Sooner or later in the evolution of every photographer, a time will come when creating personal style becomes a top priority. After all, we all want our images to be readily recognizable so they grab attention by standing out from the crowd.
What if we told you that by watching a five-minute video you can prevent Photoshop disaster—or at least save hours of frustration rebuilding an image you messed up by mistake?
“What is a LUT?” you ask. In technical terms, LUT is an acronym for “Look-Up Table”—a precise mathematical means of modifying RGB image values by changing hue, saturation and brightness of a photo to create a specific look. In basic parlance, a LUT is nothing more than a bunch of adjustment layers compacted into a single file that you can save and use with most editing programs available.
So you’re shopping for a new SD card and confused by all the options. These memory cards are available in various capacities, and read/write speeds and other specs differ widely. And what about the difference between SD, SDHC, SCHX, and SDUC cards?
If your digital camera is fairly new, odds are it stores images on SD cards. SD stands for Secure Digital but it may seem more like Strange & Discombulationg because of the permutations that abound. This primer will school you on all you need to know about this efficient and progressive format, and help you make better purchasing decisions when it’s time to buy more cards.
Achieving fast and precise focus is a primary goal of all outdoor photographers, whether they shoot wildlife, sports, adventure, or travel images. Even landscape photographers want to hit the proper point of focus when capturing static scenes.
Followers on YouTube are always asking photographer Pierre T. Lambert what his favorite camera settings are so in the below video he decided to share his "secrets." But first, he has a caveat.
Human visual perception is a wondrous thing—it allows us to see a wide spectrum of colors, with all the subtleties and shades, lights and darks, pastels and richness of the earth and the heavens. To see in black and white is an abstraction of that world, one that perceives luminance, or brightness, without the benefit of hue. Yet hue, or color, and its shades, often determine what tones, or grayscale values, will be seen in black and white. If one were always to see the world only in black and white it would be considered a deficiency of vision. But to see that way occasionally, and to be able to render what we see in a monochrome fashion, opens the door to different perceptions and feelings about the world, and yields a unique form of expression in the bargain.
Imagine you find a great location to capture a landscape and as you set up the light goes from nice to extraordinary, as it did along the banks of the Merced (#1). Your body tingles with excitement, you lock in your exposure and shoot, but when you return to view your shots, you aren’t pleased. Producing high-quality nature photography is a result of learning technique, knowing your equipment and the having the ability to react to a scene in a creative fashion at a moment’s notice. In this chapter we’ll look at the importance of mental preparation and applying your own composition sense to the creative process.
Yesterday we featured a straightforward guide to using Selective Exposure adjustments to get the light right in complicated images with a wide range of brightness levels throughout the frame. Today's tutorial from another image-editing expert demonstrates how to take a similar approach with Lightroom's powerful Selective Color tools.
We regularly preach the importance of taking a selective, rather than a global, approach to processing your images. This simply means limiting your adjustments to specific portions of a scene that really need work, instead of making enhancements to the image as a whole.
While most photographers realize that a bit of supplemental light can make a huge difference in portrait photos, many shooters shy away from the technique because they think expensive gear, complicated skills, and a studio are required to get the job done.
Understanding how to select the best point of focus is an essential skill for all sorts of photography. Not only does doing this right enable you to manipulate depth of field, but it helps you to direct a viewer's eye to exactly where you want it to go.
We know you have some amazing pictures—and you post them on your social media and share them with friends. Show them to the world by posting in our Photo of the Day gallery. Here’s the quick and easy procedure along with some tips to help you navigate to the right place, and even some advice about composition and subject matter we’ve picked up from our readers.