have a big impact on your images. In the tutorial below you’ll find a simple explanation, and learn how to deal with diffraction for better results.
There’s a bunch of photographers out there who’d like to shoot macro images once in a while, but not often enough to justify purchasing an expensive, dedicated lens. Today we’re going to show you how to get started shooting close-ups on the cheap.
Most experienced landscape photographers reach for a wide-angle lens when shooting expansive vistas. But telephoto lenses, when used properly, can capture compelling outdoor images with a unique look.
Gear isn’t the most important thing when shooting landscape photos, but it does matter. In particular, choosing the right lens can make your job easier as a photographer.
If you’re just getting started in landscape photography and you want to get up to speed as quickly as possible, the video below will seal the deal. You’ll learn all the basics necessary for capturing great photos on you’re next outdoor outing.
If you’ve ever wondered whether newer and, typically, more expensive versions of lenses are that much better than their predecessors, the below video is a fun comparison. In the clip, swimwear and lingerie photographer Anita Sadowska compares the new Sony FE 24-70mm f/2.8 GM II lens from this year to the older “Mark I” version.
If you’ve never tried capturing the splendor of starlit skies because you thought you lacked the necessary skills and gear, today’s straightforward tutorial will change your mind. After watching the five-minute video below, you’ll understand why “nighttime is the right time” and know how to get the job done.
Because Amazon is one of the world’s largest marketplaces for digital camera gear, checking out the best sellers in photo related categories provides a sense of what’s popular—and maybe even a few surprises.
Aperture is a key fundamental of photography, and one component of the Exposure Triangle—along with ISO and shutter speed—that work together to produce properly exposed images. But as you’ll see in the tutorial below, the f/stop you choose also affects photos in other important ways.