A common practice among nature and wildlife photographers is to shoot at maximum aperture to separate the primary subject from a soft out-of-focus background. This tutorial, however, explains when this can be a bad habit and actually spoil an otherwise great image.
This tutorial is for those of you who've marveled at spectacular star trail images of the nighttime sky but thought this unique style of landscape photography was beyond your skills. Today you'll learn how to get the job done with the gear you already own.
Most photographers understand why shooting in Raw provides maximum image detail and other key attributes that contribute to ultimate image quality. Another benefit of using this format is that it delivers far more control during the image-editing process.
Whenever Adobe updates their software it seems like one or two features grab all the headlines, like Photoshop's recent Lens Blur capabilities. At the same time, other powerful tools tend to be overlooked as you'll see in this tutorial from our friends at PiXimperfect .
Are you looking for a simple and effective Lightroom technique that will dramatically enhance images as quickly as possible so you can get back out in the field doing what you love most? If so, we've got you covered with today's game-changing tutorial from post-processing impresario Julienne Kost.
We all strive to capture photos in which the primary subject of a scene is full of detail and properly exposed. Today, however, you'll learn a different approach whereby the subject is shy on detail but full of drama and impact.
Dynamic Range is one of the most important photography concepts to understand, both with regard to a camera's capabilities and how you edit your work. Some shooters don't know exactly what the term means, but just about everyone knows they want more.
So you finally tried shooting in Manual mode after listening to all the noise from so-called "purists" and surprise; the images you captured were far from impressive. What's up with that?
Shutterbug readers are always enthusiastic about Julieanne Kost's post-processing tutorials because of her vast knowledge of all things Adobe and her uncommon knack for simplifying seemingly complicated concepts and task. In the next four minutes she demonstrates a foolproof method for enhancing images with Lightroom's Presence Sliders.
We've had discussions in the past about how a heavy-handed approach to post processing can be worse than no editing at all and can really mess up an otherwise nice shot. There are also times that problem occur because of a failure to understand how common tools work, and this often results in easy-to-correct mistakes
Outdoor photographs often need local adjustments to balance a bright sky against a dark background, or when one side of an image is brighter than the other. The trick is using Lightroom's Linear Gradient tool to create soft transitions in a fading pattern to make the necessary enhancements.
If you're looking for a post-processing technique that will take your landscape photos to the next level, this Lightroom tutorial from the PHLOG Photography YouTube channel is exactly what you need. You'll learn how to create "magical light" and introduce vibrant colors so that your images seem to jump off the screen.
We've all had the misfortune of returning from a shoot, only to discover that our "great" images are soft and unfocused. This problem can be overlooked if it's extremely rare, but if it happens consistently there's a few problems that must be resolved.
Most experienced landscape photographers consider a bombproof tripod absolutely essential. But when you combine the considerable weight of this accessory with the heft of a full pack, you end up with a heavy and cumbersome load for a full day of shooting in the field.
This interesting post-processing tutorial demonstrates how to use Photoshop's Radial Blur filter with the option of Zoom to accentuate motion in a way that conveys a dynamic impression of speed. As instructor Pablo Garcia says, "this is a great choice for giving our photos a sense of movement towards the inside of the image."