Photoshop How To

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Ron Leach  |  Dec 21, 2022  |  0 comments

What’s the first thing you do after opening an image in Photoshop to begin the editing process? For many photographers it’s messing with the Shadow/Highlight sliders to arrive at what you consider a good exposure.

Ron Leach  |  Dec 20, 2022  |  0 comments

Most photographers love printing their best work, especially this time of year when a beautiful framed photo makes a great holiday gift for family and friends. It’s also a great idea to decorate your home or office with images you love.

Ron Leach  |  Dec 15, 2022  |  0 comments

We recently featured a tutorial demonstrating how to create jaw-dropping landscape photos with Lightroom’s oft-ignored Calibration tool. That lesson got a lot of attention, and we have an equally great one for you below.

Ron Leach  |  Dec 14, 2022  |  0 comments

Photoshop’s brush tools are often overlooked, and that’s too bad because the process of using them can simplify the editing process and deliver better results. In the beginners tutorial below you’ll learn the necessary basics for getting started today.

Ron Leach  |  Dec 13, 2022  |  0 comments

Sometimes the photos we capture don’t appear as vibrant as they did through the viewfinder. That could be because of flat light, incorrect exposure settings, or a passing cloud blocking the sun.

Ron Leach  |  Dec 12, 2022  |  0 comments

As you’ve no doubt learned by now there are often several ways to accomplish the same task in Photoshop. And sometimes the methods you choose depend upon what you plan do with the finished image.

Ron Leach  |  Dec 12, 2022  |  0 comments

In basic terms, Luminosity masks are selections based upon the brightness (or darkness) of various portions of a scene. As you’ll see in the quick tutorial below, they enable you to discretely select the bright, dark, or midtone pixels in an image and then make whatever adjustments you desire.

Ron Leach  |  Dec 08, 2022  |  0 comments

Photo composites are a lot of fun to make, and they enable you to create eye-catching images by combining two or more shots. The problem is that there are a few hurdles to understand if you want to achieve natural looking results.

Ron Leach  |  Dec 08, 2022  |  0 comments

As the great Ansel Adams once said, “Dodging and burning are steps to take care of mistakes God made in establishing tonal relationship.” And that holds true whether you’re working with film in the darkroom or editing digital images on the computer.

Ron Leach  |  Dec 07, 2022  |  0 comments

If you’ve been following our ongoing Lightroom tutorials you know Adobe has made great strides with their most recent updates, and the latest masking tools have created quite a buzz—with several new portrait-related masks that work pretty well.

Ron Leach  |  Dec 07, 2022  |  0 comments

A couple weeks ago we featured an editing tutorial, explaining an easy way to create five unique effects using the Curves tool in Photoshop and Lightroom. Today instructor Scott Davenport is back with a bonus two-minute tip, demonstrating how easy it is to fix blown-out highlights using Curves.

Ron Leach  |  Dec 06, 2022  |  0 comments

Experienced landscape photographers prefer shooting at two primes times of day, early morning or late afternoon. That’s because Blue Hour, just before sunset, is a great opportunity to make images with calm, blue tones. Golden Hour, at the end of the day, enables you imbue scenes with striking warm colors as the sun is about to set.

Ron Leach  |  Dec 05, 2022  |  0 comments

Sunrises and sunsets are among the most popular scenes for avid landscape photographers. Early morning images usually have ephemeral soft blue tones, while sunsets typically display striking yellows, oranges and reds.

Ron Leach  |  Nov 30, 2022  |  0 comments

Photographers use their images in a variety of ways. Sometimes the goal is a huge print to display on a wall, while other times you want post photos on social media platforms—some of which have unique sizing requirements.

Ron Leach  |  Nov 29, 2022  |  0 comments

It’s not impossible to capture compelling landscape photos on flat, foggy days, but more often these conditions result in boring, uninspiring images. If that’s what you get on your next outing in the field, we encourage you not to trash the photos with the intent on returning on a better day.

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