Photographer Profiles

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James C. Williams  |  Oct 05, 2015

I first discovered the work of Simon Marsden in the pages of Clive Barker's A-Z of Horror. Marsdens’s strange and beautiful images mesmerized me and I wanted to know more.

Lynne Eodice  |  Jun 01, 2003

Robert Herko is a professional photographer who's in great demand in New York (he's just settled into a larger shared studio in Manhattan), California, and Arizona, where he once lived. His clients include Hummer, Pfizer Pharmaceuticals, VISA, Arizona's Department of Tourism, Arizona Highways magazine, Arizona Western College, and several casinos in the western...

Lynne Eodice  |  Oct 01, 2004  |  First Published: Sep 01, 2004

All photos by Ron Kimball

 

A veteran photographer of 25 years who specializes in automobiles and animals, Ron Kimball is possibly the most published calendar and poster photographer in the country. He markets his work through Ron Kimball Stock, which features over 500,000 of his...

Ron Leach  |  Dec 13, 2016

Andy Seliverstoff has long been passionate about photography, but four years ago he decided to combine his craft with a love for man’s best friend and concentrate solely on dog photography. His enchanting “Little Kids and Their Big Dogs” project, reveals a unique bond that can occur between huge dogs and children.

Ron Leach  |  Mar 30, 2017

Dutch photographer Scarlett Hooft Graafland is a nomadic photographer who travels the world in search of unique people and places to shoot. Whether she’s in the salt deserts of Bolivia, the Canadian Arctic, or on the remote island of Madagascar, Graafland’s goal is to merge with her surroundings and capture the local sights and culture in unique ways.

Dan Havlik  |  Feb 02, 2015

Swiss photographer Sebastian Magnani’s latest photo project is pure trash, which is exactly the point. Titled “Trash Heroes,” it looks at what we, as humans, decide to throw away and why.

Jon Sienkiewicz  |  Apr 09, 2021

Tara Wray found a way to turn a personal dark cloud into a hope-filled ray of sunshine for thousands of others. A highly esteemed and award-winning filmmaker and photographer, Tara generously shares some images from her latest book, Year of the Beast, and answers some photography questions for Shutterbug.

Steve Meltzer  |  Nov 14, 2014

By any definition, Sebastião Salgado is one the most important photographers working today. Currently he has a large exhibition of his work on display at the International Center for Photography (ICP) in New York City through the very beginning of January 2015. It is will be the last photo show at this location, before ICP’s move next year to a new exhibition space in New York’s Bowery neighborhood.

Ron Leach  |  Feb 14, 2017

Astrophotographer and professional astronomer Sergio Montufar makes some gorgeous images of starlit skies. And we thought the romantic image you see above, of Montufar proposing to his girlfriend beneath the Milky Way, would be a fitting shoutout to all our fans on Valentines Day.

Jack Neubart  |  Feb 07, 2017

Documentary photography captures the truth but it also tells a story. And that is exactly what Nina Berman has always aimed to do, and what she succeeds in doing, as the Brits say, so brilliantly. Her pictures evoke our emotions; they often shock; but they never fail to open our eyes to the world around us.

Suzanne Driscoll  |  Feb 24, 2015

Legendary celebrity photographer Terry O’Neill always wanted to be a jazz drummer. When he was 10 he made his own drum kit from cookie tins, and by the time he was 14 had quit school and was playing in jazz clubs with a local band. After a stint in the army, O’Neill thought he might get the chance to travel to the U.S. to play in clubs there if he worked as an airline steward. So he applied to what now is British Airways and was very surprised to be handed an Agfa Silette camera and told to take pictures of people around Heathrow airport.

Jack Neubart  |  Mar 18, 2016

Photographing people for a living can prove intimidating for many photographers. Now add “celebrity” to that and you may find you have to step up your game several notches to stand on equal footing with your subject. You can’t afford to be intimidated and you certainly can’t afford to appear unsure of yourself or to question your decisions. You have to enter the picture with a game plan and be decisive, know which lens you’ll be using, what lights, and where to place those lights. But you also have to be prepared for the unexpected. That’s why they give these jobs to photographers such as Victoria Will.

Lorin R. Robinson  |  Oct 25, 2013  |  First Published: Sep 01, 2013

He stands in about 3 feet of roiling surf, wetsuit jersey glistening from repeated dunkings. The sky above Oahu’s North Shore is deep blue. Undertow currents grasp his legs—eroding sand beneath his swim fins—as water rushes seaward to build the next huge wave. He holds his bulky waterproof camera housing tightly, faces west toward the setting sun and checks the long tether attached to his wrist. He turns his head to watch the wave rise ever higher—a towering blue-green monster that’s starting to curl, white spume blowing off its top. He braces himself as best he can against the forces raging around him, points the camera toward the golden Hawaiian sunset, and waits as tons of water begins to curl over him, forming a tube. At what he hopes is the right instant, he fires off several shots and prepares to be pounded and rag-dolled by the massive wave.

Joe Farace  |  Oct 31, 2014

I think Mr. Erwitt’s talking about “the way you see” is the best advice for any photographer no matter what their experience level may be. One way to open your mind and eyes to different ways of seeing the world is to look at other people’s images, and that’s one of my goals with this column. Helping us with that today are four Shutterbug readers who bring their own unique views of the world to bear on the art and craft of photography.

Jay McCabe  |  Jul 25, 2014  |  First Published: Jun 01, 2014

From the photos that Ben sent us prior to his graduation from Appalachian State with a degree in commercial photography, we were not surprised to learn that he grew up wanting to be a film director. “It was a big dream from the time I was a little kid,” he says. But when he got into photography, he found the still image had its own esthetic attractions, and practical advantages. “I can get my models to places I wouldn’t be able to get a film crew to,” Ben says, “and I’m able to create images that are visually more appealing than anything I can do on film right now.”

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